Feb 152021
 

 

(We present Aleksha McLoughlin‘s review of the debut self-titled album by the Finnish death metal band Revulsion, which was released on February 5th by Transcending Obscurity Records.)

It’s been over ten years since the last proper release from Finland’s Revulsion — their 2011 EP Defiled. Now the band are back to find their place among their country’s death metal greats alongside Abhorrence, Convulse, Depravity and Demigod. The long wait was certainly worthwhile, because Revulsion’s self-titled full-length debut is one of the best death metal albums to come out in recent years.

“Last Echoes of Life” opens the album with persuasive vigour and unrelenting aggression, very much setting the stage for how the rest of the record is set to play out. Immediately you are met with the powerful vocal attack of Aleksi Hunta, whose fierce aggression not only fits the music perfectly, but also lends weighty sincerity to the proceedings. Continue reading »

Feb 042021
 

 

(This is Aleksha McLoughlin‘s review of the new album by the Belarusian band Eximperitus, which was released by Willowtip Records on January 29th.)

Eximperitus are a band who have not only lived up to their hype and mystique but surpassed all expectations on Šahrartu in every way imaginable.

It’s been five long years since the band released their full-length debut, and all that time away has resulted in not a second wasted. On their newest release, Eximperitus have focused on atmospherics, dynamics, and an ingenious use of layering to create music that genuinely sounds as alien as the imagery. Continue reading »

Feb 012021
 

 

(We present Aleksha McLoughlin‘s review of the new album by the South Carolina doom band Legba, which is set for release on March 5th, along with a stream of all the music.)

In times of pandemic and civil unrest, exactly what price are we willing to pay to escape back to a time long since passed? Legba’s newest release proves that such sentiment cannot come without a price.

Legba are no strangers to inserting social commentary within their music, most noticeably on their prior album Hell, and yet the samplings of news reports telling of COVID-19 as it grips America might be their most haunting inclusion yet. Further still is the shocking fact that that report might actually be the cheeriest thing on this album, and that’s saying something. Continue reading »

Jan 262021
 

 

(We welcome a new contributor at NCS — Aleksha McLoughlin — who begins with a review of the new album by the revised Brazilian death/thrash band Nervosa, which was released on January 22nd by Napalm Records.)

April 2020 seemed like a death sentence for the female-fronted thrash/death metal band Nervosa. Guitarist and founding member Prika Amaral had the tough choice to make when it came to replacing their entire line-up. The result isn’t a resounding triumph, but it does enough to justify the band’s place at the fringe of female-fronted extreme metal.

Let’s get the obvious out of the way early on: Even when upgrading to a four-piece from their tried and tested original trio, Diva Satanica (Bloodhunter) simply lacks the vocal power of Fernanda Lira, and Mia Wallace’s bass lines are largely buried in the fairly mid-heavy mix.

“Venomous” opens the album as it means to go on. Guitars have a significant body; very much leaning into that old-school razor-thin tone and presence. We’re assaulted as listeners by a steady combination of bouncy thrash and proto-death guitar riffs that are catchy, but occasionally ring hollow. Continue reading »