SEEN AND HEARD: MÜTTERLEIN, CARONTE, CAUSTIC WOUND, AUSTERE, KORSAKOV, WAR MAGIC

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Mar 142025
 

(written by Islander)

I had a narrow opening in today’s schedule for a roundup of new songs and videos, and not a lot of time with which to fill it, so I won’t waste the time with further introductory remarks. We’ll get right to it, beginning with:

MÜTTERLEIN (France)

Ever since seeing the recent announcement of a new Mütterlein album a group of metal-loving friends and I have been greedily rubbing our blood-stained hands (contrary to rumor we don’t have talons and the blood is from paper cuts). The rubbing has become more intense since hearing the album’s first single (not that kind of rubbing, get your minds out of the gutter). Continue reading »

SPIRITBOX: “TSUNAMI SEA”

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Mar 102025
 

(Late last week the Canadian heavy metal band Spiritbox released their second album, and today we’ve got Wil Cifer‘s review.)

Before you throw the LaPlante out with the bathwater, it might be easy to write this band off as a pop act. After all, they are an evolution of Myspace metal. However, I might go as far as to say that this album is more inspired than Knocked Loose’s You Won’t Go Before You Are Supposed To, which was one of the heaviest albums since Sunbather to catch the ear of more mainstream audiences. It certainly takes more chances and employs a wider range of sonic colors, rather than hits you with blunt force you bob your head to.

If your eyes have skimmed any of the reviews I have done for this fine site or other of the more devious ones you might have stumbled across on the Dark Web, then you know this is outside of what I normally listen to. If you caught the trail of breadcrumbs that starts with Chelsea Wolfe covering one of their songs, then you might be getting warmer. Continue reading »

SEEN AND HEARD ON A SATURDAY: NITE, MAGUS LORD, DISPYT, CABINET, CHIAROSCURO, POLISH, BANK MYNA

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Mar 082025
 

(written by Islander)

I can’t think of any reason to criticize Bandcamp for renewing their Bandcamp Fridays in 2025. Unless I’m missing something, it’s good for bands and labels that use the platform, not only because it lets them keep more of their sales revenue but also because it incentivizes fans to spend.

But it does make my life harder, because in weeks ending with one of those days the volume of new music swells significantly. Even in more normal weeks I can’t listen to everything I’m interested in. That’s an even greater impossibility in weeks like this past one.

But of course I did make some picks. Three of the picks are live videos that I’ve included at the end without much commentary, but the bands’ names ought to be inducement enough. Continue reading »

SEEN AND HEARD: BEHEMOTH, CYTOTOXIN, FALLUJAH, GHOST

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Mar 072025
 

(written by Islander)

Only five days ago Bandcamp announced that it would continue Bandcamp Fridays in 2025, with the first one happening today. Before that, it wasn’t clear that they would continue, so it caught most of us by surprise. But word obviously spread very fast. What was already unfolding as a packed week for new music became a typhoon over the last few days. I was already agonizing about what the hell to do for tomorrow’s usual SEEN AND HEARD roundup, but now I feel like someone caught on the beach as a towering tidal wave rushes ashore.

Bandcamp Fridays are always an ideal time to spread the word about new music, but because of other duties around here I rarely have enough time to pull something together until the day after. I really don’t have much time for it today either, but felt like I needed to do something to make tomorrow’s task even a bit less overwhelming.

What I decided to do is a bit out of character for myself and the site as a whole: focusing exclusively on some of the bigger names in metal (or in one case, metal-adjacent). We don’t ignore the big names around here, as long as what they’re doing is good, but we often use them as a way of luring people into music from bands whose names are much more obscure. If I’d had more time, that’s what I would have done with this small roundup. It was just easier and faster to stick with these four.

But of course, none of these four new songs and videos would be here if I didn’t think they were worth recommending. Continue reading »

AN NCS PREMIERE: CHAMBER MAGE — “BLADES ON THE RAMPART”

 Exceptions to the Rule, Premieres  1 Response »
Mar 042025
 

(written by Islander)

WARNING! THERE WILL BE CLEAN SINGING!

Now that we’ve gotten that out of the way, for those of you who’ve forgotten that the name of our site has never been a hard-and-fast rule, let’s also add what else there will be: Glorious riffs galore, pulse-pounding gallops, blazing solo work, and mystical melodies.

We’re talking about “Blades On The Rampart“, the heart-jumping song we’re premiering from the debut album of Colorado-based Chamber Mage in advance of its March 28 release by Nameless Grave Records. The name of the album is By Light of Emerald Gods, and it’s a good name because it points the way to heavy metal that’s lit by magical and mythic colors, the stuff of swords and sorcery. Continue reading »

AN NCS INTERVIEW: PENTAGRAM

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Feb 242025
 

(At the end of January the US doom metal legends Pentagram, in collaboration with Heavy Psych Sounds, returned with their first new studio album in a decade. Not long before it was released, our Comrade Aleks reached out and then conducted the following very good interview with current Pentagram guitarist and sound producer Tony Reed, who also leads Mos Generator and Hot Spring Water. With thanks to Tony Reed, we present that interview today.)

