Islander

“STRESS TEST” — AN NCS SONG PREMIERE AND A REVIEW OF THE ALBUM

 Album Reviews, Premieres  2 Responses »
Feb 052025
 

(On February 28th Transylvanian Recordings will release the self-titled debut album by Stress Test from Portland, Oregon. What we have for you today is Todd Manning‘s review of the album and our premiere of its title song.)

With all the blends of sub-genres that make up the metal world today, grindcore and old-school thrash metal is a combination that doesn’t often pop up. But Portland’s Stress Test make it sound natural, like we all should’ve been doing this all along.

After a brief intro, “Degrees of Violence” vomits forth a tirade of crust and blast beats. The song is 30 seconds long, as it should be, and is awesome in all the standard grind kind of ways. “Coward” follows and at first glance seems similar to what came before. But there are moments that upon closer examination have a thrash feel. Continue reading »

AN NCS VIDEO PREMIERE: GHOSTSMOKER — “ELOGIUM”

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Feb 052025
 

(written by Islander)

Smoke dope if you want, but today you can imagine what it might be like to pack your bong with ghosts and see what happens when you apply the flame.

The occasion for this mind game is a lyric video for the song “Elogium” that we’re premiering today. It’s the opening track from Inertia Cult, the debut album from Melbourne’s Ghostsmoker that’s now set for release by Art As Catharsis on March 21st, described by the label as “a record of earth-shaking sludge and blackened doom.”

But before we get to that, you ought to first allow your mind to be invaded by a gripping video for the first single from the album, “Incarnate.” Continue reading »

AN NCS PREMIERE: SARKOM — “ENTER AS FOOL – EXIT AS BEAST”

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Feb 052025
 

(written by Islander)

There’s nothing wrong with a very good band sticking to what they know and essentially repeating an appealing formula from one record to the next. Many have done that, including groups who’ve been practicing their craft for long stretches of time.

On the other hand, many of us (most of us?) are more interested in creative types who aren’t content to crank out basically the same thing over and over again, even if it’s appealing. Over a large span of years, that might begin to seem like working on a musical assembly line, where boredom sets in.

Of course, varying a workable formula can be risky, depending on the extent and nature of the changes. What’s fun and exciting for the musician might be confusing and unwelcome to their fans.

Which brings us to Sarkom, the Norwegian black metal band who are now several years into their third decade of music-making, and just a couple of weeks away from the release of their fifth album, Exceed In2 Chaos. Continue reading »

NAKED WHIPPER: “CHAPEL DEFILEMENT”

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Feb 052025
 

(On January 31st Iron Bonehead Productions ushered in the return, after 30 years, of the German band Naked Whipper, and now we’re providing Zoltar‘s review of their new album.)

I know better. Fuck, I was there. So don’t believe those claiming they were right from the get-go into Blasphemy and their likes back in the mid-’90s because they weren’t. Truth be told, back then what was to be called ‘war metal’ and their likes had very few disciples. Even if death metal was on its way out, I guess most of them hadn’t come to terms with the new definition of what extreme metal stood for and what the heck this both annoying and fascinating corpsepainted kid known as black metal had to do with it.

What I do know though is that when Naked Whipper‘s first full-length Paintreaks unexpectedly dropped in 1995, most of us dismissed it, including me. Their only claim to fame was that their bass player and vocalist was briefly Blood‘s frontman for their cult Christbait album released three years later but that was about it. As a matter of fact, the result sounded to my ears like a more satanic-flavored and primitive version of Blood, and thus was immediately suspected of jumping on the left hand path band-wagon, especially since it was being put out by MMI Records off Germany (Morbid Records‘ little brother if you catch the reference), then first and foremost renowned for putting out ugly death metal and grindcore, such as Avulsed, Dead or Deranged. Continue reading »

AN NCS INTERVIEW: ZEIT DER DUNKELHEIT

 Interviews  No Responses »
Feb 042025
 

(Comrade Aleks was intrigued by the unusual combination of features that have been presented in the music of the UK medieval black metal band Zeit der Dunkelheit, and so he reached out to its sole recording member Jim Kakes, and the following interview was the result.)

Zeit der Dunkelheit is a medieval black metal project from London, UK. Run by Jim Kakes alone, the project appeared suddenly in 2024: The EP Das Ende der Zeit was released first, then a series of digital singles followed, and as the culmination of this blitzkrieg the full-length debut Die letzten Tage was released.

Despite the album’s message (the Last days are upon us!) and its black metal core, the overall impression of the material is quite energetic due to its strong bias towards folk tunes. Although Die letzten Tage reflects the world plunging into darkness and ultimate death, the liberation of death is celebrated “in an optimistic tone”. And that’s kind of a controversial approach, so Jim himself may explain it better. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): INBORN SUFFERING — “PALE GREY MONOCHROME”

 Album Reviews, Premieres  No Responses »
Feb 042025
 

(written by Islander)

Inborn Suffering came together in Paris in 2002. They released two albums that made substantial impact craters in the landscape of doom, Wordless Hope in 2006 and Regression To Nothingness in 2012, and then they sunk into lightless depths for a long time. After returning with singles in 2023 and 2024, they now have a new album for us that will be released on February 7th by Ardua Music.

