AN NCS PREMIERE: WORMQUIZITOR — “AM I BEAST”

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Jun 242026
 

(written by Islander)

Four years after their debut album, Sickness Define: Society, the Belarusian black/thrash band Wormquizitor have completed their second full-length, Esthetic of Fear, which will be released by a trio of labels on July 21st. As we are told, its ten tracks “explore themes of state violence, propaganda, war in all its forms, nuclear obsession, hopelessness, and punitive psychiatry.”

To help spread the word, today we’re premiering the new album’s second single, “Am I Beast“. That title sounds like a question, and at least in the case of the music the answer is pretty clearly YES. Continue reading »

AN NCS VIDEO PREMIERE: TOOMS — “WHITETHORN”

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Jun 242026
 

(written by Islander)

On May 29th of this year Cursed Monk Records released Karst, the powerful second album from the Irish sludge metal band Tooms. Leading up to the release we premiered a song from it named “Lowlander“. In that context, we described the music as “dismal and disconcerting,” but “galvanic as well as distressing, intriguing as well as traumatic”.

As that song demonstrates, and as Tooms repeatedly demonstrate over the course of Karst, their music hits with heavyweight force and also explodes in episodes of searing intensity and battering fury.

Today we have a startling reminder of all that, and one that hopefully will seize the attention of people who may have overlooked Karst so far. It is an attention-seizing video for what Tooms call the darkest song they’ve ever written — “Whitethorn“. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HOC EST BELLUM — “FILTH MAJESTY”

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Jun 232026
 

(written by Islander)

At the end of this week, on June 26th, Time To Kill Records will release Filth Majesty, the debut album of the Finnish band Hoc Est Bellum. That name means This Is War, and as a sign of what their music sounds like, it is absolutely accurate. As you know, we prefer to use our own words in describing the music we recommend, but this is one occasion where the promotional materials hit the nail on the head:

Based between Helsinki and Turku, the power trio unleashes a savage blend of grinding and bestial black/death chaos, channeling a sound that is both primitive and devastatingly direct. Their music thrives on raw aggression and ritualistic intensity, forged in an atmosphere of apocalyptic dread, satanic hostility and visions of mankind’s imminent extinction….

Conceived as an act of ruthless sonic warfare, Filth Majesty descends with the force of dive bombers cutting through the sky, unleashing wave after wave of black-death devastation. Each track hits like a strafing run, relentless and unyielding, carving through silence with bursts of violence and scorched intensity.

That’s probably all you need to know in deciding whether to subjugate yourself to the full-album stream we’re presenting today, but of course, for better or worse, we have our own thoughts about the album to share — and later on in this article we’ll share an extensive statement by the band as well. Continue reading »

AN NCS PREMIERE: DESTROY MY BRAINS — “DECONTRIBUTE”

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Jun 222026
 

(written by Islander)

After the release of their self-titled debut album in 2017, the Saskatchewan-based doom/sludge band Destroy My Brains embarked on a four-record sequence whose titles (the first letter of each one) spelled out the word “W.I.L.T.”. The last of those albums, Tormented, was released in 2022. And now Destroy My Brains are following that sequence with a devastating new album that is itself named Wilt, which will be released at some point during the coming summer.

The band say the new album “features 7 collosal slabs of filth and spans over 1 hour of unrelenting destroy time.” Their guitarist/vocalist Jarret has shared a few more thoughts about it:

Wilt is a representation of everything we have ever wrote before, and it means everything that Destroy My Brains has ever stood for from the beginning. Nothing has changed and our message remains clear and the same. We have always wrote about the hate for authorities and society, the corrosion of standards, represtations of nihilism, and the destruction of self and others. We have always been a fuck the world band and we still are.

These songs, 12 years later from the band’s beginnings still carry that same weight and message.The songs are a self-destructive collage of pain and suffering, and on this album we touch on some very deep personal themes as well. Get ready to get sucked down a twisting tunnel of destruction, as our sonic filth degrades and devolves you.

Speaking of devolving, what we have for you today is the premiere of Wilt’s first single, and its name is “Decontribute“. Continue reading »

AN NCS PREMIERE: ABYSSAL RIFT — “SPHERE OF PERPETUITY”

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Jun 222026
 

(written by Islander)

The last time we hosted a premiere for Ohio-based Abyssal Rift, in the lead-up to their 2023 debut album Extirpation Dirge, we described the music as abyssal and extraterrestrial, abysmal and maddened, imperiously malignant and violent — “a rendering of death/doom that’s viscerally arresting but also atmospherically surreal, and strangely seductive as well as monstrous”.

That debut album was so frighteningly arresting that the thought of what they might do next triggered recollection of that famous line from the sci-fi horror film The Fly: “Be afraid. Be very afraid.” Well, now we know what they’ve done next, and the warning is valid.

