Feb 072019
 

 

Wondrous natural landscapes encircle the earth at almost every latitude, but it seems that every one marked by the footprints of humankind has been marred by legacies of violence and shame. Beneath the ground, at depths both shallow and deep, the soil is salted with bitter graves and crumbling bones, and the recorded histories preserve chilling memories, both haunting and horrifying, no matter how much living peoples might wish to brush them away like annoying flies or permanently erase them.

Within the boundaries of New Mexico are many such wondrous landscapes; much of the State is so beautiful it takes your breath away. But it too, like most of the southwestern United States (and almost everywhere else in the world), has been defaced by the footprints of humankind and scarred by its own legacies of human abomination.

New Mexico’s Heretical Sect disclose almost nothing about themselves (though we’re told they’re also members of more prominent bands, and that they live in one of that State’s most stunning locales, Santa Fe), but we do have some insights into their musical vision, thanks to an introduction provided by the three labels who are jointly releasing their self-titled debut EP on March 1st (Redefining Darkness Records, Caligari Records, and Vendetta Records): Continue reading »

Feb 072019
 

 

When I first heard “System Failure” back in September 2017, I had an immediate and overwhelmingly enthusiastic reaction. The rest of the album launched by that opening track turned out to be just as wild, and every bit as good. We did our own part in helping spread the word about the record by hosting the premiere of another ferocious track, which further demonstrated the band’ ability to deliver bone-breaking, organ-rupturing punishment while creating mood-altering melodies that gave their brutalizing assaults an atmospheric quality.

The band in question are a group of explosive and technically adept death metal juggernauts from Gatineau, Québec, named Insurrection, and the album was Extraction, the band’s fourth full-length campaign against the human race (released by Galy Records). Today we have the chance to host another Insurrection premiere, and this time it’s a music video for that first track I encountered from the album — “System Failure“.

The song has lost none of its blood-rushing appeal since it first surfaced 18 months ago, and the video only makes the music more electrifying by giving those of us who’ve never seen Insurrection on stage a taste of the way in which the band and their audiences feed off of the riotous intensity of each other’s energy. Continue reading »

Feb 042019
 

 

These dudes (The Black Sorcery) look like they mean business. And what kind of mean business do they mean? Take a clue from some of the song titles on their new album: “War Fangs”, Putrescent Infected”, “Angry Spit of the Witches Piss”, and the album title-track we’re premiering: “Wolven Degrade“.

Here’s another clue: Continue reading »

Feb 042019
 

 

Ten years ago the French one-man black metal project Telümehtår made its debut with a self-recorded and self-released demo named Blåck. Now, a decade later, Telümehtår has re-surfaced with a new album entitled The Well, which is set for release on February 16th. Today we present a full stream of its nine tracks, preceded by the following impressions.

Drawing inspiration from the spirit of such early black metal bands as Emperor, Darkthrone, and Ulver, but without slavishly aping them, Lord Telümehtår has created an extravagant, blazing tumult of moodiness and despair, creating the sounds of terrible madness born of pain, yet glorious in their devastation. In one sense, the songs are minimalist in their composition, yet they are wholly engulfing both in their sound and in their emotional impact, creating an air of scarring pageantry, like the surround-sound scores to mythic sagas of impassioned striving and inevitable, calamitous tragedy. Continue reading »

Feb 012019
 

 

Roughly two years after the appearance of their debut recording, Tein-Éigin, the Edinburgh-based atmospheric black metal band Úir are returning with a new EP named Óenach Tailten. It will be released by Pest Productions on February 18th, and today we present a full stream of its three shattering tracks.

“Shattering” is not an exaggeration. There is so much tension, torment, and pain in the music, and it comes through with such authentic passion and unwavering intensity, that it puts any sense of well-being a listener might have in dire peril. Yet paradoxically, there is an almost dreamlike quality to the music as well, a conjuration of haunting loss that crosses a dark border between flesh-and-blood and some intangible realm where ancient spirits still loom in twilight shadows. Continue reading »

Feb 012019
 

 

Two drummers, a pair of guitarists, a bass player, and no human voice at all. That’s the line-up of The Lumberjack Feedback, a group from the north of France whose motto is “Loud and Low”. Mere Mortals is the name of their new album, which follows by three years their impressive full-length debut, Blackened Visions, and what we have for you today is the crusher that opens the new record, a song named “Therapy“.

