May 102020


As I wrote in Part 1 of today’s column, I have enough new music I’d like to recommend that I could fill out four installments, but that’s not going to happen. So I’ll have to content myself with just two Parts. I’m still thinking of ways to recommend everything else I had in mind, without just tacking a bunch of streams together without links of commentary. Though maybe that’s what I should do?


The first two songs in this collection, “Descend To Madness” and “Helheim“, are included on the self-titled debut album of Ormskrik from the west coast of Norway. Both of them are ripping black/thrashers with a powerhouse sound and absolutely unhinged braying, bellowing, and screaming vocals. Continue reading »

May 082020


I’m hurrying to finish a couple of other NCS posts scheduled for today, but wanted to begin this Friday with something to occupy you while I do that. I’ve picked three new songs that I noticed over the last 12 hours, one of which comes with an intriguing video.


Within the last two hours London-based Tableau Mort (pictured above) released a professionally filmed video for “Ignorance (Tapestry Sewn Pt. II)“, which premiered at Antichrist Magazine. It follows their very impressive 2019 debut album Stigma Book 1: Mark of Delusion (released by Loud Rage Music), which drew symbolic and thematic influences from Romanian Orthodox Christianity, and embroidered their core framework of black metal with other stylistic ingredients, including Orthodox choral chants. Continue reading »

May 072020


I know I’m damned lucky to still have a job when so many people have been thrown out of work, but the job has been annoyingly intrusive lately. And by “intrusive”, I mean that it unexpectedly interferes with my grand ideas for NCS posts. This post, for example, is grand and gargantuan, but the job that pays me has delayed its appearance and constricted my time to the point that I’ve had to strip away most of the writing I had in mind. I’m cognizant of the likelihood that depriving you of my complete thoughts will cause widespread weeping.

As the title signifies, I decided to make this round-up death-centric — but there are lots of flavors of death metal represented here and different directions being pursued. I might have figured out a good way to order the flow, but didn’t have time to think about that either. So, just be prepared to bounce around.


“Check this steamroller. Nasum-like grind with choppy tech riffs to break things up. Complete barbarian war vocals. From Tunisia. What the hell, Omination, Ayyur, and now this….” Continue reading »

May 012020


In making my way through the continuing flood of new music over the last 36 hours I hit a stretch of high-energy, technically impressive music with pronounced melodies, albeit with a lot of different embellishments and stylistic intersections (most involving elements of death and black metal). I decided to put those together here, and then veered way off the rails at the end with a trio of songs that make me smile when I imagine your reactions.

LANTERN (Finland)

To begin, let’s consider “Strange Nebula“. You won’t need a telescope, merely your ears and an open mind. Continue reading »

Apr 292020


This would have been a good day for an OVERFLOWING STREAMS post, because there’s a great volume of new music I’d like to recommend. But there wasn’t time for that. As a fall-back, it would have been a good day for a SEEN AND HEARD post, with fewer offerings but more elaborate words. But no time for that either. So as a last resort, because I wanted to recommend something today beyond what we’ve already posted, I’ve resorted to a format that is painfully short on music.

The title of the post, by the way, doesn’t mean that the two tracks I’ve chosen are quick ones, only that I’ve had to be quick about putting this together. I do think both songs are fantastic, and go together well.


Stygian Bough Volume I is the name of a new collaborative album by the Pacific Northwest bands Bell Witch (Dylan Desmond and Jesse Shreibman) and Aerial Ruin (Erik Moggridge). These three have collaborated before, both on recordings and on stage, but not in this way. Here, they have composed and performed all five songs on the album as a trio. Continue reading »

Apr 252020

Rebel Wizard


My habit for a long time has been to stop posting things at NCS by around noon here in the Pacific time zone. At that point it’s getting into the late-night hours in Europe, where about half of our daily traffic comes from, and I usually need chunks of the afternoon to deal with work and personal business. But after sleeping for 10 hours last night and waking up much later than usual today, and then having to spend even more time getting my foggy head moderately clear, most of the morning was already gone.

