Oct 042024
 

(Following up on yesterday’s Part 1, today our Vietnam-based contributor Vizzah Harri brings us Part 2 of an article focused on Asian bands, narrating the effect of four EPs released this year.)

Having succeeded in subverting the norms with not-so-subtle subterfuge in an article containing very little metal in recent weeks – a tactic learned from Waylander of David Gemmell’s fantasy was that of hiding in plain sight — here we have four offerings that are connected to Part 1 geographically, but also aesthetically, albeit genre-wise we’re dealing with offerings of a more mongrelized persuasion. Anything suffixed with ‘core’ is a curse word in some circles, I prefer to spread the mycelium- and spongiform-afflicted ear holes of mine in myriad directions. Continue reading »

Oct 032024
 

(Our Vietnam-resident writer Vizzah Harri has prepared a two-part sequence of reviews focused on albums released this year by Asian bands, and this is Part 1.)

A defenestration, crashing through a hearse straight into the coffin. Curtains augured in, joining the choir invisible. A sewer-slide into the glue factory. A first-class ticket out of corporeality to meet sleep’s cousin. Off the hooks and un-alived, a veritable shuffle off this mortal coil via toaster bath. And if that overbearing slew of gammon-appendaged analogies didn’t make it clear, we’re here for death served with a touch of supremacy. Continue reading »

Oct 032024
 

(Andy Synn celebrates the return of Portuguese Post-Doom prodigies Sinistro)

As a reviewer I happen to think that context is pretty important.

I don’t just mean the usual types of context you might expect – references to the band’s background and influences, considerations about how an album stack’s up to the group’s previous work, etc – but the context of how your review is going to sit in the wider world.

Questions like “is this review coming out at a good time?” or “who else out there has already written about this?” are ones I think are important to ask, especially since I only have a limited amount of time to dedicate to writing here (I do have a life outside the site, you know).

Case in point, knowing I only had time for one more review this week I had to decide whether to write about Blood Incantation‘s new album or the new record from Sinistro, both of which are set for release this Friday.

But considering that practically everyone is going to be writing about Absolute Elsewhere this week (and I may still pen some thoughts about it myself at some point) I thought it more prudent to dedicate my efforts to reviewing Vértice instead, since my words are likely to have more impact on the latter’s success.

Continue reading »

Oct 022024
 


Mitochondrion

(written by Islander)

With my wife out of town visiting one of her sisters and me having gotten a head-start on the premieres I’d committed to write for today, I found myself with a rare chunk of time to go musically exploring yesterday, and to prepare this rare mid-week roundup.

Entirely by coincidence, most of what I listened to was head-spinning in different ways (as you can tell by the post title). I think it’s fair to call all of the following songs unconventional, and maybe even experimental in some respects, including the ones that feature singing (and yes, some of these are “exceptions to the rule” around here).

But lest you think I’m about to load you up with many melodious things, let’s incinerate that assumption immediately. Continue reading »

Oct 022024
 

(written by Islander)

“Nasty, miserable, no-nonsense sludge played at maximum volume with a focus on what is shit in life.” That’s the elevator pitch that Cursed Monk Records throws for Writhing Between Birth And Death, the debut EP from the UK band Bile Caster, and it hits the mark.

This Leicester-based trio, who might draw comparisons to the likes of Primitive Man and Meth Drinker, specialize in ugly, angry, primitive music that slugs hard enough to rupture spleens and is bleak enough that it might leave damaged souls looking for a permanent way out.

The new EP also has the capacity to leave anyone who survives it feeling dazed. It’s too ruthless to be truly entrancing, but the shock-and-awe effect may be enough to leave people feeling incapacitated, wondering what the hell they’re going to do while waiting for their reptile brains to yield back control of the higher faculties. Continue reading »

Oct 022024
 

(Andy Synn presents three more artful examples of the Best of British)

There are three things which the three bands featured in today’s article all share:

One… they’re all British (though I suppose that’s obvious).

Two… they’ve all got eye-catching, instantly memorable, double-barrelled names.

And three… they’re all really fucking good.

Continue reading »

Oct 012024
 

(A festival, a move between towns, and a hurricane have slowed but not stalled Daniel Barkasi‘s preparation of monthly album reviews, and today he rejoins us with a selection of eight recommended albums that saw the light of day in August.)

This is the summer that doesn’t end. Yes, it goes on and on, my friend. Yeah, I’m making my own version of the song from Lamb Chop. If you don’t know the one, I weep for your childhood, but also give a nod to your sanity. The song doesn’t end, after all. Here in the swamp that is Florida, Summer doesn’t really end a whole lot. Maybe that’s why I listen to The Midnight so much – their album Endless Summer is where the title of this column is coming from, after all. We’re not here to speak about synthwave – though that’s a subject that this guy could go on about in perpetuity. Continue reading »

Oct 012024
 

(Andy Synn presents a collection of four six killer cuts from last month you may have overlooked)

Today’s edition of “Things You May Have Missed (But Shouldn’t)” is a little larger than usual – six artists/albums rather than the normal four – because it was utterly impossible to keep up with the overwhelming torrent of new records that came out in September (and I’m not just talking about all the “big” releases).

Hell, just to get it down to just six bands I had to leave the likes of Ars Veneficium, Convictive, Glare of the Sun, Servant, Ubiquity, and more on the proverbial cutting room floor… so if you’re still looking for stuff to check out after listening to all the albums in this article then there’s a few more names to lend your ear to!

Continue reading »

Sep 302024
 

(NCS contributor Gonzo usually helps us close the end of months with a collection of reviews, and he does so again today, but this time focusing on just two albums, both of them created by bands from Denver.)

This won’t be news to most of you, so I’ll get right to it –

The rolling thunder of the Denver metal scene cannot be denied. It’s been on a powerful sort of kick in the 2020s, and few American cities can rival the raw talent and creativity that constantly comes pouring out of it. I know this because I live here. Between the crushing ubiquity of heavy music and craft beer, this place is a veritable haven for people who wear battle jackets to bars.

And as the metal gods would have it, two new albums from two rising stars in the Denver scene have been released within a week of each other – Glacial Tomb’s Lightless Expanse and Nightwraith’s Divergence – and if you haven’t heard of either band, buckle up motherfuckers – these albums are poised to change that. Continue reading »

Sep 292024
 

(written by Islander)

As I did in yesterday’s weekend roundup, for today’s column I’ve chosen a mix of complete new releases and advance tracks from forthcoming records. I’ve also consciously mixed up the musical styles, all of which use black metal as a touchstone but throw other stones at us as well. At the end I’ve also embedded three new videos without commentary; they’re all worth seeing and hearing, even though I haven’t tried to explain why.

P.S. In certain parts of the Christian world today is Michaelmas, feast day of the archangel Michael, who is celebrated for casting the Devil from Heaven. The Devil has had a celebrated career on Earth since then, as today’s music helps prove. Today is also probably the birthday of Miguel de Cervantes Saavedra, the author of Don Quixote, which will always inspire its readers to continue tilting at windmills, which thankfully all of today’s bands are doing. Continue reading »