Islander

AN NCS PREMIERE: ABYSSAL RIFT — “THE EYE”

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Nov 132023
 

In case you missed Decibel Magazine‘s premiere of Abyssal Rift‘s song “The Scourge“, here’s a recap:

It’s every bit as frightening as the cover art above for this Ohio band’s debut album Extirpation Dirge. Hell, it’s even more frightening — both abyssal and extraterrestrial, abysmal and maddened in the sensations generated by the eerie reverberation of its swirling and swarming riffage, its strangely writhing leads, and the monstrous roars and ghastly screams welling up from catacomb depths.

But that’s not all. The song moves from hammering and scathing intensity into a wraithlike realm, where swaths of ambient eeriness surround glimmering and glittering notes and musing bass tones. Then the chords lurch like a behemoth, gargantuan and grim, heaving ahead as those horror-show vocals rise up once more and a guitar wails in agony. Continue reading »

AN NCS VIDEO PREMIERE: VORAATH — “JUDAS BLOOD AND VULTURES”

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Nov 132023
 

The North Carolina experimental death metal band Voraath boasts a lineup that includes members of other groups we’ve followed over the years, including Xael and Rapheumets Well, and their resumes also include participation in Implosive Disgorgence, Sweet Blood, Accursed Creator, and Visitant. They’re now beginning to pave the way toward release of their debut album next year via Exitus Stratagem Records.

Voraath‘s aim is to do more than record and release music. The music is part of a universe they’re creating, drawing upon elements of horror and science-fantasy, which includes significant visual as well as audio portrayals, including the band’s own presentation of themselves on stage — each member appears as a character in the lore of the music, as you can see: Continue reading »

TITO’S WEEKLY METAL RECS

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Nov 132023
 

Our friend Tito Vespasiani from Everlasting Spew Records (and other metal endeavors) is back with another playlist of recommended heavy songs. This one includes 16 tracks, with commentary about a few of them below. The full stream is at the end, and on Spotify here.

ENGULF – BELLOWS FROM THE AETHER

Engulf is back! Hal Microutsicos’ solo project made such a great impact with its three EPs and it’s now time for a full-length. Getting influences from old school acts such as Morbid Angel, early Gorguts, Suffocation, and Hate Eternal, and adding a modern twist, this is extremely catchy. Mandatory! Continue reading »

PLAGUESTORM: “EMPTY EYES”

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Nov 132023
 

(This is DGR‘s review of the latest record by the Argentinian melodic death metal band Plaguestorm, out now on the Noble Demon label.)

Heavy metal fantasy draft is always fun and the proliferation of projects with the ability to do so has increased tremendously in recent years. No doubt a combination of musicians using the internet to find each other and the more likely possibility of constantly being trapped inside, you’re now seeing a ton of projects wherein musicians from all over the world are combined into one thing via session work and constant guest appearances.

We have musicians now who’re quickly approaching a point in history where they may have more guest/session appearances and releases to their name than they’ve got material with the band they’re most famous for being in. This has also been a pretty big movement within melodeath circles as we’re now multiple generations removed from the classics and old guard and well into an era of bands that were inspired by the keyboard/groove metal happy early-aughts of the genre that were built around big riffs/big choruses with just enough of ye-olde Gotenburg two-step to keep things ‘dangerous’. Continue reading »

SHADES OF BLACK: VESTÍGIO, VARE, DEEMTEE

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Nov 122023
 


Caio Lemos

Welcome to another Sunday edition of this column dedicated to black arts. It’s not as extensive as I’d hoped this time, because after finishing yesterday’s very large “Seen and Heard” round-up of new songs and videos I had to do some paying work, took a two-hour nap (I did wake up at 4 a.m. yesterday), and then drank way too much wine last night with my spouse.

Also the Seahawks are playing right after lunch today and I want to watch, even though I have serious doubts whether they’ll win. Also I have to figure out how to change the battery in the key fob for my car, and the dishes aren’t going to wash themselves.

See, I do have a very exciting life outside of NCS. Continue reading »

SEEN AND HEARD ON A SATURDAY: SATYASENA, DAWN OF A DARK AGE, OBSCENE WORSHIP, HOLDLAJTORJA, THE SEPT, MYAELIN, SANGUINARY EMPEROR

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Nov 112023
 

I have a lot to recommend today. I made some of these choices and wrote some of these words earlier in the week. I have to hurry through the rest of it this morning because a wind storm is in progress outside and the branches bombarding the roof are beginning to sound like a war zone.

