(DGR enjoyed the first EP by the Japanese band Galundo Tenvulance, released last year, and as recounted in the following review he seems to be enjoying the second one too.)
Only a handful of months ago while in a fit of caffeinated pique did we check in with Japanese -core band Galundo Tenvulance. The young group were on their second EP way back in ye’ olden days of 2021, yet for some reason the idea of reviewing it right before jetting out to go catch covid see MDF this year was very, very funny. It’s not the bands fault at all, just the fun of finding something that was fairly good – if full to the brim with style and genre-tropes – from a group who were clearly still finding their feet style-wise. So much so, that this is the sort of early state a band can be in where sounds differ drastically between releases as they add new influences to the overall course.
Not even a month and a half after we ran that review though, which we did in an attempt to buttress the site while we were out standing in one very long line of Edison Lot shade courtesy of a billboard pole, laughing about how some people forget that Coroner get kind of weird at times and have long keyboard breaks, or dodging thunderstorms, did the crew behind Galundo Tenvulance release a new EP in the form of The Disruptor Descends.
The question with The Disruptor Descends is that with a whole year between their releases and now functioning as a four-piece, what sort of stylistic jump did the band make?