Islander

May 262025
 

(What follows is DGR‘s review of the latest slab of brutality released by the Argentinian band Massacred.)

As if there were ever any chance we weren’t going to cover this one. We don’t have a military-grade spy satellite overlooking the entirety of the world when it comes to heavy metal, but even to those of us who may have bifocals thicker than a California Business Code Of Conduct book, this one wasn’t going to sneak by that easily.

We’ve reviewed some absolutely incredible albums over the course of the year so far and we’re always looking for more. That’s why this one went skating across the desk at the old NCS offices, as we continue our endless sisyphean task of attempting to track down new music for our readers to devour. As if they had a hunger, neverending, and a singular focus on simply obtaining more.

It’s rare that we get to touch base with the solo brutal death and slam scenes these days. The whole genre has seen explosive growth over the past decade as recording implements have democratized and been able to reach wider audiences. It’s resulted in a breed of musician whose desires are different than pure artistic expression, laying somewhere familiar to the grindcore crowd wherein music can be both emotional expulsion and an internet shitpost – the two need not be mutually exclusive.

Argentina’s Massacred is to be appreciated, then, as their aspirations are waved on a banner, worn proudly, and stated so up-front that you could never accuse them of trying to be more than what they are — which is pure and unadulterated Mortician-inspired death metal, one that just happens to have a taste for both horror movies and, surprisingly enough, the Resident Evil series of video games. Continue reading »

May 232025
 

(We are very fortunate today to present a guest interview originally conducted in Polish by The Goat Tavern and translated by them into English. It is a rare and relentlessly interesting discussion with the two members of the fascinating Polish band Wędrowcy~Tułacze~Zbiegi, a band that has now come to an end — sadly for us and many other fascinated listeners.)

The Polish metal scene is full of wonders. Sometimes, the deeper you dig the more treasure you can find. You don’t have to look far, however, to find bands like Furia, Odraza, Gruzja or Totenmesse. These bands, well-established in the underground, feature musicians who often want to express themselves in a different field.

On one sunny May afternoon, I sat down with Sars and Stawrogin and talked about their project, Wędrowcy~Tułacze~Zbiegi, into which they’ve been putting their hearts for years. Now, after they decided to call it a day, it was time to reflect a bit on the past and try to introduce this incredibly fascinating musical creation to a broader audience. Continue reading »

May 232025
 

(DGR continues to dig back into the earlier months of this year in search of gems previously overlooked at NCS, and found another in the debut EP of Texas-based Terror Corpse. Below is his vivid review of this sonic maelstrom.)

The union of death and grind has been fruitful for decades now. The deathgrind genre is one where the artist has had more capability to define what the music is than the listener does; over the years it has become a field wherein any death metal group with a taste for hardcore punk riffs or the classic circle pit grind guitar parts could find themselves standing side by side with groups for whom “slop” is the definitive way to describe their music, their peers within the sphere doing just the same, creating chaotic hybrids of unrelenting death metal that just happens to be very abbreviated.

The genre’s one unifying aspect as it has gone through its many mutations and transitions since the initial fusions began has been that the music is immensely abrasive. Terror Corpse is a union of Houston, Texas based musicians whose resumes delve deep into the death and grind underground (a block of Terror Corpse‘s lineup hails from the Necrofier crew). Their newest EP Systems Of Apocalypse will easily rank up there as one of the most chaotic, heaviest, and noisiest releases out this year, perfectly assembled for the deathgrind-loving ghouls of the heavy metal world. Continue reading »

May 222025
 

(Near the end of this month our Floridian scribe Daniel Barkasi will be making his first trip to England, and his first venture into Fortress Festival. We look forward to his report, and what follows is his explanation of why he’s very excited to go.)

Spring is upon us, and soon enough summer will come searing in with its blazing hot temperatures and allergens abounding. My sinuses are crying with anticipation. But this time of year does bring something us connoisseurs of heavy music no doubt look forward to – festival season! With the very special to us at NCS’ blackened hearts Northwest Terror Fest just wrapping up, and the mighty Maryland Deathfest on the horizon, we’re actually mainly looking toward escaping to a seaside town in North Yorkshire, England.

What’s there, you ask? Normally known for its picturesque views, the odd beach, and a 12th century castle, the town of Scarborough will again be host to an event that’s a bit more on our level. We’re talking about the mighty Fortress Festival, now in its third iteration, happening at the Scarborough Spa, from May 31 – June 1. Continue reading »

May 222025
 

(Serenity in Murder‘s Timeless Reverie has been out since the end of February on Apostasy Records, but it won’t let go of DGR, and so even now he feels compelled to sing its praises.)

One of the joys of being an internet dork such as we are is that we get to witness regional scenes and tastes sprouting up across the world and then attempt to archive it. While the language barrier is always a little daunting, depending on the country, the need for loud aggression is more universal. It’s not surprising that the semi-permanent poverty and extreme artform of heavy metal has held appeal across the world in that regard.

Sometimes you need to just yell and share your band’s name with a Slayer song, and whatever gets filtered through that particular point in time is transformed based on the person’s ambition. It’s why you can have some of the most musically inclined and smartest people in the world playing essentially the dumbest fucking thing possible – either in an attempt to elevate the artform or the more commonly cited reason of “it’s just fun”. Continue reading »

May 212025
 

(The Polish titans Vader have bestowed upon us a new EP named Humanihility that will be sprung free by Nuclear Blast on May 30th. Below is our writer DGR‘s take on what it offers.)

