SEEN AND HEARD ON A SATURDAY: MONDOCANE, LILJEVARS BRANN, INVERNOIR, UNHEALED, FABULAE DRAMATIS, KILLING SPREE

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Aug 312024
 

(written by Islander)
Here we are, in the dog days of summer. Unless you’re in the southern hemisphere, and I don’t know what kind of animal these days are named for down there.

Actually, these days are only indirectly named for an animal up here. The term “dog days” of summer came from the Romans, in the hot days that coincided with the sun’s rise and set alongside the dog star, Sirius. This time was referred to as diēs caniculārēs, or “days of the dog star.”

What comes next? Well, I read this in an e-mail from a seller of wine (same e-mail I cribbed from above):

Late August marks a transition from dog days into a period known as ‘cat nights,’ a little-known Irish legend involving roaming witches turning themselves into cats… we’ll spare all the details! In any case, the timing is associated with a season of nocturnal prowling, earlier nightfall, and an instinctual, impending cool on the horizon.

Well, you can’t say you never learn anything at NCS. You might also learn something from the music I picked for this Saturday’s roundup as you get ready for some cat nights ahead. Continue reading »

AN NCS VIDEO PREMIERE: DEATH OF GIANTS — “ONLY THE GOOD DIE YOUNG”

 Exceptions to the Rule, Premieres  No Responses »
Aug 292024
 

Cover songs usually fall into one of two categories: Either they’re straightforward and faithful renditions of the original (though vocal variations inevitably introduce some differences), or they’re efforts to re-imagine and re-configure the originals, sometimes creating truly new originals.

The latter type of cover song is risky because listeners who are fans of the original may continue hearing it and thinking about it as they listen to the cover, which is a distraction, and at worst they may be annoyed at the changes. But when a cover song “works”, it’s far more interesting than a faithful repetition.

Death of Giants‘ cover of Iron Maiden‘s “Only the Good Die Young“, a video for which we’re premiering today, unmistakably falls into the second category — a striking reinterpretation of the original that turns it into a very different song, and one that works supremely well. It’s even more interesting and moving when you understand how the cover was inspired, though it would be powerfully moving even if you didn’t know. Continue reading »

AN NCS VIDEO PREMIERE: SINISTRO — “ELEGIA”

 Exceptions to the Rule, Premieres  No Responses »
Aug 222024
 

We’re about to premiere a video for the second advance song from Sinistro‘s new album Vértice. But before we get to it, let’s take a few steps back.

This Portuguese band’s last album, 2018’s Sangue Cássia, made a big and favorable impact around our crumbling and gore-streaked halls, and a very distinctive one given that their music was a very big exception to the permeable “rule” in our site’s title.

Our Andy Synn named Sangue Cássia to his year-end list of 2018’s “Critical Top 10” albums, calling it “one of the most intensely intimate, moodily mesmerising releases of the year.”

For us (and for many others) it was therefore very exciting and intriguing to learn that Sinistro would be returning this year with a new album, with a new singer (Priscila Da Costa) and a new label (Alma Mater Records), masterminded by Moonspell singer Fernando Ribeiro. Continue reading »

SEEN AND HEARD ON A SATURDAY (TOO MANY BANDS TO NAME IN THIS TITLE)

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  2 Responses »
Aug 102024
 

(written by Islander)

What’s a good metaphor for having too many attractive things to choose from? A kid in a candy store? Maybe, except a lot of the sweet things I’m looking at this morning are also poisonous.

Wandering the aisles of an animal shelter trying to make a connection with a small feline you might adopt? Yeah, but some of these small beasts I’m seeing will suddenly swell up and try to claw out my jugular.

How about a child wide-eyed at a pile of presents under a tree on Christmas Eve, wondering what to open first? Sure, except some of these gifts will explode when touched, or might break your heart.

Here’s what I chose to share from the array of musical delights and dangers I surveyed today. As you can see, I grabbed with both hands, pockets stuffed and both hands overflowing. Presented alphabetically, because trying to figure out how to organize this in any other way was too damn taxing. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): THE OTHER SUN — “DAIMON, DEVIL, DAWN”

 Album Reviews, Exceptions to the Rule, Premieres  2 Responses »
Jul 222024
 

Here at NCS we like to think that in deciding what music to write about we avoid getting stuck in any ruts. Variety, after all, is a powerful antidote to the poison of boredom. And besides, we don’t want people to get too confident in thinking they know in advance what they’re going to experience whenever they land here. If our choices don’t at least occasionally pull people out of their “comfort zones”, then we’re failing by our own lights.

Having said that, the album we’re premiering below is in almost all ways vastly different from the music that populates our own ever-expanding spectrum of musical coverage. Because it is so different, there may be a risk that some of our visitors will shy away from it. However, I fervently hope that won’t happen, because Daimon, Devil, Dawn is a most skilled form of sonic sorcery that should not be missed. Continue reading »

AN NCS VIDEO PREMIERE: THE PATH OF MEMORY — “NOT ALL MADNESSES MAY BE BAD”

 Exceptions to the Rule, Premieres  No Responses »
Jul 092024
 

Long-time visitors here (and of course many others elsewhere) will recognize the name Bornyhake, the nom de plume of the Swiss musician whose talents have featured in an extraordinarily broad range of bands and personal projects since the late ’90s, perhaps most prominently Borgne, Enoid, Pure, and Kawir.