What they’ve done next is create a second album named Relics of Great Ash that will be released on August 14th by the band’s new label Transcending Obscurity Records. And what we’re doing next is bringing you the premiere of its third single, “Sphere of Perpetuity“. Continue reading »

AN NCS VIDEO PREMIERE: PROFANE BURIAL – “TRIUMPH OF DREADFUL AFTERMATH”

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Jun 222026
 

(written by Islander)

The Norwegian symphonic black metal band Profane Burial was formed in 2013 by Kjetil Ytterhus (Haimad, Khôra, Babels Tårn) and André Aaslie (ex-Funeral, Images At Twilight, Omnia Moritur, Vitam Aeternam, ex-Abyssic). They assembled a full band for both live performances and the recording of their debut album The Rosewater Park Legend, which was released in 2018.

We’re told that after 2020 the band entered “a new creative phase” as a trio, with Aaslie assuming guitar duties, Ytterhus stepping forward as vocalist as well as keyboardist, and Bjørn Dugstad Rønnow (Borknagar, Trollfest) as drummer. That led to the creation of their second album, My Plateau, which was released in 2024. Now, again working as a trio, Profane Burial will be releasing a third full-length on July 24th through These Hands Melt.

The title of the new album is Desolate Echoes of Turmoil, and today we help introduce it through the premiere of a lyric video for the album track “Triumph of Dreadful Aftermath“, which arrives third in the running order. Continue reading »

AN NCS PREMIERE: BOTHRASH — “ESCAPE MORTAL”

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Jun 192026
 

(written by Islander)

As their name suggests, the Costa Rican band Bothrash originally rooted their music in traditional thrash metal after the band’s founding by by John Snake and Minor Picado in 2013. But over the following years and across the course of five albums they have turned their music in darker and more aggressive directions.

As reflected in their forthcoming sixth album Almas Poseídas, the music can now be referred to as a style of vicious black/thrash (albeit with atmospheric elements as well). And while the band have delved into inspirations spawned by horror and occult themes, the new album (as described by the band’s labels) “also incorporates strong elements of social criticism”.

Those labels — GrimmDistribution (Ukraine) and Sanatorio Records (Costa Rica) — will release the new record on July 19th, and today we reveal its multifaceted second single, “Escape Mortal“. Continue reading »

AN NCS PREMIERE: VIANDE — “SACRIFICE ARDENT”

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Jun 192026
 

(written by Islander)

The French extreme metal band Viande named their 2022 debut album L’abime dévore les âmes, which can roughly be translated as “The abyss devours souls”. It was a fitting title, because in listening to the music we imagined horrific terrors that await the extinction of life in endless chasms from which there is no escape — an abyss lying deep within the earth, opening its giant maw to swallow what now dwells in the sun, or a supernatural dimension to be revealed when hideous powers have decided the time is right, or a frigid void, or what lies within deranged human minds bent on mayhem and murder.

Now Viande are returning with a second album, again to be released by Transcending Obscurity Records (On July 31st). The name of this new one is Monument aux mort — literally a “monument to the dead,” but a phrase that also refers to war memorials established in towns throughout France to honor those killed in the World Wars and other lethal conflicts.

Like the first album, the new one triggers the imagination of listeners. Inevitably, it creates mental visions — daunting, dangerous, and viscerally haunting ones. As T.O. says, “When this carefully devised album ends, the feeling is akin to stumbling out of a horrific catacomb in an enhanced spiritual state, with the cries of a thousand dead souls still ringing in your head.”

As proof of this, we offer you the sounds of “Sacrifice ardent” (which refers to a sacrifice offered with utmost fire and fervor). Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): IF I DIE TODAY — “I FELT NOTHING”

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Jun 182026
 

(written by Islander)

We live in a time of trauma and constant distraction, bombarded by personally damaging events beyond our control, emotional turmoil caused by damage to others, and bafflements produced by algorithmically generated slop and delusion. When it gets to be too much, it might numb us to what matters — tuning-out as self-protection, theoretically for the better but ultimately for the worse.

The title of a new album that will be released tomorrow by the Italian post-hardcore band If I Die Today provoked these dreary musings. Its name is I Felt Nothing, and lyrically it does explore the darker sides of humanity.

But the music is anything but dreary, and it’s about as far away from numbness as you could want — a conclusion we think you’ll reach for yourselves when you hear the album in its entirety via our streaming premiere below. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): WARTHRASH — “NO LIGHT SHALL REMAIN”

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Jun 172026
 

(written by Islander)

Metal fans who aren’t familiar with the Colombian band Warthrash should be forgiven for assuming their music is straight thrash. The pointer is right there in their name, shining like a beacon on an ocean cliff. But although this band from Medellín did sink their early roots in the traditions of thrash when they started more than 20 years ago, their music has evolved in more diverse directions. Newcomers might even get a powerful sense of that by gazing upon the dark and daunting artwork by Felipe Mora that shrouds their latest album.

That album, aptly titled No Light Shall Remain, will be released on June 19th by the band’s new label, the respected Awakening Records. It’s a great display of how varied the songwriting of Warthrash has become over time, and how powerfully their performances translate those varied interests into cohesive songs.

We’re very happy to bring you a full stream of the album today, preceded (of course!) by some of our own thoughts about what they’ve accomplished. Continue reading »

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