Islander

CLEARING THE SLATE PART I: THE ADVENTUROUS (DESSIDERIUM, OMNIVIDE, MECHINA)

 Album Reviews  No Responses »
Dec 082025
 

(This is the first Part of what projects to be four record-review collections by DGR — collections of multiple reviews that are shorter by his standards than what you usually see from him — all of them intended to clear his slate in preparation for year-end lists to come.)

Here’s how this happens: Inevitably at some point in November, year-end lists start dropping and the reality of the fact that the year is ending suddenly feels more “real”. The compulsion to cover everything begins to vanish and the compulsion to grid everything instead becomes stronger, yet the same imagined debts to bands that you’ve been listening to throughout the year remains.

I swore up and down this year that I wouldn’t do many articles like this and I like to pretend I held to that promise. If I intended to review a band, they received the full investment and treatment, rarely broken out into these articles where the reviews are a little more freeform, freeflowing, and more casually written. It was meant to reflect that I was taking time with these bands, which is why articles like this one tend to frustrate me. For the reader they’re an obvious blessing, given that it’s a much quicker series of recommendations, but it’s a gap I can’t mentally jump just yet. Continue reading »

SHADES OF BLACK: SODALITY, GORRCH, THE RUINS OF BEVERAST, SAINTE OBYANA DU FROID

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  3 Responses »
Dec 072025
 

(written by Islander)

Greetings on another Sunday morning. As you can see, I have only four selections to recommend for today, but that’s mainly because two of them are complete albums just released on Friday, and thus it took me some time to get immersed in those and try to wrestle my thoughts about them into some kind of order. I’ve positioned those two as bookends around singles from two forthcoming albums.

I can’t say these choices were the kind that put me in a fugue state. Each one is very different from the others, and the shifts are pretty dramatic, maybe especially the changes wrought by the last one, the debut release of a band I knew nothing about before listening (unlike the first three). But I think you’ll also discover a kind of through-line that ties all four selections together, and I’ll touch on that as we go.

As always, I hope at least one of the four, if not all four, will resonate with you in some powerful way. Continue reading »

SEEN AND HEARD ON A SATURDAY: NECROFIER, CONSUMPTION, EXIMPERITUS, DER ROTE MILAN, SMEARING, MARTIRIO

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  No Responses »
Dec 062025
 

(written by Islander)

For you music lovers out there who just crawled out from under a rock, yesterday was a Bandcamp Friday, the last one of 2025. During those 24 hours we received more than 300 e-mails in the NCS in-box, at least half of them Bandcamp alerts, and that’s not counting the flood of digital traffic that rolled in the day before. Many of the messages were about music that had just been released.

I figure I have about a 50/50 success rate in getting new-music roundups posted on Bandcamp Fridays, which for obvious reasons would be an ideal time for them. Yesterday goes in the failure column. Just couldn’t get it done yesterday, what with other distractions getting in the way and the desirability of allowing Andy Synn’s list-week pre-launch to be our last post of the work-week.

I do feel guilty, but would have felt guilty anyway: Even rounding up a handful of new songs yesterday wouldn’t have made a very big dent in the wall of new tracks that slammed down this past week. Today’s roundup is just a modest dent too, but hopefully sufficient to start your weekend off with a dented skull. As usual, I’ll attempt to do additional cranial denting (of a more consistently blackened variety) tomorrow. Continue reading »

THE SYMBOLIC HEALING TOUR 2025: DEATH TO ALL, GORGUTS, PHOBOPHILIC (SANTA ANA, CA 11/29/25)

 Concert Reviews  2 Responses »
Dec 052025
 

(Our friend Ben Manzella caught the November 29 stop (at The Observatory venue in California) of Death to All’s Symbolic Healing Tour 2025, with support from Gorguts and Phobophilic, and he gave us the following report, along with his own great photos of the event.)

Sometimes, a mixed lineup is good and needed. I’d say more often than not, I enjoy seeing a three- or four-band lineup so that I don’t know what to expect at the beginning of each set. This past Saturday was not a night without surprises, per se, but there was a definite focus. The focus this Saturday in Santa Ana was Death Metal, and Death to All’s now-finished Symbolic Healing Tour had arrived to provide a few hours of deadly music to a variety of ages in the crowd.

I think I saw one person arrive with around three or four of his kids for the show, and you could tell he was a diehard fan of the genre. It is fun to see a night that used to be an escape when I was a kid become a family night out for some, and I would have never guessed it would be possible. Continue reading »

OBSCURITIES – VOLUME XXII: NOVEMBER TRANSFORMATIONS

 Album Reviews  No Responses »
Dec 052025
 

(Daniel Barkasi has delivered another monthly collection of reviews, and in this installment he recommends six records released in November 2025.)

An occurrence that comes along with this time of year – other than a lot of holidays – is an uptick in touring and shows. For the last month, we could have gone to at least 3-4 shows per week if able – a fine way to bow out of the Sunshine state. One of the last of which was Cattle Decapitation’s headline run (you can read the review and see my photographer wife’s photos here at NCS). She’s damn good, and it’s a blast to cover shows with her. We make a great tandem, both in this scenario and every other. With the US Thanksgiving holiday in the rearview, this serves as a reminder that I’ve got a ton to be thankful for. Don’t take anything for granted, folks! Continue reading »

CATTLE DECAPITATION, ABORTED, FROZEN SOUL, TRIBAL GAZE — NOV. 25, 2025 — THE ORPHEUM, TAMPA, FL

 Concert Reviews  8 Responses »
Dec 042025
 

(Our contributor Daniel Barkasi was lucky enough to catch the Tampa stop of Cattle Decapitation’s still-ongoing No Fear For Tomorrow North American Tour, with support from Aborted, Frozen Soul, and Tribal Gaze, and he sent us the following enthusiastic report, accompanied by terrific photos made by Brittany Barkasi @Turn off the Thunder.)

