Mar 262024
 

Four years ago we premiered and reviewed at length The Shrine of Deterioration, the second album by the Polish “black/doom” band Above Aurora. It followed the dark and desolate path whose first steps were marked by the band’s 2016 debut album Onward Desolation and their 2018 EP Path To Ruin.

That second album created an almost relentlessly shattering and yet also wholly enthralling experience. No surprise, we leaped at the chance to premiere the band’s forthcoming third album, Myriad Woes, which we do today in advance of its March 29 release by War Anthem Records.

It’s obvious from the album’s title alone that Above Aurora‘s worldview has not brightened over the last four years, and the music is as dark and devastating as you might expect from their previous works, but they have managed to increase the scale and colossal power of the traumas they transmit, as well as providing dramatic contrasts in tone, volume, and speed, variations in style, and melodic nuances that are piercing in the midst of cataclysms. Continue reading »

Mar 252024
 

On May 3rd much of the world will be deep into spring or entering summer, but it will still be a very dark day, cast into deep and sinister shadows by Pulverised Records‘ release of Nokturnal‘s debut album Shades of Night.

The album by these Indonesian necromancers is well-named, because the darkness of their music does have different shades, and reveals many shifting shapes within the gloom, as you shall witness through our premiere of an utterly diabolical and relentlessly dynamic album track named “Dagger of Will“. Continue reading »

Mar 252024
 

The capacity to create sonic scenes of crazed and cataclysmic conflict, weaponized by technically eye-popping instrumental armaments and urged on by monstrous proclamations — these are among the achievements of the Turkish death metal band Engulfed, whose name encapsulates the experience of being caught and consumed by their ravenous music.

The engulfing savagery and racing technicality of the band’s music would by themselves be enough to put Engulfed on the global map, circled in red, but they also manage to insidiously infiltrate their music with mood-moving atmospherics both grim and grievous.

After only one album and a pair of EPs, Engulfed are already at the point when news of a new release whets appetites for angry and exhilarating music, and a new Engulfed release is what we’ll have on on April 19th when Me Saco Un Ojo and Dark Descent release the band’s second album, Unearthly Litanies of Despair.

So far, one song has erupted from the album, and today we un-cage a second one through our premiere of “Cursed Eternity“. Continue reading »

Mar 222024
 

When is a curse also a blessing? The answer is Coffin Curse, the demon-spawned Chilean death metal band whose thoroughly evil new album The Continuous Nothing is now racing hell-for-leather toward an April 22nd release by Memento Mori.

We were blessed four years ago to premiere a song from this duo’s mortifying debut album Ceased to Be, and now we get to make another premiere today for the new album, presenting “Reeking Filth of Ages“. Continue reading »

Mar 222024
 

Six years after their debut album Rituals and a year after their split-release with Feral, the Swedish death/crust band Crawl are making a rampaging return with their second full-length Altar of Disgust, which is set for release on May 3rd by Transcending Obscurity Records.

In listening to the new album, the phrase “if it ain’t broke don’t fix it” comes to mind, because Crawl still revel in delivering ugly, adrenaline-fueled mayhem and skull-busting punishment, steeped in an atmosphere of ghastly horror and well in line with a rich tradition of Swedish-style, punk-influenced death metal.

But that’s not to say that Crawl have stood still since their debut album. While still unmistakably a Crawl release, the songwriting is more nuanced and more adventurous, and as Transcending Obscurity correctly previews, they’ve brought a bit of blackening into the mix here and there as well. Continue reading »

Mar 212024
 

The image on the cover of the debut album from the Finnish duo The Bleak Picture is striking. It shows a group of people paused in their normal daily movements (except, perhaps, for the police) and staring at a dark hunched figure, or maybe two of them, on the precipice of some catastrophe, lost in either horror or mourning or both. The origins of the devastation are hard to decipher, but the ruination is apparent.

Gazing at the image, it does seem to connect with the title of the album — Meaningless — but the exact nature of the connection, even though it feels right, is as mysterious as the exact nature of the catastrophe in the cover image.

Well, it would have been an interesting question to ask composer/instrumentalist Jussi Hänninen and lyricist/vocalist Tero Ruohonen what that image depicts and why they chose it, but alas, the thought came too late. But maybe it’s for the best, because there are mysteries in the music too — and catastrophes and mourning and something like a search for meaning. Continue reading »

Mar 202024
 

Through their first two releases, Australia’s Endless Loss opened the floodgates of words here that attempted to capture the exhilaration of being sonically destroyed and chilled to the bone.

We referred to their 24-minute 2016 debut demo, Solitary Starless Beast, as “a catastrophic demolition job”, with “dire and desolate melody slithering along through the maelstrom”. We characterized their 14-minute 2022 EP Bloodletting Narcotic Divination as “brutally bludgeoning and psychotically violent stuff, but also hallucinatory and esoteric”.

We spilled out a lot more words, but you probably get the point. This Adelaide duo’s amalgam of black and death metal was violently ruinous enough to appeal increasingly to fans of bestial war metal, but also displayed a kind of fiendish intelligence and ingenuity that gave the music more dimensions than unmitigated bombardment and evisceration.

And so, while the prospect of an Endless Loss debut album created the thrills that come to some of us when anticipating a slaughter-fest, it also created curiosity. Would Endloss Loss continue opening other dimensions through their music, and how effectively would they do that?

We and you have our answer today, because we’re presenting a full stream of that album — entitled Traversing the Mephitic Artery — in advance of its March 25th release by Nuclear Winter Records. Continue reading »

Mar 192024
 

Those of you who perused the daily news yesterday (though why would any sane person do that?) would have quickly halted in your tracks upon seeing this headline:

“500-pound mound of pythons found in Florida marsh”

Reading further, you would have found a photo and a description of a discovery made by a team of trackers (e.g., here) — a 7-foot wide mound of Burmese pythons in the midst of mating season.

Of course, it’s mere coincidence that this report surfaced just before our premiere of a song by a band named Inelegant Mass. Or is it? Continue reading »

Mar 192024
 

Why do we have two song premieres from forthcoming albums paired together in this article? Here’s a multiple choice quiz for you:

a) the albums are being released on the same day
b) the albums are being released by the same label
c) both bands are the work of the same person
d) it makes it easier for us to melt your brains
e) all of the above
f) none of the above

Make your selection and find the answer after the jump. Continue reading »

Mar 182024
 


In the context of the song premiere we’re about to bring you now, it’s a relevant coincidence that today is the birthday of Wilfred Owen, one of the first poets to depict the horrifying realities of war, instead of writing glorified, nationalistic verse. He served in the British army during World War I and was killed in battle at the age of 25. Here’s his poem “Anthem for Doomed Youth“:

Continue reading »