Jul 012024
 

(On the day of its release we’re premiering a debut EP by the Chicago death metal band Trail of Entrails, and Christopher Luedtke provides the introduction.)

If there’s one thing that’s more than established about death metal at this moment it’s the enduring spirit and dedication to the riff. The genre might have slowed down in the mid-2000s up until the mid/late 2010s but there was never an all-out cease and desist for the genre. Like many genres, there are always dedicated people keeping it alive and death metal is seeing quite the heyday again. And once again, a new player has entered the arena.

Trail of Entrails are the latest death metal dealers out of Chicago, IL. The band consists of Robb Exhumed (guitar/vocals; Mutilate, Waifu), Zacky Bifid (guitar/vocals; Bifid Corpse, Coffinfeeder), and Alex Entrails (drums; Barrier). Having already played their first live show (check out the footage below), the band is here ready to unleash their debut EP Rot In The Cellar. Continue reading »

Jul 012024
 

Trust me, writing about metal isn’t easy. The challenge of not using the same clichéd words over and over again in an effort to describe the music is daunting. That challenge is part of what keeps those of us at this place still engaged after so many years, i.e., we’re stubborn fools who strive to become better.

But trust me again, writing about metal in most of its kaleidoscopic shapes is a piece of cake compared to writing about the music of Rintrah, which is like a vine of many colors whose scandent twining runners have hooked into metal but whose roots and other branchings take their nourishment from far different sources of which we can claim no expertise and have little experience.

In other words, prepare for something completely different. Continue reading »

Jun 302024
 


Groza

As I mentioned yesterday I’m flying to Iceland tomorrow to be present at Ascension Fest. I need to figure out what to pack, decisions like whether I should bring one change of underwear and socks for the week or 7. I’ve noticed from past Ascensions that people there don’t smell as bad as at U.S. festivals, so maybe more than one change, eh?

I’ve also got a couple of premieres to write for posting tomorrow before I leave, and some clothes to wash, and I might should spend some time with my spouse, to increase the iffy odds she’ll still be here when I get back.

So, even though it’s been two weeks since the last time I did this Sunday column and therefore I have an especially mountainous pile of new music to choose from, this will have to be short — at least in terms of my own words. Continue reading »

Jun 292024
 

Last weekend I didn’t pull together new music for a Saturday SEEN AND HEARD or a Sunday SHADES OF BLACK. I was away from home at a Pacific Northwest beachfront on a short vacation with family and friends. That led to late nights and late mornings and a desire to pay attention to physically-present human beings instead of communing with headphones and computers.

The consequence is now staring me in the face: Two weeks’ worth of new songs and videos to choose from for today and tomorrow, instead of one, when even one week’s worth is usually overwhelming. I made lists of links but of course could only listen to a small fraction of them. I was first drawn to some familiar justified names and then just threw mental darts, though the aim was not completely random. Here’s the result:

GOD DETHRONED (Netherlands)

No matter how deafening the racket or how urgent the whispers around the mouldering halls of the NCS HQ, we’ll always make time for new God Dethroned, and count ourselves lucky that Henri Sattler & co. are still alive and kicking. Continue reading »

Jun 282024
 

(Andy Synn sinks his teeth into the new album from 200 Stab Wounds, out now)

I’m sure we’re all familiar with the concept of “meat and potatoes” Death Metal.

You know the type – it’s not flashy or fancy, but it’s filling, flavourful, and satisfies your cravings (at least for a while).

Well, what if I told you that the new album from Cleveland crushers 200 Stab Wounds pretty much dispenses with the potatoes entirely and instead aims to load your plate with nothing but raw Death Metal meat?

Continue reading »

Jun 272024
 

The origins of the word troglodyte date back to antiquity, where it was used by ancient Greek and Roman geographers and historians to refer to primitive cave-dwellers in different regions. Over time, of course, it has also been used to refer to any people “characterized by reclusive habits or outmoded or reactionary attitudes”.

The New Jersey death metal band TROG probably had their tongues in their cheeks when they chose that name. (When the band originally formed in 2019 the name they used was Troglorot, which obviously incorporated some other connotations too). On its face, the name suggests primitive caveman death metal, the kind that sounds like grunting hulks brutishly banging rocks together.

But even their first EP, Of Vomit Reborn, made clear that this wasn’t really what they were up to. Their debut album Horrors Beyond, which we’re premiering in full today on the eve of its June 28 release, makes that even more apparent, and no one with ears to hear would ever characterize the music as a reflection of “outmoded or reactionary attitudes” — far from it. Continue reading »

Jun 262024
 

The formidable Danish band Crocell released their debut album The God We Drowned in 2008, and then followed that with new full-lengths every two or three years, culminating in their fifth album Relics in 2018. Keeping to that pattern, we might have expected a new album in 2021, but that year they instead brought us a pair of four-song EPs on the same day (reviewed here).

Now, however, three years later, we do have a new Crocell album, and it will be coming out on June 28th via the band’s new label Emanzipation Productions. Its name is Of Frost, Of Flame, Of Flesh, and today we’re presenting it in its entirety. Continue reading »

Jun 262024
 

(Andy Synn is here to tell you to open your minds to the outstanding new album from Orgone)

As I’m sure most of you are aware by now, I consider genre terms to be a useful tool – in the right hands, anyway –  to help guide and inform listeners, whether in general or specific terms, about what to expect (or not) when listening to a new band or album.

That being said, I don’t think bands should necessarily be limited or confined by genre traits and tropes if they don’t want to be (even if creativity often thrives within constraints).

After all, bands are just people, and people – in all their infinite diversity and infinity combinations – cannot (and should not) be defined by just a few, simplistic terms.

The human condition, you see, is less of a spectrum and more of an endlessly cascading kaleidoscope, one which looks different to everyone… and so is the art we produce.

Which is why trying to pin down the avant-garde, genre non-binary approach of Pittsburgh experimentalists Orgone would be a mistake (and a disservice to both the band and their audience).

Continue reading »

Jun 252024
 

Almost four years ago we premiered Expanse of Hellish Black Mire, the debut EP of a Cleveland-based death metal band named Noxis. In an accompanying review, I attempted to sum up the music by saying that it was “thuggish in its bone-fracturing, organ-rupturing belligerence and disgustingly gruesome in its atmosphere, and yet also mind-boggling in its mad contortions and technical extravagances. Their music is thus thoroughly putrid and punishing but also a big adrenaline kick”.

Having experienced that EP, I wasn’t completely shocked by what Noxis have accomplished on their debut album Violence Inherent In The System, which we’re premiering today in advance of its June 28 release, but it still leaps beyond what Noxis achieved on that very impressive EP. And for those of you who might be encountering Noxis for the first time, you’re in for an enormous surprise, a surprise of genuinely explosive proportions. Continue reading »

Jun 242024
 

(Vizzah Harri wrote what follows below. It’s best that we not spoil it by attempting any further introductory words.)

Nearly 3 months have passed since Black Tides has been released. So many things in life are timebound; news, they say, needs to be relevant, timely and fresh. Nothing refreshes more than a jump into the ocean, or smelling the salty morning breeze, I mean, 3am is morning, right?

If you don’t mind, we’re going to take a trip back in time, because that’s exactly what Kólga’s sound implores us to do. And like the evening news after an emergency, it’s best to wait until the stylus revolts unto the dead wax. Continue reading »