Feb 292024
 

(Our editor wasn’t able to compile a list of Most Infectious Extreme Metal Songs from 2023, but our supporter Vizzah Harri, a resident of Hanoi, Vietnam, has stepped in to fill the void. We published Parts 1 and 2 of his list here and here, and now we’re proceeding with Part 3. The remaining three parts will follow in fairly short order.)

We were awaiting that infectious list with keening anticipation, and it being Islander’s baby, for a while there we were genuinely a bit worried whether he was okay. But as of this writing on the last day of the year of the rabbit (albeit the cat in ‘Nam, and yes it is already deep into lunar January, but Gregorian January and now Feb have been an unequivocal cornucopia of quality releases, so whether anyone is even interested anymore in the year just past is anyone’s guess) we are still blessed with the presence of NCS’ inimitable editor.

I told myself I need to get the second part out before the 1st day in the lunar calendar, today was that day but – like that saying when people imbibe early in the morning – it is certainly noon somewhere in the world (again, it’s almost March as I edit this again so just assume that I work on Africa time, a loose concept in my motherland). Time and the perception thereof, just like any other palpable or imperceptible agent, can inform cultures and so I implore you to disengage from the now and harken back. I ended up cutting up one follow-up into 5 parts… Continue reading »

Jan 302024
 

(Andy Synn presents another terrific triptych of recent releases from the UK)

We’re only a month into the new year and the UK contingent has already put out several strong releases (including a couple that I’m holding on to for the next edition of this particular series).

All signs, therefore, indicate that this is going to be another healthy year for my home-grown scene, so let’s start as we mean to go on, shall we, with three more examples of “The Best of British”!

Continue reading »

Oct 142023
 

This would have been an outstanding week to compile a roundup of new songs and videos before now, to make a dent in the towering wall of new music that’s arrived since last Saturday. Alas, I couldn’t manage it.

The wall still towers, even higher now. This is a very small dent, though a lot of the music will likely put a big dent in your skull — though not at first.

A HILL TO DIE UPON (U.S.)

Based on their past work, which we’ve lauded repeatedly around here, the news of new music from A Hill To Die Upon would be eagerly welcomed, but the interest level has gone up even further because of the guest appearances on their new album, The Black Nativity, which include Karl Sanders (Nile), Ole Borud (Extol), Bruce Fitzhugh (Living Sacrifice), and Sakis Tolis (Rotting Christ). Continue reading »

May 052023
 

Lots of people keep wish-lists in anticipation of making purchases on Bandcamp Fridays, when more of the money will go to the labels and bands. I have friends whose lists include releases from three or more years ago, or from even older albums that have only recently become available on Bandcamp. So it’s not as if people are just now looking for things to buy, much less cloely examining releases that have launched on Bandcamp just barely in time for today.

Still, on days like this I feel a compulsion to make new recommendations, even if they might drive a lot of you (or at least your bank accounts) crazy. I should add that I noticed most of what’s below before today. I just couldn’t bring myself to do more than quickly skim the 300+ Bandcamp alerts and other e-mails that landed in our in-box since midnight last night. I picked a couple of things out of that ridiculous flood, but I have no idea what else might be frothing in there.

Obviously, I could have done much more today if I’d had enough time. So I’ll have to continue tomorrow, when maybe you’ll be tempted to add to your lists for the next Bandcamp Friday.

BLACKBRAID (U.S.)

It’s fair to say that the rise of this indigenous black metal project into the consciousness of metalheads (or at least those with a taste for blackened arts) has been meteoric. The subject-matter themes of the music probably account for some of the attention, but the strength of the music would carry it far even if the themes were less important. It was thus a nice surprise to discover the debut of a lyric video for a new Blackbraid song a couple days ago. Continue reading »

Mar 312023
 

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The Infernal Sea – Photography by Jay Russell

Well, this was another ridiculous week for the release of new music and videos designed to tease forthcoming records, not to mention the release of complete albums, EPs, and splits. Sadly, it was also another week when I couldn’t manage to catch up to them in other round-ups. At least I got a bit of a head-start today on the usual Saturday and Sunday collections, when more catching up will occur.

THE INFERNAL SEA (UK)

Oh hell, where to start? Well, how about with a new single from NCS favorites The Infernal Sea?

Apostle of Gehenna” is a nice surprise, since about 2 1/2 years have elapsed since the band’s last release (the Negotium Crucis album, reviewed here), though there’s nothing “nice” about gaping jaws of the hellhound in the artwork (the work of Rob Gould). Continue reading »

Sep 092020
 


The Infernal Sea

 

(Andy Synn again focuses on the music of bands from his homeland, this time leaning into black metal with reviews of three new albums.)

