Islander

Dec 282021
 

 

(Below our Norway-based contributor Karina Noctum presents her own year-end list of eleven 2021 favorites.)

This year started with lots of Thrash and now it ends just the same. The damper mood with lots of restrictions and lots of cancelled or postponed concerts and festivals does not allow for anything too dark nor cold at the moment. So this list is quite biased in the sense that it highly favors rhythmic virtuosity, old school sound, and non-monotonous riffing for the most part. Also I’m not going to include commercial bands that have been mentioned a thousand times already. Continue reading »

Dec 272021
 

 

(For the 11th year in a row, our friend Johan Huldtgren of the Swedish black metal band Obitus — whose 2017 album Slaves of the Vast Machine (reviewed and premiered here) is their latest release — has again allowed us to share with you his year-end list, which originally appeared on Johan’s own blog.) Continue reading »

Dec 272021
 

 

(Here’s the final part of Neill Jameson‘s 5-part series of year-end lists for NCS. As always we’re grateful to him for letting us share them, and we hope you’ve made as many great discoveries from them as we have.)

So now we’ve come to the end of several days’ worth of things to read while you’re on the shitter which, according to Christmas tradition, should be full. I didn’t do full albums for this, you can use Google to find my list of those, and I would have added Funeral Mist and Ifernach to the heap but both of those came out too late for me to really do much about it, and by now you should have already guessed they’re both great.

Again, these lists are entirely subjective and I’m sure I missed whatever bullshit you’ve been chubbing up to, which you’ll tell me about in some forum I’ll never read. Or worse, perhaps you’re one of the people who spend the other 51 weeks of the year talking cash shit about me only to suck up this last week of the year hoping I’ll do something for your band or label, only to fall back into the internet sewing-circle of dry dicks waiting for me to do something that finally gets me “cancelled’.

Well, get fucked, your band sucks and I’ve had shows cancelled due to Antifa decades before you even knew your dick was for anything besides pissing. If this is the first you’ve heard that it can be used for anything else, congratulations and welcome to 2022. I’ll be leaving 2021 the same way I came in: making crass dick jokes some shitty webzine will dissect thinking it’ll get them somewhere. They can get fucked, too. Here’s the best of the best of the last twelve months in my eyes (ears?): Continue reading »

Dec 272021
 

 

Few bands on the planet embrace and channel the violent destructiveness of War Metal with as much fanatic fervor as the Kolkata-based band Kapala. Their slaughtering amalgam of death metal and harsh noise seems to be fueled by hate and driven by a disdain for weakness of any kind.

And yet their talents are multi-faceted. There is much more going on within their creations than unapologetic sonic annihilation, and that makes their music fascinating and mind-altering as well as ruinous. It really doesn’t sound like anything else; indeed, linking it with War Metal, as that sub-genre is commonly understood, might be more misleading than descriptive.

Kapala‘s new 22-minute EP Doomsday Requiem is powerful proof of these points. It is indeed ruthlessly destructive and harrowing in its intensity, but its musical craftsmanship is also impressive, revealing nuances and embellishments that link it unmistakably to the ancient legends of the Indian subcontinent. The music creates an atmosphere of mysticism and spiritual possession, capable of inducing perilous trances.

Those qualities — and a panoply of killer riffs and electrifying rhythmic assaults — distinguish the EP from the kind of War Metal that might be cathartic on a first listen but doesn’t lure many people to listen more than once. But you don’t have to take my word for it. You can test out the truth of these statements for yourselves, because today we premiere a full stream of Doomsday Requiem in advance of its release by Dunkelheit Produktionen on the last day of this wretched year. Continue reading »

Dec 272021
 

 

(Our friend Professor D. Grover the XIIIth (ex-The Number of the Blog) has been joining us this time of year for many years to share his diverse year-end lists, and does so again now.)

Greetings and salutations, friends. It’s that time of year again, that magical time when I realize that my taste in music is highly unusual and diverges significantly from most other people who are also in the list-making business. And before you say it, no, I don’t mean this in an “I’m so random and eclectic” kind of way. It’s been a long, long time since I had any fucks to give with regard to what people think about the kind of music that I like and don’t like. When I review an album, or write a list like this, it’s usually because the artist or artists that I mention have affected me on some emotional level, and I feel that they deserve to be recognized for this, because if they impacted me then they might do the same for someone else. Music is something that should be enjoyed, one way or another, and it’s basic human nature to want to share something you enjoy with others.