I knew I wouldn’t get this post finished by noon — hell, I didn’t even start writing it until noon. But I thought, fuck it, if that noon-deadline rule comes from nowhere other than inside my own head, I can break it if I want to, even if a lot of people won’t see this until sometime Sunday.

The three Zoom happy hours I participated in yesterday, which began in the afternoon and went late into the night, prevented me from listening to any new music. And because I got such a late start this morning, I didn’t spend much time going through my list today either. But it was enough time to find and become satisfied with the following choices. Continue reading »

Apr 242020


Here we come to the end of this alphabetized selection of new music from a dozen bands that I began yesterday with Part 1 and Part 2. Of course the flow of new metal didn’t stop after I picked these 12 earlier in the week, so it will soon be time to start over.

Because this is Friday, with three Zoom happy hours on my calendar, it will also soon be time to see how well I learned my lesson from last week, i.e., that if you drink for 7 hours straight on Friday night, Saturday will be a vast wasteland. But while I’m still able to write semi-coherently, let’s finish this round-up:


Resolving Origin” is a single released on April 20 by the band Slaghead from Hampton, Virginia. Per the band, it’s “a song about how to use rabies and car crashes to travel in time and become a God (do not try this at home)”. I’m not sure I would have interpreted the lyrics that way without insight from the band, but regardless, the lyrics are great — and you should go read them at Bandcamp on the way to buying this single (for one U.S. dollar or more) — because it’s well worth having on your hard drive. Continue reading »

Apr 232020

The Path of Memory


On we go with today’s three-part mega-roundup, though it’s already late enough in our posting day that Part 3 will slip over into tomorrow.

As explained in Part 1, I alphabetized what I picked by band name, so we’re rolling on into the Ps and Rs in this segment (and in case you’re confused, I’m following the Chicago Manual of Style rules for alphabetization, in which introductory articles such as “a”, “an”, and “the” are disregarded).

THE PATH OF MEMORY (Switzerland)

The shimmering melodies in “Rancid Song” sound despairing, but that effect may also have something to do with the deep gothic vocals and the moody bass notes. The music is also haunting in its atmosphere, but don’t be misled — the slow-rocking, hard-hitting rhythms and that big bass tone will get you moving. A soundtrack for wandering alone, lost in gloomy memories, through vacant city streets lined with tall cold steel…. Continue reading »

Apr 232020

Devil With No Name


I compiled this round-up three days ago. Different things prevented me from posting it until today, including distractions from my day job, bad things happening to people close to me, and just the general malaise I’m feeling under the current awful circumstances we’re all living with. A lot of other new music has emerged since I originally chose these songs, but I’m not going to sacrifice more time by trying to figure out what to add and what to drop.

The list consists of music from a dozen bands. I alphabetized them and divided this into three parts, four bands in each one. I have some other posts to finish for today, so these won’t roll out one after another. There’s always the chance I won’t even get all three parts up on the site today. The same factors that delayed this roll-out haven’t gone away.

All of us here hope all of you are well and safe, and that you’ll find something to like in this round-up. Continue reading »

Apr 212020


We have a lot of things planned for today at our site, including an album review, a couple of premieres, and a gigantic round-up of new music, but I’m getting a slow start on readying any of those posts for publication. But then I saw that Hail Spirit Noir had revealed the first excerpt from their new album, and that solved the problem of how to begin the day without further delay.

We don’t usually feature only one new song in a post unless it’s a premiere, but our affection for this Greek band runs deep, as does curiosity about what this new album will sound like, given the fascinating shifts in style that have already occurred over the course of Pneuma (2012), Oi Magoi (2014), and Mayhem In Blue (2016). Of course, as the band’s first three albums have already proven, one song drawn in isolation from the rest of an HSN release doesn’t completely represent what the rest of the record will sound like, because the band have an adventurous streak in them.

But beyond what can be gleaned from the new song that debuted today (“The First Ape On New Earth“), we do have this accompanying statement by the band about the album, the title of which is Eden In Reverse: Continue reading »