
(Erstwhile NCS writer TheMadIsraeli returned to us with a review earlier this week, and he’s already back again, this time writing about a new album by Brazil’s Nervosa that was released in April by Napalm Records.)
I know the band we’re reviewing today is Nervosa, but I just need you guys to take a detour with me, okay? We’re doing a Tarantino sort of introduction here. It will come together with time. I want to talk about Arch Enemy first.
We’re talking about Arch Enemy because I love Arch Enemy. Well, mostly… The Johann Liiva era of Black Earth, Stigmata, and Burning Bridges is arguably still the strongest first three-record run of any of the Gothenburg bands during the ‘90s. If I make a list of my top 100 albums of all time, there’s more than one Arch Enemy record in there, including even the Gossow era for a time or two. Their music was sonic indignation. You felt this unhinged lashing out at the world and all of the unfairness of it in everything they wrote, on top of first-class guitar work both from a riff-writing and a lead-playing standpoint.
I ate and breathed this band for a long time. Then Rise Of The Tyrant came out, and while it’s a solid record, it’s the start of a very noticeable slide into complacency and just… you could tell Michael Ammot was in full careerist mode. Continue reading »