Anyway, now that I’ve gotten all of that mumbo-jumbo out of the way, let’s get down to the list. Actually, before we get to the list proper, I want to mention a song that I enjoyed that wasn’t on an album that made the list. Continue reading »

Dec 262021
 

 

Whatever you did with yesterday, I hope it turned out to be a good one. In Friday’s round-up of new songs and videos I surmised that I wouldn’t post anything this weekend. But I got fidgety this morning, not like drug, alcohol, or nicotine withdrawal, but itchy enough that I wanted to scratch it, that itch that comes from having missed a day of posting something for NCS. So here I am.

The morning’s half-gone already, a function of sleeping in and then staring for a while at how the overnight snowfall changed the look of everything where we live (e.g., the photo above), so I’m just foisting a handful of quickly chosen singles at you. After this I’m going to listen to some of the black metal selections that will appear in the final installment of Neill Jameson‘s year-end lists for NCS, an installment he calls “The Top Shelf“. You’ll see that tomorrow if you come back here. Continue reading »

Dec 242021
 

 

Whether you celebrate Christmas because of its religious significance, or simply indulge in its old pagan trappings, or only try to keep your head down and get through it like running a gauntlet, I hope you have a joyful holiday. Of course I’m about to try to make it more joyful by sharing some dark, dreadful, and exhilarating tunes that have recently surfaced in the manifold realms of metal. Before doing that I’m going to digress in a way that I don’t think I have ever done before at NCS.

Some of us who can afford it at this time of year look for ways to make charitable contributions, and I want to suggest one. It arises from a severe misfortune that has befallen my friend Dustin Carroll.

I knew him first as the bassist for the Seattle-based metal band A God or Another, and later has a member of the bands Addaura and Bréag Naofa. But the context in which I got to know him better was through his volunteer work for Seattle’s Northwest Terror Fest, which I’ve been involved in producing and supporting since its inception, and which we’re planning to resume (covid willing) next year. Continue reading »

Dec 242021
 

 

(We’ve reached Part IV of the year-end lists we’re gratefully sharing from Neill Jameson (Krieg, Poison Blood), with a fifth and final segment slated for publication on Monday.)

This was a huge year for small releases. What do I mean by that? I mean that these lists are taken up mostly by EPs, splits, cassettes, etc. Not necessarily bite-sized pieces, that’s too fucking cutsey, but a lot of bands did a lot of shorter releases this year that held my attention way more than the traditional long-player. Some excellent pairings that helped introduce me to new sounds as well as some that paired so well you’d think a fucking sommelier crafted the menu.

I don’t really need much more of an introduction than that. Here’s the splits of 2021 that really kept my attention: Continue reading »

Dec 242021
 

 

(NCS contributor Todd Manning wades into our year-end LISTMANIA series with his picks for the year’s 12 best releases.)

Another year has came and went and somehow we as a species are still here. Maybe the apocalypse won’t arrive until we beg for its sweet release. Well, at least there’s always more metal to obsess over.

I can’t believe this is my sixth year contributing at NCS. Usually my lists oscillate between the experimental and the outright darkest and brutal shit there is. This year, while there are certainly those elements, things feel more varied. Just a little bit… Continue reading »

Dec 242021
 

 

(We reach the concluding segment of DGR‘s 2021 year-end list with his picks for the year’s Top 10 metal releases.)

Usually I will muse at the end of this list how it seems to get easier and easier as I go along, as I rediscover just how much I loved each release on here. By the time I hit the final ten records I’m basically tumbling over myself in effusive praise to try and get people to like what I like. That’s still the case here but 2021 still held some interesting susprises for me. While it generally felt like much of the year existed in a weird musical brainfog, once I finally hammered everything down into a numbered list I think my year was as varied as I could get… except for these final ten, which are basically just me lining up to get run over by a bus again and again.

Not only that but I even found myself breaking one of my usual rules, which is to not let the ‘shiny because its recent’ effect work on me with the year-end list. There’s a healthy chunk here that saw release in the back half of the year. This would normally bother me but not this time, because all heck, did we have a great run of music mudslide over us in the last few months of the year. It became real hard to hold onto that promise to myself, and at the end I finally caved, although I think you’ll agree that when you hear and see which ones managed to get through that jello-clad wall that is my personal restraint, they were pretty good picks.

Let’s get this mess on the road before I make myself look stupider than you already think I am. Continue reading »