Islander

DISSOCIA: “TO LIFT THE VEIL”

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Sep 242025
 

(We present DGR‘s review of the debut album by the Spanish band Dissocia, released last spring by Willowtip Records.)

Dissocia’s To Lift The Veil is a release that has been hanging around the NCS collective office for a while. To Lift The Veil was released in March of this year and we’re only just now getting around to a full-album deep dive.

Yes, this is one of those that we refuse to let go of for a few reasons. The compulsion to have something to say even though it’s been out for a while often wins over our feeble minds in that case, and as you can see here, we are once again battered and bruised by our own brain chemicals.

Not that we haven’t had anything to say in regard to this project before though; we were lucky enough to run a premiere of the song “Samsara” back in February when 2025’s overall musical arc was still a nebulous ball of chaos that had yet to take shape. But in order to understand all of this we need to run backward even further than just this introductory bit because it is likely that some of you may not be aware of what Dissocia and their debut album are just yet. Continue reading »

EVOKEN: “MENDACIUM”

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Sep 242025
 

(We present Wil Cifer‘s evocative review (couldn’t help that) of Evoken‘s new album Mendacium, which will see release on October 17th via Profound Lore.)

It’s been 7 years since Evoken released the masterfulHypnagogia. It was an album that found the band changing what they felt the funeral doom genre could be, with some riffs that were in equal parts epic and melodic. They are taking another creative shift, though this time it lies in the spacious mix and stark composition choices they are making that give an even darker and more dismal sound here.

It’s not big, the way the cavernous echoes are captured by bands on the more deathly end of the doom spectrum embrace. Instead, the guitar haunts liminal spaces. There are none of the lush layers of sound you expect, but a creepy, sparse emptiness that sonically conveys a loneliness not heard in their previous work. The album is still characterized by great guitar work, it is just handled differently. Continue reading »

AN NCS INTERVIEW: EMISSARY

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Sep 232025
 

(In this new interview our Comrade Aleks talked with Michel Regueiro from the Spanish thrashing death metal band Emissary, whose debut album was released last March by Fetzner Death.)

Michel Regueiro (guitars, vocals) and Hlib Overchuk (drums) from Barcelona got together in 2023 in the name of old-school thrash/death metal, and believe me, they wasted no time recruiting Philip Graves (guitars) and Cosmil Martin (bass) and soon had eight tracks for their debut album Eldritch, which came out earlier this year.

The telling cover-art and track titles “The Shadows Lengthen in Carcosa”, “Hobb’s End,” and “At the Throne of Chaos” promised Lovecraftian horror in slightly atypical form. Indeed, I’ve gotten used to hearing Lovecraftian mythology in black, death, or at least, doom bands, but Emissary play their variations on themes in a completely traditional thrash vein with a bit of death overload. Continue reading »

LUNAR BLOOD: “ANOR” & “ITHIL”

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Sep 232025
 

(In this article DGR vividly reviews the two EPs released this year (so far) by the New Jersey extremists Lunar Blood.)

The initial plan for tackling New Jersey-based Lunar Blood’s newest EP Anor was to do so soon after I had returned from the May festival run. Anor was released on May 2nd, 2025 and was swept up in the great content maw that is my dragnet, but the opportunity to tackle its three songs wouldn’t present itself until after I returned home closer to the end of the month.

However, like many reviews, best laid plans are often laid to waste instead, and so Anor – alongside a few other victims that I keep swearing up and down that I’ll get to goddamnit – found itself backburnered up until Thursday, September 11th, when I finally found the time post-work – as nothing else important had happened that day other than me taking my team out for breakfast for clearing 1,000 days safe at work – to dive headfirst into its three songs and really come to grips with what the Lunar Blood crew were attempting to create here… only to discover that they had released a follow-up four song EP that same day entitled Ithil. Continue reading »

WE INTERRUPT YOUR USUAL FLOW WITH THE SOUR RISKS OF A CEMETERY TRIP DOWN MEMORY LANE

 Album Reviews  1 Response »
Sep 232025
 

(We are delighted that Vizzah Harri (South Africa born and Vietnam resident) has returned to us after some time away, and has brought with him a typically distinctive review of Sour Risk, a new album released in September by Cemetery Trip, preceded by typically distinctive reviews of all the Cemetery Trip releases that have preceded it.)

There are times when we just want more of the same, stuff of old that we grew up with or last year’s best but perhaps by now worn out overplayed. We are all creatures of habit and we can all fall for the trap of thinking deviating from course would be less fruitful than staying it. In metal lore there are the supposed big shifts of note when bands take an avant-garde or post-ish turn, perhaps they stopped growling or even using riffs for that matter! Gasp, the horror.

