(Andy Synn has a few words to share about the outstanding new album from Seattle’s Witch Ripper)
I mentioned yesterday that writing about music is a joy unto itself (or, at least, it is if you do it right).
But it’s even more enjoyable when the music you’re writing about it this good.
Because, make no mistake about it, as much as I enjoyed the band’s debut album, the long-awaited follow-up is a whole new level of awesome.
In the midst of daily reminders from around the globe that humans are in fact plagued by a god disease (masking won’t help and there’s no vaccine), the band God Disease are about to land a new album, with a title that makes clear what this Finnish group see in their crystal ball: Apocalyptic Doom.
That title is also a fine summing up of the music on this Helsinki band’s second full-length, and a sign of how much further they’ve moved in their evolution from death metal to the most soul-stricken and earth-quaking doom. Continue reading »
Nothingness
(Another month has closed its doors, and Gonzo takes another look through them, this time spotlighting five favored albums released during February 2023.)
I can’t be alone here in saying February is the most useless fucking month on the calendar. More often than not during that godforsaken stretch of time – in its cold, dreary misery – I’m finding myself constantly losing track of time, forgetting what day it is, and scrambling to fit four weeks’ worth of plans into what seems like two.
Priorities, I suppose – that’s what it all comes down to. I’ve managed to listen to an alarming amount of music already, and seeing that we’re only just over two months into 2023, that’s always time well-prioritized.
Here’s the new shit that’s been on my heavy rotation through the last 28 days.
(Andy Synn has four excellent under the radar releases for you today)
Well, it’s that time again… time for me to harangue and browbeat you all for failing to keep up with all the great new releases that came out last month.
Of course, that’s not why I do these pieces at all. In fact, as much as I’d hope they provide a public service – cluing you in to some stuff that may have, understandably, flown underneath your radar(s) – there’s an argument to be made that I do them just as much for myself as for other people.
After all, I enjoy writing, and writing about new artists/albums I’ve discovered is a particular joy unto itself.
So here’s four releases from the last month (and a bit… I’ve stretched things a little this time around) for you to check out whenever you get the chance.
Almost exactly two years ago we had the pleasure of premiering Unohdan Sinut, the debut album of the Finnish band Qwälen. As is our habit, we spilled a lot of words introducing it, dropping references along the way to such bands as Young and in the Way and Dödsrit, but also the likes of Darkthrone, Nifelheim, Bathory, and Terveet Kädet. We identified “speed and fury” as perhaps the record’s main hallmarks, but also underscored the gripping harmonies created by the feverish dual-guitar leads:
“They not only vibrantly channel a range of dark and disturbing emotions, they also burrow into the listener’s head with relentless penetrating force, their relative clarity piercing through the raw and ravaging tones of what surrounds them.”
It’s fair to say that Unohdan Sinut was a damn tough act to follow, but these black metal punks were undaunted. They’ve made a second album, Syvä Hiljaisuus, that’s just as fury-filled and emotionally powerful as the debut. Continue reading »
Endorphins Lost
(DGR has surfaced from what sounds like some hellish recent weeks in his non-NCS life, and brought along with him some mean and explosive music, courtesy of the three bands whose recent releases he reviews below.)
The death and grind side of the heavy metal world is one that seems to be continually spinning no matter what people do to try to stop it. It’s become a machine that is always absorbing new bodies for energy and unleashing it in violent bursts that could make astronomers and physicists take note. The ferocity that is unleashed by such groups is often unmatched, and if they’re not moving in pure, bludgeoning force then it is a series of strikes that are happening so fast you don’t even notice the ground that has been razed alongside you.
The three gathered here come from different corners of the musical world as well as having some actual physical distance between them, with the one unifying theme among them being an unmatched fiery energy, and that they had releases hit in February.
In fact, the releases here get longer as you travel further down the list, but still manage to keep things around twenty-five minutes. February: Short month, short songs, short reviews – let’s party. Continue reading »
(Andy Synn casts his all-seeing eye over Enslaved‘s new album, out tomorrow via Nuclear Blast)
I almost didn’t write this review. After all, it’s not strictly necessary, is it?
Let’s face it, Enslaved have long-since reached the stage in their career where, no matter what they put out (and, let’s be honest, they do have a few duds in their back-catalogue, at least by their own high standards) the fans are going to buy it and the critics are going to fawn over it in a patently un-critical manner.
But, as has been pointed out to me, I haven’t failed to write about a new Enslaved release for years, so I might as well keep that streak alive with Heimdal, right?
But where to begin…
The stylistic banner of Seattle’s Plague Bearer brands the band as Unholy Black Satanic War Metal. The striking cover art of their debut album is itself a devotional to demons, and the song titles also scream blasphemy at the top of their lungs. The band’s cloaked, hooded, and masked countenances on stage double-down on the ethos of Hell come to Earth. And of course the album’s title, Summoning Apocalyptic Devastation, is perhaps the most brazen foreshadowing of the ruin within.
Given all that, some people might already be expecting nothing more than the kind of malformed and potentially monotonous sonic abuse that’s the stock in trade of many units who sadistically attack listeners’ ears under the genre sign of Blackened Death Metal. But there you would be leaping to the wrong conclusion.
To be sure, Summoning Apocalyptic Devastation is an explosive and devastating experience, frequently poisonous, almost relentlessly bone-smashing, and as intrinsically evil as all the surface hallmarks would lead you to expect. But the songs also pack riveting riffs, mood-changing melodies more nuanced than you would guess, and the performance skill of veteran executioners.
And thus in those ways (and others) the album may surprise listeners (less of a surprise if you’ve heard any of the track premieres that have preceded the full stream we bring you today). Indeed, we think it’s likely that this is a record which will still be vividly remembered come list-making time at the end of this year. Continue reading »
(On March 3rd Dead Sage Records will release No More Torture, the debut album from Seattle-based Vanishment, and today we’re delighted to premiere the album in its entirety, preceded by the following review written by Todd Manning.)
Retro-thrash can be a dicey affair. Too many bands opt to play an oversimplified version of the genre and forget the nuance and complexity exhibited by many groups as they developed. However, this isn’t the case on No More Torture, the debut full-length from Seattle’s Vanishment.
While No More Torture is the group’s debut, these guys are no rookies. Containing current members of Trial, Himsa, Heiress, and Lair of the Minotaur, their collective experience shines through in both instrumental chops and songwriting acumen. Continue reading »
Xalpen
I read an article about sleep this morning, It reinforced the idea that I’m doing the right thing sleeping 8-10 hours a night on the weekends, a fairly recent development for me. It also helped explain why I have such vivid dreams in the last phase of sleeping right before waking up, even if they’re like ghosts that tend to vanish within minutes of waking. The article may be pay-walled, but you might find it interesting too (it’s here), or maybe you already know the details.
On the downside, sleeping late makes for a slow start on my weekend NCS posts, especially when I don’t get a head start on the selections the night before. Fortunately there’s someone out there who may have a different sleep cycle, in addition to being in a different time zone, and what he finished very late last night in his time zone was waiting for me in my in-box this morning.
Is it stealing for me to just copy/paste a few things from his collection right into this post to make up for my late start? If so, I confess to theft. At least I won’t pass it off as my own. But I do have a few of my own choices to lead the way in blackening the sabbath. Continue reading »