To say that we’re supporters of Cattle Decapitation could be the understatement of the day. Having followed this band ever since hearing Homovore 25 years ago – how is it that long – it’s been a constant evolution for the death/grinders with the ironic name. For these ears, The Harvest Floor displayed a bit that was really on to something special, which was fully realized with Monolith of Inhumanity, at this point not being solely a grindcore act, but a homogenization of the best elements of that style smashed together with roaring, energetic death metal.

From there, the band has been on a steady trajectory of phenomenal records, whose subject matter has also gotten bleaker in their vision of the human condition. Each album since the aforementioned Monolith has given added flavor to their already signature sound, with 2019’s Death Atlas being a personal standout – a well-assembled record that digests best as a whole, whilst being more poignant than the band could have imagined, considering what was about to happen with the dreaded COVID times.

With this tour, the band are playing Death Atlas in full, so if we couldn’t have already been more excited for another romp through the slaughterhouse, anticipation was at a fever pitch. Bringing along a notably weighty trio of Aborted, Frozen Soul, and Tribal Gaze along for the ride, an unabashedly crushing of an evening was set. Continue reading »

AN NCS VIDEO PREMIERE: HARVESTED — “GATHERED AND DELUDED”

 Premieres  No Responses »
Dec 042025
 

(written by Islander)

In August of this year the Ottawa-based death metal band Harvested released their debut album Dysthymia. We were very happy to help spread the word in advance of the release by premiering a playthrough video for one of the album’s most electrifying groove-monsters, a song called “Synaptic Confusion” — very happy, because the album is such a killer release.

We weren’t the only people who thought so. Lots of other metal writers and fans have heaped praise on it both before and after its release. But of course, because Harvested is an independent and unsigned band there’s undoubtedly a lot of people who still don’t know what they’ve missed. We’ll make a further effort to help clue them in today with another video premiere, this time for a song off Dysthymia called “Gathered and Deluded“. Continue reading »

AN NCS VIDEO PREMIERE: SPLENDIDULA — “ECHOES OF QUIET REMAIN”

 Exceptions to the Rule, Premieres  No Responses »
Dec 042025
 

(written by Islander)

Loss and remembrance… these are the overarching themes of a new album by the Belgian atmospheric black/doom band Splendidula. Fittingly, the album’s title is Absentia, an apt name because the music’s emotional core lies in the tragic absence of loved ones.

No one can avoid the death of friends and family members. It’s only a matter of time. It’s rarely foreseeable, and often it seems unjust because it’s so random. Splendidula went through such a period beset by loss, and in the making of this new album they dedicated themselves to remembering, and to mourning.

As a new sign of what they achieved in their music, today we’re premiering a video for a song called “Echoes of Quiet Remain“. It includes a guest vocal appearance by Aaron Stainthorpe, known of course for his iconic role in My Dying Bride (and High Parasite). We’ll begin with Splendidula’s own statement about the song: Continue reading »

AN NCS INTERVIEW: DAVID GEHLKE

 Interviews  1 Response »
Dec 042025
 


photo by Shane Mayer

(We are thrilled to present Comrade Aleks’ interview of metal journalist David Gehlke —  because it’s such a great discussion with such an experienced, articulate, and humble documenter of metal history. The ultimate focus is his new fully authorized biography of Chuck Schuldiner published by Decibel Books, but the conversation delves into many of Gehlke’s other important works as well.)

David E. Gehlke has been researching the metal underground and its suburban vicinities since 2002, and if you’re old enough, then you may have read his publications in Throat Culture, Snaggletooth and Metal Maniacs. Nowadays he’s better known for his collaboration with Dead Rhetoric and Blabbermouth as well as being the author of a few books. The titles of Damn the Machine – The Story of Noise Records and The Scott Burns Sessions – A Life in Death Metal speak for themselves, and the biographies of Paradise Lost and Obituary were something that needed to be written.

David keeps a good creative pace, and this year he released the authorized biography of Death’s founder – Born Human: The Life and Music of Chuck Schuldiner. We have prepared an extensive interview with David, so without wasting any time, I invite you to join our conversation. Continue reading »

DAMNATION FESTIVAL 2025: A REPORT

 Concert Reviews  No Responses »
Dec 032025
 

(With this feature we welcome a new Seattle-based NCS contributor who goes by the moniker KAOS_Agent. What he has provided in his debut is an extensive report on the recently completed 20th anniversary installment of Damnation Fest in the UK, as well as lots of his photos from the event.)

“If you go, you might as well go big.”

I could not imagine a better way to put the mentality of this year’s Damnation Festival, celebrating its twentieth year of existence and fourth year of bringing the best of black, sludge, death, and post-metal to the Bowler’s Exhibition Center in Manchester, UK. This was my first time attending Damnation, following a few bucket list items of volunteering at Roadburn last year, as well as attending Ascension festival in Iceland, where I serendipitously met an unexpected amount of folks from the Seattle metal community, including the lovely proprietor of this site.

What impressed me about Damnation this year was its ability to maintain a small festival vibe while at the same time acknowledging their own success and gradual expansion. Organizer Gavin McInally and the extended team have gone through great lengths to create a roster that brought back long-standing repeat favorites along with emergent acts that tiptoe the line of underground appeal. And as far as a milestone year, Damnation has ensured the local scene was well-represented, with a coincidental 20 bands being based in the UK and Ireland. Continue reading »

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