Islander

THE MOST INFECTIOUS EXTREME METAL SONGS OF 2024: OUR ANNUAL APPEAL TO READERS FOR HELP!

 MOST INFECTIOUS SONGS-2024  16 Responses »
Nov 182024
 

You might not have noticed, but our annual LISTMANIA extravaganza at NCS has begun, as evidenced by this post from last week. But we didn’t really give this project a proper introduction, so we’re doing that now. For those of you new to the orgy, our LISTMANIA blockbuster comes in four parts:

First, like that post linked above, we re-print assorted lists of the year’s best albums, leeched from other big web sites and magazines. Second, we will provide a post in which our readers can share their lists of the 2024 albums and shorter releases they enjoyed the most (we’ll be asking for those on December 2nd, so get ready). Third, we will post the year-end lists of our own staff and assorted guest writers, and that will begin whenever Andy Synn gets his week-long series of lists ready, since that’s how we always begin.

And fourth, I’ll again roll out my list of the year’s Most Infectious Extreme Metal Songs — though it’s a tradition I failed to honor last year. That list is the subject of this request for help. Continue reading »

AN NCS VIDEO PREMIERE: LES CHANTS DU HASARD — “PARMI LES POUSSIÈRES”

 Premieres  No Responses »
Nov 182024
 

Short-hand descriptions of Les Chants Du Hasard have included references to the project as a “French Blackened Orchestral/Operatic Ensemble” and to the music (even more succinctly) as “extreme opera”. Over the course of four albums, the most recent of which was released this past June, the project’s principal protagonist Hazard has found frequently eye-popping and unconventional methods of expressing extreme emotions such as anger, violence, darkness, and despair, with the goal of thoroughly submerging the listener in them.

Hazard has described the latest album, Livre Quart, in these words:

“I created LES CHANTS DU HASARD following a vision of a crawling and ugly opera, in which some light could be found, the same way that [French poet Charles] Baudelaire found beauty in ugliness. This idea has been with me on a daily basis since 2016, when I decided to give it a try and began composing Livre Premier. Livre Quart is the closest I’ve come to realizing this vision.”

As a reminder of what the album brings us, and hopefully to open new ears to its daunting phenomena, today we premiere a video for the record’s opening piece, “Parmi Les Poussières“. Continue reading »

AN NCS VIDEO PREMIERE: KILLING SPREE — “ALL THESE BELLS AND WHISTLES”

 Premieres  No Responses »
Nov 182024
 

(written by Islander)

As a musical instrument the saxophone seems to live in a walled garden. Probably no other instrument is more uniquely associated with jazz. Other instruments used in jazz ensembles have regular roles in other musical genres, but the saxophone? Not so much.

And so when people hear a saxophone, it’s hard not to think of jazz, even when the performer isn’t doing jazz riffs or jazzy noodling. But of course a lot of the time that’s what the performer really is doing, even in a different musical setting, such as metal and rock, where some bands (especially the proggier ones) have brought in guest sax performers to add a little unconventional spice.

Of course a few bands in rock and metal have a saxophonist as a regular member of their lineup — but it’s a tiny percentage. And maybe that’s because of the “walled garden” effect: It’s hard not to think of jazz when you hear the instrument, and the number of ardent metal fans who also like jazz (and vice-versa) probably isn’t a huge contingent (mind you, this is a wild guess).

And that brings us to Killing Spree, a French drum-and-saxophone duo who’ve applied a battering ram to the confines of that walled garden. Continue reading »

SHADES OF BLACK: AHAMKARA, AN AXIS OF PERDITION, SJÁLFSMORÐ AF GÁLEYSI, TODESTRIEB, NOITASAPATTI

 SHADES OF BLACK  No Responses »
Nov 172024
 

I have to be brief today, because I’m compelled to leave home soon for a few hours. An appointment you really don’t want to hear about, and one I’ll be attending masked, in an effort not to infect people around me with my shitty cold. So, without further ado….

AHAMKARA (UK/U.S.)

I think most NCS visitors know by now that we don’t report “the news”, i.e., announcements of new bands or records, if there’s no music streaming. There’s too many such announcements and too few of us. If there’s no music available yet, we just wait until there is, and then see if we think it’s worth recommending.

But there are exceptions to every rule, and I’m beginning with one. Continue reading »

SEEN AND HEARD ON A SATURDAY: MANTAR, SAVAGE LANDS, FRONTIERER, ASS TO MOUTH, ROTTEN SOUND, RITUAL FOG, SKAPHOS, THE SWORD, SOLIPSISM, PLAGUEFEVER

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Nov 162024
 


Mantar photo by Sonja Schuringa/Chantik Photography

I have my second miserable cold in two months, and how are you doing? I’ve been focusing on music that I thought would help blast the snot out of my head. I’ve included a lot of that below. I can’t tell that I’ve really come un-clogged, but it has made me feel better in other ways, including providing catharsis for being so pissed off that the virus has hit me again so quickly.