There was a time that I was appalled by the idea of change. Continue reading »

INTERNAL BLEEDING: “SETTLE ALL SCORES”

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Sep 222025
 

(Wil Cifer penned the following very enthusiastic review of the first Internal Bleeding album in 7 years. It will be released by Maggot Stomp on October 17th.)

Whenever I hear the term “deathcore” being used to describe a band, it normally turns out to sound more like something left over from the Myspace years, rather than the blend of hardcore and death metal that a band like Internal Bleeding kicks up on their new album Settle All Scores.

These guys have been around since the ’90s and have always been ahead of their time. Now, perhaps the kids call this sort of thing “Slam,” but the reality is it’s just hardcore-influenced death metal. Not sure what it is about places like Long Island and Buffalo, New York, but it makes people angry, considering how Cannibal Corpse formed in Buffalo three years before these guys. When it comes to being hyper-aggressive, the two bands are cut from a similar cloth, though Internal Bleeding does not invoke splatter horror vibes, but a gritty street-wise feel. Continue reading »

AN NCS INTERVIEW: HOODED MENACE

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Sep 222025
 


photos by Pasi Nevalaita

(Finland’s Hooded Menace have a new album on the way, set for release on October 3rd by Season of Mist, and today we present Comrade Aleks‘ interview with Lasse Pyykkö.)

My eyes filled with tears of affection when I put my hand on Hooded Menace’s seventh album Lachrymose Monuments of Obscuration. These seven tracks captivate with the inspiring melodies of ’80s heavy metal, the mood and sound of ’90s death-doom, and even a hint of VHS horror soundtracks. These songs warm with a reminiscence of early Paradise Lost, and even Harri Kuokkanen‘s exemplary death metal growl at times recalls the roar of Holmes in his prime.

Meanwhile, the guitar harmonies (Lasse Pyykkö‘s specialty) can’t help but evoke sheer metal classics. Drummer Pekka Koskelo, with a quarter-century of underground experience, hammers away with the focus and intensity of the possessed — and in short, this trio is a dream team.

I can’t hide my excitement with this driving, filled-with-hooks record, but I prefer to hand the floor over to Lasse Pyykkö himself; he has a few things to tell about Lachrymose Monuments of Obscuration. Continue reading »

BEFORE THE DAWN: “COLD FLARE ETERNAL”

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Sep 222025
 

(Before the Dawn released their new studio album Cold Flare Eternal on September 5th via Reaper Entertainment, and today we present our DGR‘s extensive take on the record.)

I worry sometimes that I might not be fully over the initial excitement of Before The Dawn actually coming back after its extended inactive period. To me, they were a perfect gateway band and guide for people into the more extreme realms of heavy metal. At times they could be immensely heavy, groovy, and sharp, and with a luxurious clean singing voice to help reinforce the music alongside some brutal growls.

Before The Dawn were a great way to ease people into extreme music. The good-cop/bad-cop vocal stylings have only spread further, and while it became the calling card of many a metalcore band proper, the Finnish journeymen that made the band up always hewed more toward a melodeath style of things. Continue reading »

BLOG BREAK (PART 2)

 Off Topic  6 Responses »
Sep 202025
 

(written by Islander)

Being at least moderately realistic, I realize that not all of our visitors in a given week will visit us every single day. Some people will land on this post without having landed on the one a week ago, which was another break from what I usually do for NCS on the weekends. In that week-ago post I shared the news of Andy Synn‘s impending wedding and why that would alter our usual coverage of music for a handful of days. I also re-shared that news in a new-music roundup a couple of days ago. But since some of you will have missed those, here’s a quick recap:

Today is the day when our Andy Synn will take his vows in front of family and friends in a beautiful place on the outskirts of his hometown of Nottingham, England. I am happy to say that I will witness it in person, as will our fellow NCS slave DGR and a few other close friends from our side of the pond. Continue reading »

AN NCS INTERVIEW: SILENT TOMBS

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Sep 192025
 

(Today we happily present Comrade Aleks‘ interview of Victor Mercado, vocalist of the Mexican doom/death metal band Silent Tombs, whose excellent debut album will be released by Personal Records on October 17th.)

Islander already wrote about the forthcoming release of Silent Tombs’ album Mourning Hymns from Beyond, and it’s hard to add something new to his words. This bunch of experienced extreme metal musicians from Colima, Mexico managed to create a stunning melodic death-doom masterpiece combining all the key influences of the genre yet obtaining a clear individual touch.

These mid-tempo songs built of riffs heavy as a coffin lid, soaring breathtaking melodies, and a firm, vivid rhythm-section accompanied by killer growling parts make a modern classic. I’m still surprised with the top level of this release and its mature, natural vibe, and I bet that this interview with Victor Mercado will give you an answer to some questions you may have after listening to the first singles from Silent Tombs. Continue reading »

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