The name of the new album, Pale Grey Monochrome, is not an inviting one. It’s more fitting as a description of a winter sky hiding the sun beneath a curtain of slate that stretches from horizon to horizon than as a come-on for new music. It seems to promise a colorless gloom, drab and featureless. There is a reason for the name, but the music is the antithesis of monochromatic, as you will soon see. Continue reading »

DISRUPTED: “STINKING DEATH”

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Feb 042025
 

(Today we bring you Zoltar‘s review of the recently released third album by the Swedish death metal band Disrupted.)

There’s a good reason why Lik got signed to Metal Blade Records a few years back, and no, it hasn’t anything to do with both their guitar players joining respectively Katatonia and Bloodbath. No, if on the surface their classic down-to-earth approach to SweDeath may not look and sound that much different from the 7,564 Entombed clones popping out here and there (although it should be said that their main influence remains Dismember but I digress), underneath the fat layers of HM-2 effects pedals and downtuned guitar, they had, one could say, class. Yep, that extra-but-fuck-I-can’t-really-put-my-finger-on-it-although-it’s-here element, that Midas Touch if you will, that set them apart. Or maybe they just had better songs?

Off Ludvika in the dead center of the country, the very same little town where Peter Tägtgren’s Abyss studio is located, Disrupted have the same problem, so to speak. To those of the outside, they’ll probably look like another bunch of dudes pretending it’s 1993 all over again who hired Daniel Liljekvist back in 2018 right after he had left his drum stool in Katatonia (them again) to get some attention. Especially since their early material – 2014’s Heavy Death EP and the equally imaginatively-titled Morbid Death three years later – didn’t exactly set the world on fire. Continue reading »

OUR LIST OF 2024’S MOST INFECTIOUS EXTREME METAL SONGS: THE DGR ADDENDUMB

 MOST INFECTIOUS SONGS-2024  2 Responses »
Feb 032025
 

(Last week Islander finished his month-long list of 2024’s Most Infectious Extreme Metal Songs. It included 69 songs in all. Today DGR has provided an addendum. It includes… 70 SONGS! Though there is some small overlap with Islander‘s list.)

At the time this article is being published we’ll have drawn our Most Infectious Songs of 2024 rollout to a close. There are likely a handful of questions surrounding how such a list gets put together or why I am once again exhuming the corpse of 2024 for a few more stick-whackins that are swirling around your mind.

To put it bluntly, the idea of doing an addendum to the 2024 song list was offered to me by the NoCleanSinging head honcho, in part due to a desire for differing opinions from his own but also to highlight, once again, just how wide the spread of music was in the 2024 world of heavy metal and just how much you’re likely to miss no matter how much you try to keep up. It’s fucking impossible.

Originally, this was just going to be an Andy shindig as a sort of quick “here’s a few more that might’ve been overlooked,” but then I was asked to contribute as well so I thought it might be a fun exercise to peel the curtain back a bit and show just how much the internet cabal decides who is going to break through and be famous this year.

The answer is, simply put, “fuck all”. Continue reading »

AN NCS VIDEO PREMIERE: IMPURIST — “EVOLVING CORTEX”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Feb 032025
 

(written by Islander)

Impurist are a new death metal band formed in Hull, England in 2023. Their lineup features former and current members of Extreme Noise Terror, Gorerotted, Winterfylleth, and Introrectalgestation. They proudly proclaim that they have taken influence from the bands they grew up listening to, and they obviously must have grown up listening to violent horrors.

Impurist made their recording debut in April of last year with an EP aptly named Punishment Without Mercy. Since then they’ve recorded a second EP entitled Evolving Cortex. It will be released by 783label on CD, cassette tape, and 12″ vinyl — and the vinyl edition will include the band’s debut EP as the B-side.

The new EP, Evolving Cortex, includes three songs, and we have some thoughts about each of them — along with the premiere of a frightening animated lyric video for the title song. Continue reading »

AN NCS PREMIERE: ALL ARE TO RETURN — “THAT WHICH LISTENS”

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Feb 032025
 

(written by Islander)

The Dutch two-man formation All Are To Return describe their creations as “extreme, experimental music with an urgent sense of dread.” They began with a self-titled EP in 2020 and have followed that with three more releases, most recently a 2024 album named AATR III on Tartarus Records. Simply reading the eloquent but harrowing thematic descriptions of these records at Bandcamp demonstrates the duo’s extremely grim, indeed nihilistic, perspectives on humanity’s degraded past and hopeless future.

The music has been in line with those perspectives. It has often generated massive and caustic assaults on the senses, hostile and brutalizing, furious and doomed, sometimes cinematic in its sweep, but also deeply chilling and relentlessly unsettling.

For their most recent effort AATR have created a new audio/visual work named Limen. It consists of four pieces of music, each of them with a video, that present an interconnected narrative. Limen is also intensely disturbing, but represents a variation that makes greater use of haunting and harsh ambient sensations, though the band haven’t abandoned their industrial proclivities. It also again vividly displays the duo’s talent for crafting harrowing poetry.

Late last month the first chapter of the new EP was revealed, and today we’re revealing the fourth one. Continue reading »

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