Cozy inside, I can tolerate that, but where I live near Puget Sound the power lines are overhead, cradled by forest limbs, and when the limbs go down (as they will, somewhere on this little grid), the power and the internet will go out too. So, I’m hurrying now….

SATYASENA (U.S.)

The first song I chose is just gloriously wild, a high-speed roller-coaster for your mind that should leave it yelping with glee.

If I were a kinder person and more capable of self-restraint, which I’m not, I’d just stop there and not spoil the fun, much of which comes from being surprised by what happens in the song. On the other hand, I doubt that any preview words can really spoil the thrills of “My Passion“, so here goes: Continue reading »

AN NCS VIDEO PREMIERE: HATRED REIGNS — “AWAKEN THE ANCIENTS”

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Nov 102023
 

About five years ago, after becoming immersed in the debut death metal EP of Hatred Reigns from Ottawa, Ontario (whose title was Realm: I – Affliction), we lauded “the band’s ability to join together murderous brutality and impressive technical fireworks,” “whipping the listener through a vortex of sound that is somehow both chaotic and machine-precise”.

Consisting of three tracks, that EP was released to provide a preview of a future concept album. Now,  on the other side of a lot of hard work, and hard times brought about by the covid pandemic, Hatred Reigns are at last ready to release that concept album on December 1st, and its name is Awaken The Ancients.

To help pave the way, today we’re premiering a video for the album’s title track, which also opens the album. Continue reading »

AN NCS PREMIERE: VARGSHEIM — “THE THIRD EYE”

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Nov 102023
 

Near the end of December 2022 the Crawling Chaos label released In the Tower of Ivory, the fifth album by the German band Vargsheim. In the run toward that release we premiered a video for a song that all by itself demonstrated how diverse this trio’s musical interests are, and how adept they are at bringing them together.

As we wrote then about that song (the album’s title track), “You’ll get a feeling of free-ranging but carefully thought-through experimentation at work…. As it slowly builds and then begins to morph and contort you can pick out bits and pieces of doom, psychedelia, prog, and rock, entwined like vines through a daunting framework of black metal”.

Now we’ve got a reminder of Vargsheim‘s talents with yet another video premiere (this one a lyric video) for a song off In the Tower of Ivory. This one is the album’s penultimate track, “The Third Eye“. Continue reading »

GONZO’S HEAVY ROUNDUP, OCTOBER 2023

 Album Reviews  1 Response »
Nov 102023
 

(With October now behind us and November well on its way, our friend Gonzo returns to NCS with reviews of some October releases that made a very positive impression.)

I’ve been thinking a lot lately about all the ways music connects us as a people. The metal community is, more often than not, a refuge for this kind of thinking. It’s especially noticeable when everything else in the world starts to suck.

A couple of weeks back, I saw Blackbraid open for Wolves in the Throne Room. The former’s unapologetically indigenous approach to their music was, and always is, a great reminder of how heavy music isn’t just for one group of people. It’s for everyone. Hearing such music in a live setting, in the company of other like-minded humans, was refreshing. It reminds me why I make time to write about this shit in the first place.

And I know I’m not alone in saying that it’s all too easy to go down a doom-scroll rabbit hole these days. Between that sense of existential dread and the aforementioned gratitude for metal, I had plenty of inspiration for this month’s roundup. I was right – it turned out to be a real fucking doozy.

(As I’m typing this, at least one person is secretly jotting down “Doom Scroll Rabbit Hole” for the name of their one-man psychedelic black metal project.) Continue reading »

AN NCS PREMIERE: PLAGUE RIDER — “CHALLENGER’S LECTURE”

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Nov 092023
 

A decade after their debut album, with a couple of EPs in between, the UK death metal band Plague Rider will see the release of their second album Intensities tomorrow, courtesy of our friends at Transcending Obscurity Records.

So close to its release, the album has already received a flood of reviews, all of them favorable so far as we can tell, and most of them striving to underscore just how unorthodox and unpredictable the album is, how devoted it is to turning listeners inside-out and upside-down.

Words like “twisted”, “challenging”, and “avant-garde” pop up, which are usually warning signs that you won’t be banging heads and humming tunes as you go, but you might already get that idea just from James Watts‘ impressionistic cover art and its interweaving of very dark and vivid colors.

Obviously you won’t have to wait long to hear all 7 tracks for yourselves, but we do have one more to premiere before the whole thing comes uncaged tomorrow. It’s the record’s penultimate gauntlet of madness, “Challenger’s Lecture“. Continue reading »

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