Islander

Apr 232024
 

(Here we have DGR‘s review of the debut album by the Greek symphonic death metal band Thy Shining Curse, released by ViciSolum Records in mid-February.)

Thy Shining Curse is a project that snuck up on us – the result of many a Bandcamp tumble and record label page scour, mostly to see what projects are doing what these days. Even though their debut album Theurgia has been out for a few months by this point – have to keep the perpetually tardy streak alive – the aura of intentional mystery surrounding the album was enough to grab interest. Mostly curiosity for both what it is as well as who was involved in assembling the machine in the first place.

The group are intentionally keeping things a bit vague, as Thy Shining Curse is a solo project belonging to musician Leonidas Diamantopoulos, while the album credits – courtesy of the label – add vocalist Cezar Moreira and guitarist Gabe Pietrzak as co-conspirators in making the creature that is Theurgia breathe. But to walk that back a little, as just about everyone these days is enjoying their time with the masks-and-robes aesthetic, just what the hell are Thy Shining Curse and Theurgia and why does it seem they are walking among us now? Continue reading »

Apr 222024
 

In this article we’re presenting two premieres — a full stream of Shattered Lament Unmoored, the debut album by the Costa Rican band Deplorable, which will be released today by the Dutch label Breathe Plastic, and a video for one of the album’s six songs. Perhaps the best one-word description for both of them is… HARROWING. But of course we’ll try to flesh that out with more words.

It might be best to begin with the video and the song it presents, “Apparition In The Ether“, even though that song appears second in the album’s track list, because it provides such a soul-shattering introduction to the black chasm of dread and despair that the album opens up beneath us as listeners. Continue reading »

Apr 222024
 


photo by Hedda Winroth

(We present Comrade Aleks‘ very entertaining interview with members of the Swedish band Malsten, whose latest album-length tale of horror was released last month by Svart Records.)

Formed back in 2018, Malsten chose to follow the path of doom, and I’d tell you that they moved pretty fast, having released their first album The Haunting of Silvåkra Mill already in 2020. Four songs, totaling 42 minutes, told a story of bloodshed, evil, horror, and madness in a pretty traditional doom metal manner. The thing about this album was that it’s a concept album with a kind of open ending.

Malsten continued the tale of the Grinder at Silvåkra Mill with two singles, Entr’acte (2022) and Path of the Nix (2024), and as all good things move towards their end, so this story does. Their second album, The Haunting of Silvåkra Mill – Rites of Passage, saw the light of day on March 15this year  with the help of Svart Records, and here we are talking with the band about this and that.

Be ready to learn more about grim ways of [folk] horror doom from this quite in-depth and entertaining interview. Continue reading »

Apr 212024
 

I got a late start on the day and my NCS time is rapidly running out, so I’ll skip the usual long-winded introduction and just quickly summarize what I’ve picked to recommend below:

This collection includes startling new songs from forthcoming records by four bands whose past releases I’ve enjoyed, and one recently released album from an equally startlng newcomer to these ears.

VETER DAEMONAZ (Russia)

To begin, I have a song from a new EP by the Saint Petersburg black metal band Veter Daemonaz, whose previous music I’ve commented about repeatedly in the posts collected here. The song is “На Север (первое видение)” (which means in English, according to Google Translate, “To the North (first vision)”). Continue reading »

Apr 202024
 

This has been an unusual week for me. I broke out of my hermit-like existence (originally provoked by covid but comfortably extending to the present) and made a quick Wednesday-Friday trip to Texas for a celebration of an old friend. The travel part of it was an annoying hassle; the celebration part of it was great.

During that trip I didn’t accomplish much for NCS. Among the things I didn’t accomplish was paying attention to the emergence of new songs and videos I might want to celebrate today. I bookmarked a few things in even more random fashion than usual while away and quickly spotted a few more things this morning.