The first incarnation of doom metal legend Pentagram was founded in 1971. Back then Bobby Liebling (vocals) gathered around himself a bunch of like-minded persons who dug heavy bluesy rock and wanted to do their own things. The band had a reputation of “street Black Sabbath”, and a lot of talented musicians went through its ranks.

Almost all of Pentagram‘s rises and falls were the result of Bobby’s actions, and it’s a miracle that after so many years the band is still alive. Nearly 40 musicians went through the band, and nowadays Bobby is accompanied by the guitarist and sound producer Tony Reed of Mos Generator, his colleague bass-player Scooter Haslip, and drummer Henry Vasquez from Saint Vitus, Legions of Doom, and more.

At the time of this interview Heavy Psych Sounds was scheduled to release the new Pentagram album Lightning in a Bottle on January 31st. It’s the tenth album in the band’s extended career (and the first one in this decade), and it’s an absolute killer, something I couldn’t ignore. Tony Reed was kind enough to find some free time in his busy schedule and helped with this interview. Continue reading »

SEEN AND HEARD ON A SATURDAY: GRAVE INFESTATION, DARK MEDITATION, SPIRITWORLD, ANCIENT DEATH, TYRANNOSATAN, ARV, EXILIUM NOCTIS, PRIMORDIAL BLACK (AND TWO INTERVIEWS)

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  1 Response »
Feb 222025
 

(written by Islander)

Greetings on another Saturday. I have another globe-hopping-and-genre-hopping selection of new songs and videos filtered from what I was able to check out over the past week.

At the end, I’m also recommending a pair of recent interviews published at locations other than NCS, not just because the bands are favorites of mine but also because the discussions are so interesting.

But we’ll start with the music…. Continue reading »

OBSCURITIES – VOLUME XIII: CHAOS AND FINDING THE LIGHT

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Feb 182025
 

(Daniel Barkasi is back, with another monthly selection of new albums and reviews, this time focusing on what January provided.)

It’s been a bit! My last musings at NCS was my overly indulgent 25 For 24! year-end debacle, and since the turn of the new year, unless you’ve been living in a cave (you have my envy if you have – any room for two people and a shitload of animals?), the world has further descended into the toilet. I could write a thesis on all of the wild things that have happened since the turn of the calendar, and most are no doubt aware of these happenings.

Admittedly, I’m a well-established pessimist. I like to say that I’m a realist, but that often leans toward looking at the dire side of things rather than the hopeful. I see chaos, injustice, greed, and sheer stupidity, but struggle to see any light trying to crack through the toxic dump of slime that often gets spewed upon us at the speed and power of a high-pressure hose.

Like we’ve spoken about previously, what we do here is a wonderful distraction from the nightmare that society can be (and often is). I also like getting a little personal in this space. Maybe it’s selfishly therapeutic; a hope that maybe my own struggles can help someone, humanize my monthly musings – who knows? Continue reading »

SHADES OF BLACK: CHRISTIAN NECROMANCY, ЗАРЕЗНИЦА, FRAGDA, INOMIATUM KALOUNAPTHRAH, MIDRYASI’S KULT, ALDAARON

 Album Reviews, Exceptions to the Rule, SHADES OF BLACK, SHORT BUT SWEET  1 Response »
Feb 162025
 

(written by Islander)

I hope you’re having a good day. I hope the following music will make it better.

I used roulette-wheel and craps analogies yesterday, and it’s even more fitting today. Without exception, I had never heard the music of any of these bands before, so picking them was a spin of the wheel and a roll of the dice. I did also land on some songs that didn’t bring much payback; those aren’t here, only the winners. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CARCOLH — “TWILIGHT OF THE MORTALS”

 Album Reviews, Exceptions to the Rule, Premieres  1 Response »
Feb 122025
 

(written by Islander)

Carcolh is the name of a mythical beast from French folklore, a large snail-like serpent that oozed slime and grasped with hairy tentacles. Carcolh is also the name of a powerhouse French doom metal band from Bordeaux/Herbignac. They have two albums to their credit so far, and are about to have a third one released on February 14th by Sleeping Church Records. Its name is Twilight of the Mortals.

Thankfully, the band and the label didn’t put too much weight on the name of our site — because Carcolh‘s Sebastien Fanton sings the words (in a voice that is truly spine-tingling) — and so we have been invited, and have happily agreed, to premiere the entire album today.

The new album is an honorable devotional to the old gods of traditional doom metal, but with a steadfast orientation toward musical narratives that earn the adjective “epic.” As we discuss in greater detail below, they have created dynamic music that is earth-quaking in its heaviness, pulse-pounding in its surges, and melodically sinister and stricken, glorious and gutting. We venture to predict that it won’t be soon forgotten. Continue reading »

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