
(BadWolf stirs the pot on an issue that’s been generating a lot of discussion recently.)
I’d like to address some speculation floating around the blogosphere now that the internet has had its first taste of Meshuggah’s new record, Koloss. Namely, our allies in metal at Heavy Blog Is Heavy and MetalSucks. Apparently, these people seem to think that Meshuggah may have somehow lost their relevance to the next generation of metalheads, who are being raised on Djent, itself the offspring of Meshuggah’s influence.
First, just so you know where I am coming from: I love Meshuggah and mostly hate Djent. Meshuggah’s Destroy Erase Improve was the first ‘extreme’ metal record I ever owned. As for Djent, I was an early adopter and early abdicator. I stand by Cloudkicker and Animals As Leaders resolutely, but their largely instrumental/ambient take on the genre is very different from the now-proliferating pop-metal variety. I also stand by Periphery’s demo tapes, but the instant I saw that ‘Icarus Lives’ video and heard Spencer Sotelo’s voice, I knew it was time to jump ship. Anything that evokes Linkin Park is incredibly bad, unless that project involves Trent Reznor. Now we have Djent evoking Fred Durst, but replacing his trailer park machismo for otaku-pandering roleplaying that gestures toward environmental and social consciousness, but fails to evoke even 1/100th of the mastery Gojira display with such grave subjects.
Now that you know where I stand, on to the offending quote (from HBIH): Continue reading »