These roundups are never comprehensive; this one skims the surface even more lightly. Kind of like a flying fish briefly airborne, with bigger toothsome things hungrily rocketing up from below without warning, jaws gnashing for a bite. The following things jumped up and bit me. Continue reading »

Apr 192024
 

(In March of this year Pantheist released a new album-length EP, and Comrade Aleks found it tremendously good, and he reached out to conduct the following excellent interview with Pantheist‘s Kostas Panagiotu.)

For the past 24 years Pantheist has provided us with the one of most thoughtful and intelligent examples of doom metal in almost every form. They started with funeral doom in the days of O Solitude (2003), they turned to sophisticated death-doom on Amartia (2005), and further on the band moved towards things even more melodic and progressive.

Pantheist’s previous full-length album Closer to God saw the light of day in 2021, and this year the band returns with the 50-minute-long EP Kings Must Die. What’s good there? Believe me, that’s an album that’s worth listening to. And I believe this interview with the Pantheist’s founding member Kostas Panagiotu (vocals, keyboards) will only prove this statement. Continue reading »

Apr 192024
 

Canis Majoris is a musical project created in Gdansk, Poland by the multi-instrumentalist musician and lyricist Alienus, joined on the project’s debut album by invited vocalist Brut from the death metal band Raspatory.

The name of that album, which will be released by Satanath Records on April 28th, is Eternity Borns From A Moment. It is described as “a journey around the endless space of the Universe,” and a journey through time as well, in which “the listener becomes a time traveller from the beginnings of life till its total disappearance…” Continue reading »

Apr 192024
 

(This is the second interview that our Hanoi-based contributor Vizzah Harri conducted with Downfall from the Vietnamese black metal band Dødssanger. Find the first interview here.)

Taken from Audio recorded in conversation on February 27th, 2024.

I first met Kyle Newman aka Downfall from Dødssanger when he was still a university student; he’s grown more in all aspects in the last 6 years than I’ve experienced growth over the last 2 decades. The conversation that follows was way more of a general discourse on the Hanoi scene, headphones, live shows and the writing process than an interview, whereas Part 1 was more formal, happened later and attempted to focus more on his stage persona Downfall and the project as such. Continue reading »

Apr 182024
 

The occult death metal band Deadspeak was formed in 2008 in Ireland, where its two Polish co-founders (Krakus and Tomasz Prokop) were then living. They recorded a pair of demos in 2008 and 2010, but then the band seemed to disappear for a long time.

Yet after returning to Poland the creative embers caught fire again and just last year Deadspeak released an excellent debut album named Human Alchemy (available here), a 44-minute work that they have described as “a blizzard of obscure riffs and strange melodies, fueled by hypersensitivity to society”.

Striking while the iron is hot, Deadspeak are already following up that album with a two-song EP that we’re happily premiering today. For these recordings, the Deadspeak duo of adventurous guitarist Krakus and venomous vocalist Tomasz were joined by guest bassist Ataman Tolovy and, as session drummer, the veteran hitter James Stewart (Decapitated, Berserker Legion, Bloodshot Dawn, ex-Vader, etc.). Continue reading »

Apr 172024
 


Downfall, Dødssanger

(In an effort to help shine a light on metal from Vietnam, our Hanoi-based correspondent Vizzah Harri has brought us the following very erudite and very entertaining interview of Downfall, the person behind the Hanoi-based black metal band Dødssanger.)

Dødssanger is Downfall, writer, multi-instru-mentalist and creator of the depressive black metal project that released their debut last year.

I met with Downfall at the end of February this year but the day job, time-fvckery and taking on too many projects at one time meant that the finishing touches were pushed back. Islander posted my ‘6-word novel’ review of their song Penance in this reader’s most infectious lists of 2023 which can be found here. If you didn’t get the time to read those posts, here is what I said about Penance:

“Hebephrenic grimoire,
hellatious hymnals of ill-grace.”

Those words still stand.

The interview that follows lighted upon musings about live performances, the Vietnamese music scene, as well as their recording process. Dødssanger just released their album in physical format and it can be found/ordered here: and there are only 21 copies left of an original 40. Continue reading »