Deadlight Entertainment, which will release the album on April 26th, describes the music as “a hypnotizing, mesmerizing soundtrack to the apocalypse”, a “deep droning bass and primitive twin percussions as a roaring low-end thunder, ridden by dark melodies crafted by a pair of guitarists like silver surfers riding a tsunami” — “a weak beauty topping a tornado of devastating primal elements”.

I usually prefer to come up with my own linguistic formulations (and I will here, too), but I thought those were some nice turns of phrase, and they have the added advantage of being accurate. Continue reading »

Jan 312019
 

 

On February 1st — tomorrow — Signal Rex will release a compilation of the two demo tapes previously released by the Finnish black metal project Sammas’ Equinox. This new edition, which combines the names of the demos — Pilgrimage / Boahjenásti — includes remastered sound courtesy of Moonsorrow’s Henri Sorvali, and has been captured on CD and vinyl LP formats, with artwork and layout by Álex Tedín at Heresie Graphics.

Today we’ve got a full stream of the compilation, beginning with the four tracks from Pilgrimage (2016) and concluding with the three from Boahjenásti (2017). If you’ve not previously encountered these creations, prepare for an unusual and arresting combination of haunting, horrifying, and hallucinatory atmosphere, primal physical thrust, and affecting strands of melody, with the excursions overlaid by a voice that’s nasty as hell. Continue reading »

Jan 312019
 

 

In my humble opinion, no other domain of deeply underground music channels the madness of spiritual devotion, the intensity of unconstrained zealotry, the casting off of self-advancing calculation, as well as black metal. And few other genres so powerfully capture our most deep-seated terrors or so vividly give form to unseen spirits.

Many bands try to channel manifestations of stellar burning chaos through the fashioning of simulacrums — creating reasonable facsimiles of the real thing, but straining too hard to manufacture the explosion of blood and mind that’s the hallmark of authentic blinding fervor and fear. Needless to say, finding music that combines such genuine blast-furnace intensity with mindfulness about details — which channels extravagant emotional inspiration and reaches with straining sinews for the divine, yet reflects a demanding meticulousness about nuances of sound — is a rarity.

But here we have that rarity, in God Without Name, the first album by Aoratos. The emotional effect of the music is astonishing, though at the same time that effect is no surprise at all given the people whose talents are behind the name Aoratos, which means unseen. Continue reading »

Jan 302019
 

 

There’s a coiled serpent on the cover of Graves‘ new album Liturgia da Blasfemia, but these Portuguese black metallers have harnessed a lot of powerful demon horses in their hard-charging sounds, as well as demonstrating fanged striking power and loosing currents of reptilian venom. But this is an album that’s also more nuanced than you might expect. It conveys moods of wrenching misery as well as extravagant ferocity, and as pitch-black as the music usually is, it also includes moments that channel heart-breaking loss and heart-swelling incandescence.

To put it differently, death and desolation loom over the album like the great heartless reaper of souls we have imagined for millennia, but notwithstanding that ever-present shadow, the album is very much a dynamic experience. All the changing moods, and the expert way in which the band ring those changes through memorable riffs, are a big reason why the album is well worth listening to from beginning to end — which is exactly what we’re making it possible for you to do today, just a few days before its February 1 release by Iron Bonehead Productions. Continue reading »

Jan 302019
 

 

The thorned nightshade gardens of black metal have extravagantly expanded from their poisonous underground root stocks and become hybridized to the point where some of the offshoots have even taken on the kind of prettier hues that appeal to non-vampiric surface-dwellers. But of course there are still many black-hearted horticulturalists out there, devotedly caring for the genre’s barbed and deadly old-growth vines, greedily inhaling their aromas like pestilential perfume and exhaling hate.

The Israeli black metal band Dim Aura don’t completely reject the idea of hybridization, but they’re unquestionably devoted to the perpetuation of cold malice and tyrannical fury. Their newest display of sonic torment and cruelty is The Triumphant Age of Death, an album that will be released by Saturnal Records on March 22nd. It adds to a discography that includes a pair of EPs and a debut full-length from 2013, The Negation of Existence. From that album, we present its first single, an onslaught on organized religion named “Black Heretic Hate“. Continue reading »