As you can see, I had time enough to do lots of listening and watching yesterday and this morning. As usual, the music from the 10 bands featured below isn’t all I heard and liked, but I had to draw the line somewhere. I moved some of my choices to tomorrow’s SHADES OF BLACK column, and others I hope I’ll get too somewhere down the road. Continue reading »

AN NCS PREMIERE: A DEAD POEM — “IN FORGOTTEN DIMENSIONS”

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Nov 152024
 

(written by Islander)

Some people are still alive who remember a time in the early ’90s (because they witnessed it) when the now well-defined genres of extreme metal weren’t so sharply separated, when there was a commingling of styles such as gothic doom, black metal, and melodeath. Others who weren’t contemporaneous witnesses have experienced those moments by listening to such records as Paradise Lost‘s Gothic, Katatonia‘s Dance of December Souls, or Rotting Christ‘s A Dead Poem.

It is no coincidence that the Brazilian duo of Marlon Combat and Carlos Misanthropic chose A Dead Poem as the name of their band, because their aim was to grasp and revive the intertwined aesthetics of doom and black metal manifested by records such as those.

Their first efforts in that direction were captured in their Absence of Life EP self-released last year (and then released in a limited CD edition early his year by Cold Art Industry Records). That caught the attention of the eclectic Personal Records, which is now primed to release A Dead Poem‘s debut album Abstract Existence on December 13th.

Some of the songs from the album have already surfaced (and opened lots of eyes and ears), and today we’re bringing you another one, a stunner of a song named “In Forgotten Dimensions“. Continue reading »

AN NCS VIDEO PREMIERE: HOSTILIA — “POWER OUT”

 Premieres  No Responses »
Nov 152024
 

(written by Islander)

We have a hell of a good story to share with you, one that’s probably well-known in the environs of Gothenburg, Sweden, but probably less well-known elsewhere, including here in North America. It’s the kind of story which reminds us that some of today’s best-known and most influential metal bands first seized attention decades ago as teenagers.

And, in addition to a hell of a good story, we’re also sharing one hell of a good song and video that features the young Gothenburg-based thrashers Hostilia.

First, here’s the story: Continue reading »

AN NCS INTERVIEW: JOSÉ LUIS CANO BARRÓN

 Interviews  No Responses »
Nov 152024
 

(In the following interview, Comrade Aleks presents a very interesting discussion with Mexican writer José Luis Cano Barrón, the founder of Under Fire Records and the author of numerous books about metal. The main focus of this conversation (but not the only one) is his book about Bathory and Quorthon, an English translation of which has been released this year by Pagan Records.)

Bathory is one of the most influential extreme metal bands of the past, as Quorthon, its constitutor, was one of the first to lay the foundation for the black metal genre, and he was the one and only who formed the rules of viking metal. Almost each album he recorded differs from another, but even the most controversial of his releases, like those two he did in the mid-’90s, got recognition.

Quorthon passed away twenty years ago on February 17, 2004, and it felt terribly wrong that there weren’t books about his career and Bathory’s history. Yet, it’s easy to understand why, because he always avoided revealing details of his personal life and preferred to work alone, so there weren’t many evidences that could help to recreate some episodes of his life accurately.

Long story short: Pagan Records released an English-language edition of José Luis Cano Barrón’s book From Hades to Valhalla… BATHORY – The Epic Story. And I couldn’t ignore it, so here we have José, who not only shared his look at Bathory’s story, but also revealed some of his plans, which may excite other bookworms like me. Continue reading »

AN NCS INTERVIEW: TOXAEMIA

 Interviews  No Responses »
Nov 142024
 

(Yesterday we premiered a full stream of the new album by the Swedish death metal band Toxaemia — which will be out tomorrow via Emanzipation Productions — and today we follow that with our French contributor Zoltar‘s excellent interview of Toxaemia co-founder and bassist Pontus Cervin.)

Before the internet and Ebay (later on, Discogs) ruined it all, collecting obscure early extreme metal items was a fun if sometimes quite frustrating adventure. These days, even the least memorable and 134th Entombed copycat gets the momentary chance to shine thanks to all those reissues flooding the market and surfing on the general impression that artistically speaking the early ’90s were the golden years of Swedish death metal (spoiler: they were). But three decades ago, the genre was deemed ‘passé’ and most of the bigger bands were left to choose between jumping on the bandwagon or splitting up, whereas the low-profiled or unlucky ones were simply buried six feet under, seemingly forever.

For a long time, Toxaemia was first and foremost remembered as topping the ‘impossible to find’ list of early SweDeath items next to Expulsion, Goddefied or Mastication. Released in January 1991 on the mighty Seraphic Decay imprint, their sole ‘real’ release, the Beyond The Realm EP, with its thrashier take on classic death metal would quite often fetch insanely large sums of money whenever one copy would happen to pop up on Ebay. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): FURZE — “COSMIC STIMULATION OF DARK FANTASIES”

 Album Reviews, Premieres  3 Responses »
Nov 142024
 

(written by Islander)

In April of this year the Trondheim-based “black psych metal” project Furze released a new album named Caw Entrance, its first full-length in six years. (We featured some crazed insights about it in our Comrade Aleks’ interview of Woe J. Reaper last July.)

Surely some significant amount of time would be necessary before he did something else under the banner of Furze, some period of recovery before his head could begin spinning again, and spinning ours — but NO! He quickly began musically self-medicating again, and the result is a second Furze album that’s now set for release tomorrow by Devoted Art Propaganda and Polytriad Fingerprints.

The new one is named Cosmic Stimulation of Dark Fantasies, which is a good description of the music and its apparent intent. You’ll see, because here on the eve of its release we’re presenting all the songs. Continue reading »

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