As the sole British member of the NCS crew (and therefore the only one who can actually write worth a damn… kidding!) it’s my responsibility, and my privilege, to use the platform afforded me here to highlight some of the best and brightest bands who hail from these green and pleasant lands.

Of course, that responsibility is kind of a double-edged sword.

If I’m too critical of a band or album there’s always someone more than happy to attack me for “not supporting the scene”.

But if I’m too positive about someone/something then I’ll inevitably get accused of being biased because I’m a part of the scene.

Hell, it’s actually a blade that cuts three ways when you think about it, because even when I don’t write anything at all about a band’s new record it inevitably leads to people to assume I have something against it/them… it’s a classic lose/lose/lose situation!

Still, as masochistic as it may seem, none of that’s going to stop me from continuing to separate the wheat from the chaff, and today’s column features a bountiful harvest of British Black Metal for your ears only. Continue reading »

Aug 162020
 

 

Here’s the second Part of today’s column about newly discovered black and blackish metal. If you’ve been following my observations about my vacation, I was waylaid in finishing this Part because the golfers returned.

Thankfully, they seemed none the worse for wear despite the heat (which turned out not to be quite as punishing as predicted), though they did give up after 14 holes. Thankfully, they told very few war stories, but did share some spectacular photos of mountain-and-forest vistas from the course (I’ve left one at the end of this column), and then we tucked into lunch and some mid-day whisky, and then I got back to this writing while they immediately began napping.

Anyway, that explains the odd timing of this post.

PATHWAY (Russia)

You may have noticed that I have a weakness for black metal that incorporates unusual instruments, whether it be woodwinds, brass, horsehair fiddles, or medieval lutes. And thus I was probably predisposed to like the music of the Russian horde Путь (Pathway), because the band incorporate the accordion into their distinctive rendering of atmospheric black metal. Continue reading »

Jul 032020
 


Ars Magna Umbrae

 

This is a great day for metal fans to support bands with their money. It’s a harrowing day for metal bloggers like myself.

It’s a great day because Bandcamp is again waiving its share of revenues from sales on its site, which means more money generated from purchases and donations goes directly to bands and labels, some of whom are in turn donating proceeds to charitable causes.

It’s a harrowing day because bands and labels have been releasing a HUMONGOUS AMOUNT OF MUSIC to take advantage of the occasion. Beginning yesterday and continuing today, my in-box has exploded with Bandcamp alerts and press releases, and that’s on top of the usual flood of other new music appearing earlier in the week. There’s no way I can sample all of it. But I’ve sampled some of it, and you see the results in this post — or at least some of them.

What I’ve done here is to collect individual songs and videos for new releases (and a few older ones), arranged in alphabetical order by band name. Many of those releases, but not all, can be purchased or pre-ordered on Bandcamp to take advantage of the revenue-share waiver. In Part 2 I’ll quickly throw out recommendations for complete new releases that would also be good candidates for your Bandcamp purchases. Continue reading »

Nov 292017
 

 

(The Infernal Sea have recently released a new EP, and here we have DGR’s review of its two gruesome tracks.)

The beginning weeks of November brought quite a few interesting things, and among them was the release of a 7″ vinyl known as Agents Of Satan by UK black metal act The Infernal Sea. The two-song EP sees the band descending further into the ghoulish black metal realm, as they’ve continually refined both their sound and their image, evolving from an already fairly mean and white-knuckle rush of black metal written by a group of angry dudes in hoodies armed with plague doctor masks to a fully robed, smoke enveloped getup, with the group giving in fully to the ‘infernal’ side of their name.

It does also prove, however, that the band are big fans of having fans put some effort into scoring their new music, and thanks to the glory of Satan, we have managed to do so… if Satan were the website Cult Never Dies and their stream of the disc. Continue reading »

Nov 202017
 

 

(This is Andy Synn’s review of the performances by The Infernal Sea, Dawn Ray’d, and Underdark in Nottingham, UK, on November 17, 2017, accompanied by videos he made during the show.)

I’m not sure why, but this November has been absolutely jam-packed with gigs, so much so that I’ve had to be a little bit picky about what I go to, and when, simply because of all the different pressures on my time and attention (not to mention my wallet).

But there was no way I was going to miss this one, considering that between them Dawn Ray’d and The Infernal Sea have produced two of the best Black Metal albums of recent years. Continue reading »