Just looking at the Metal-Archives list of Bornyhake‘s current and past bands (32 o0f them at last count), and the fact that he also owns a recording studio and record labels, leads to the conclusion that music must be a necessity of life for him, perhaps second only to air (or a close third after the peskiness of food and water).

What’s also evident is that constant exploration and evolution must be an equal necessity, and that conclusion is reinforced by a Bornyhake solo project named The Path of Memory — a name you won’t find on that extensive M-A list, which is something of a broad clue about the nature of the music. Continue reading »

AN NCS DEMO PREMIERE (AND A REVIEW): RINTRAH

 Album Reviews, Exceptions to the Rule, SHORT BUT SWEET  3 Responses »
Jul 012024
 

Trust me, writing about metal isn’t easy. The challenge of not using the same clichéd words over and over again in an effort to describe the music is daunting. That challenge is part of what keeps those of us at this place still engaged after so many years, i.e., we’re stubborn fools who strive to become better.

But trust me again, writing about metal in most of its kaleidoscopic shapes is a piece of cake compared to writing about the music of Rintrah, which is like a vine of many colors whose scandent twining runners have hooked into metal but whose roots and other branchings take their nourishment from far different sources of which we can claim no expertise and have little experience.

In other words, prepare for something completely different. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): GOLGOTHA — “SPREADING THE WINGS OF HOPE”

 Album Reviews, Exceptions to the Rule, Premieres  1 Response »
Jun 112024
 

Over the course of a career that began in 1992 and has continued fairly steadily ever since (interrupted by one long break following their third album in 2005), the Spanish band Golgotha have remained devoted to musical renditions of melancholy and desolate sorrow. They remain devoted to their own traditions in their newest album, and yet, as the album’s title itself portrays, they have not lost hope.

That album, Spreading the Wings of Hope, comes from a place of maturity and the depth of emotional reflection that only many decades of daily experience can bring — experiences of deceit and pain, of inner psychological trauma and persistent injustice in the outer world, but also experiences of resilience and beauty.

For Golgotha, it is evident, as they say themselves, that they still carry “the flickering flame of hope”: “It burns low, but it burns still…” That comes through in both the lyrics and the music on the new album, though what also comes through is that Golgotha have not forsaken the need to express the doom and desolation that continues to plague human existence, as it always has.

Spreading the Wings of Hope will be released by Golgotha‘s new label Ardua Music on June 14th, and we’re privileged to let you hear all of it today. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): NOX — “ENTITY”

 Album Reviews, Exceptions to the Rule, Premieres  No Responses »
Jun 072024
 

Today we’re taking you off our usual well-beaten musical paths as we premiere a full stream of Entity, the debut album of a duo who have taken for themselves the name Nox.

The identities of those two artists are what first led us down this divergent path. They are Inmesher from the German band Rope Sect, whose own new album Estrangement we premiered here not long ago, and Lykaios (aka Lykormas) from the Belgian band Hemelbestormer, whose fascinating post-metal instrumental excursions we’ve written about frequently in the past (he is also the person behind Lhaäd and a member of Rituals of the Dead Hand).

Having been beckoned by those two names and the attractions of the music they’ve made in their other projects, we were curious about what they chose to do as the Nox entity. Hints of what they accomplished were provided in the PR materials furnished on behalf of their label Neuropa Records, which is releasing the album today. For example, this: Continue reading »

AN NCS INTERVIEW: CRYPT SERMON

 Exceptions to the Rule, Interviews  1 Response »
Jun 072024
 


Photo credit: Scott Kincade

(Today we’re very happy to present Comrade Aleks‘ excellent interview with frontman Brooks Wilson from Crypt Sermon, whose new album is set for release on June 14th via Dark Descent Records.)

The Philadelphia doom crew Crypt Sermon took the matter seriously from the very beginning, and the first album Out of the Garden (2015) became, if not a modern classic, at least a significant phenomenon for the doom scene. The second release The Ruins of Fading Light (2019) cemented Crypt Sermon’s reputation as one of the most relevant “new” epic doom bands, but how to grow further with such a triumphant start?

The band’s new album The Stygian Rose is to be released on June 14th, and its lyrics are partly inspired by the ideas of American medium and occult writer Pascal Beverly Randolph. They mix very traditional doom with magical retro metal, combining crushing riffs and shimmering guitar melodies, and Crypt Sermon go into the large-scale and epic doom-ascension with no final destination.

Crypt Sermon are endearing due to their fidelity to heavy metal doom roots and their artistic take on the rigid form of the genre. We have done the interview with the band’s frontman Brooks Wilson, and it’ll help us learn more about the story behind The Stygian Rose and further. Continue reading »

 Older Entries  Newer Entries