It’s the most wonderful time of the year! It’s that time of year in which Vader drops a new EP on us that will no doubt offer a solid preview of things forthcoming from the now three-guitarist-armed band. Vader have done this like clockwork for years now, in between full-length albums offering up a two- or three-song EP that shows where their headspace is at, usually as a tight enough package on its own that it can hold people over for the extended wait that some album cycles tend to require.

They’re also a pretty good preview of what sort of Vader you’ll likely be getting on whatever upcoming full-length the titans have in store. Will it be death metal heavy Vader? Will it be thrashier Vader? Will Vader buck all trends and finally go full avante-garde and unleash some sort of blackened folk swing with extra emphasis on tuba? Will we get another fun cover song in the mix? Will we finally figure out how to work the word “lugubrious” into a review without calling attention to it beforehand?

Schrödinger’s Vader exists in multiple forms in the lead-up to the first spin of a new Vader EP and the sheer potential of it all is enough to keep things exciting. Continue reading »

May 202025
 

(written by Islander)

Uzbekistan in Central Asia is remote from the knowledge of most people who are likely to come across this feature. Though populous and ancient in the history of the lands now encompassed by its boundaries, it’s geographically remote as well, and one of only two countries that is “doubly landlocked,” i.e., surrounded by five other countries that are themselves landlocked.

The country’s capital, Tashkent, also has an ancient history, reportedly first settled between the 5th and 3rd centuries BC as an oasis on the Chirchik River near the foothills of the West Tian Shan Mountains. Today, among its more than 2 million inhabitants, it is home to the atmospheric black metal band Krsnī (a word that means “night” in Sanskrit), the solo work of multi-instrumentalist and vocalist Trizna.

Five days from now Satanath Records (Georgia) and The End Of Time Records (Ireland) will co-release Krsnī‘s fifth album, Neige éternelle, and it represents a new phase of sound, a departure from the project’s previous musical and lyrical directions. As a sign of the change and as an advance herald of the album, today we premiere a song called “Long Voyage.” Continue reading »

May 202025
 

(written by Islander)

Contemplating new music from Ibex Angel Order is akin to contemplating the opening of a blast-furnace door to Hell, beyond which we will be blinded by enthroned Lucifer in his might and rage.

The last time we wrote about the music of this Dutch occult black metal band here (far too long ago) we described it as “cyclonic, dissonant, and berserk,” “a bewildering mix of toxicity and infernal majesty” that builds to “crescendos of catastrophe.”

That previous occasion was our premiere of a tremendous six-way split release named Ekstrophë in 2018. Ibex Angel Order returned the following year with a two-track EP, I.Ô. Creatôr / I.Ô. Destrôyer. Now, six years later, they’re returning again with their second full-length, II – Void Sermon.

The new album will be presented by Void Wanderer Productions on July 24th, and to help introduce it we’re premiering the album track “Belial Invoked.” Continue reading »

May 202025
 

(Here we have another monthly column of Daniel Barkasi‘s vivid reviews, this time focusing on six highly recommended albums released in April 2025.)

Sometimes, you need to savor the weird pastimes that make life grand. One of those things for me that I haven’t touched upon much in this space is theme parks. Ah, I love a good theme park. Disney does it best, and having been to every Disney park on the planet, we’re a tad invested – both emotionally and financially. No park is better than Tokyo DisneySea, and it’s not particularly close.

Recently, however, we attended a preview of the brand new Universal Epic Universe with KevinP (another theme park connoisseur) before it officially opens to the public on May 22. Everything wasn’t operational, as it’s in a testing phase, but what we experienced was pretty fantastic. We’ll be going again one more time before opening day, and hopefully we’ll get to do everything that we didn’t get to the first time. If you find yourself in the sweaty hellhole that is Orlando, I’d suggest giving it a whirl – especially fans of Universal Monsters and Frankenstein. That land – or “portal” as they’re calling it – is worth the price of admission itself.

More akin to the music subject, this time of year brings festival time. NCS’s beloved Northwest Terror Fest just wrapped up and looks like it was an amazing time. One of these years, I’ll make it out. We’ll be attending Maryland Deathfest, per tradition. Hopefully plenty of readers will be descending upon Baltimore, and if that’s you, don’t be shy and say hello! One of the best things about festivals is the awesome people, and we’re looking forward to seeing plenty of friends and making new ones. If you can make it out to a festival this year, definitely do so.

Whether or not a festival is in the cards, April was bountiful with new releases well worth your time. We could list well over ten that we really enjoyed, and we’d still feel like something is getting unjustly left out. We’ve got six slots, however, so kick back with me and slap on your best headphones. Continue reading »

May 202025
 

(Everyone here only writes about music they want to recommend, but as you’ll see from DGR‘s following review of Symbiotic Growth‘s new album, he is especially enthusiastic about what they’ve accomplished.)

As 2025 has wandered onward we’ve been afforded a few chances to dig backward through the pile of music that we missed. The compulsion to try and cover everything that you’ve been enjoying can sometimes be just as strong as the urge to constantly be at the forefront of the most recent music to hit. The battle of the two can sometimes turn ugly and the cuts made can be just as brutal as the music you’re listening to.

But sometimes you find stuff that’s so special you just can’t let it go, and the world be damned, you will make time to discuss it in one form or another. Thus, when we do get these chances to bring up releases that we’d been meaning to talk about for a while, we’re going to take it. And that brings us to Symbiotic Growth, a progressive black and death metal band hailing from Ontario, Canada. They share members with a few other projects we’ve written about, including the oppressively dense death metal act Fractal Generator, whom drummer Dan Favot has belonged to. Continue reading »