Mar 072026
 

(written by Islander)

I’m experiencing technical difficulties. For the second time since February 1st, our DSL service shut down. The last time we waited two weeks for the DSL company to send out a repair technician. He got it going again. He explained that a pair of wires in the main line to which our house was connected had shorted out. He connected us to a different pair, but said there were a bunch of other pairs in the line that were also shorted out.

He said he would report the need for maintenance, but I got the impression this need for maintenance is widespread around the island where we live and that we shouldn’t get our hopes up. I guess there’s not enough money to be made here for the DSL company to spend money. And so, 16 days after the last repair, the DSL service stopped working again. It’s been out since last weekend. A repair technician is supposed to visit us again on Monday. Just a one-week wait this time instead of two weeks.

No DSL means our TV is useless for streaming. It also means no internet connectivity except what I can get from my phone. I’ve been using that as a hotspot for my desktop computer. The cell service is good enough that I can get online and do most of what I can do when the DSL is working. But there’s one drawback: a lot of the time the cell service isn’t good enough to stream music and videos, in part because my wife piggy-backs on my phone too since she uses a different cell service that’s borderline useless where we live. Kind of a big drawback for a music blog like ours. Continue reading »

Mar 062026
 

(Below is Wil Cifer’s review of No Peace, a new album by D.C.-based No/Más that’s set for release on March 13th by Redefining Darkness. The cover art was created by Brian Sheehan.)

There could never be a more fitting soundtrack for the world today than this album. NO/MÁS are angry as fuck. They are not here to spread good news. They are bringing their apocalyptic message to you with a perfect guitar sound for it, that is a balance of brutality which is refined enough to keep the riffs in focus, rather than just being a raw outburst.

At times, grooves slide into the riff. They write songs with an ear for detail, and maximize the two-minute runtime of these songs, cramming more punch in under three minutes than some bands can pack into an entire album. A Slayer influence certainly looms over this album. They throw in guitar harmonies into “Blood Soaked Soil” to break up the feral explosion and breakdowns. Continue reading »

Mar 052026
 

(written by Islander)

On March 6th (a Bandcamp Friday) the Rotted Life label will release a rotten and ruinous new EP by Baltimore’s Putrisect, their third EP overall and their first new music since 2018’s Cascading Inferno. The label previews it this way:

Six tracks (including a cover of Machetazo’s “Espectro”) of crushing, malevolent, death metal, rife with darkened melodies and sinister, doomy atmospherics. With it’s tank-like tremolo passages, Putrisect no doubt work off an early ’90s template carved by heavyweights such as Bolt Thrower and Incantation but come fully equipped with a sound all their own.

We have our own more detailed preview to offer, but the main attraction is a full stream of the EP which we’re offering you below. Continue reading »

Mar 052026
 

(Andy Synn encourages you to embrace the mellifluous black magic of Miserere Luminis)

I have no problem at all acknowledging that one thing I’m not great at is making predictions… or, at least, a certain kind of prediction.

There have been bands that I was sure would see massive success who have continued to labour in obscurity for years after what should have been their break-out moment, just as there have been bands who have suddenly blown up out of nowhere… even though that’s exactly where I expected them to go.

But while I’m not all that good at prophesying future fame and success (honestly, I’m not even sure what “success” looks like for bands these days, as most of the old metrics have been rednered obsolete) I like to think I’m at least pretty good at scrying out those albums, regardless of genre, that have the requisite depth and potency to have real staying power.

And Sidera is definitely one of them.

Continue reading »

Mar 052026
 

(In this latest of Daniel Barkasi’s monthly reviews for NCS he focuses on records released in February 2026.)

With the snow thawing in our area – a much different tale for many in the northeast US – leaving the house has become much more of a normal feat, without the risk of slipping on an ice sheet. I should have whipped out my ice hockey skates when we had sub-freezing temperatures, and made a complete ass of myself. Well, you know, in a different way than normal.

The lessening presence of arctic cold in the air hasn’t slowed the release calendar, with proceedings picking up with an icy bluster of quality releases in the year’s shortest month. For the “bigger” releases, Mayhem put out what has been one of the most dynamic and intriguing releases of their existence, while Worm went symphonic with dazzling results, and vets Converge bestowed an all-timer upon us.

While we’ve only got six spots to bestow in this column, there were several strenuous omissions, not due to a lack of quality of course, but fierce competition amongst a bevy of top level records. Mors Verum’s death metal manifestation is ever intriguing, Howling took me by surprise with their abrasive black metal, and The Magus and Nazghor provided contrasting-yet-gripping slabs of the dark arts, whereas Bizarrekult and Diabolus, Mecum Semperterne gave their own inspiring and undeniable viewpoints on all things black. Hell, there’s a full slate for this monthly exercise that would have been fantastic, but therein lies the strength of February’s offerings. Continue reading »

Mar 042026
 

(written by Islander)

The Eternal Death label bills the debut demo from NYC’s Absent Ritual as “outsider black metal”. But what does that mean? Isn’t all black metal “outsider” music at its core? Wasn’t that indeed what spawned it so many decades ago, as a rebellious reaction to death metal and other musical genres that were then captivating listeners?

Well, times do change, don’t they. You could make a claim that the bones of black metal have become ossified in some respects, to the point when many bands in the genre seem more conformist than they do rebellious. And so here in the current day, the description of Absent Ritual’s music as “outsider black metal” signifies that the band are following an unorthodox, idiosyncratic approach that isn’t hemmed in by strict genre boundaries, perhaps more true to the original animating spirit of the genre even though the music reveals surprising twists and embellishments.

You’ll understand what we mean when you listen to all three songs on their demo — The Cryptic Descent: A Compilation of Madness — which we’re now premiering in advance of its March 6 release date (a Bandcamp Friday, btw). Continue reading »

Mar 032026
 

(Andy Synn tries his best to catch you up with some of what you may have missed last month)

Today’s edition of “Things You May Have Missed” is going to be another bumper one – six albums, instead of the usual four – due to the ridiculous number of new releases that came out in February.

In fact, here’s an abbreviated list of everything that didn’t make the cut this time around, just so you can see what I’ve been struggling with – including Ashbringer, Atlas, Ensanguinate, Diespnea, Farson, Fayenne, Fossilization, Howling, Misotheist, MuertissimaPalaces, and Puke Wolf –  all of which are well worth checking out (Advent of Wounds in particular is likely to make an appearance on a lot of “end of year” lists).

There’s a small chance, of course, that I might find time to do a follow-up article to this one covering some of the above artists/albums in depth… but don’t bet on it (after all, the more time I spend on last month the less time I have to dedicate to albums from this month).

However, I don’t think you’ll be disappointed by the bands I’ve selected for today’s article – some of which have received very little coverage elsewhere, as far as I can tell, and several of whom are making their first appearance here at our site as well – which, hopefully, cover a pretty wide spread of styles and (sub)genres, meaning there should be something for almost everyone here.

Continue reading »

Mar 032026
 

(written by Islander)

Almost exactly five years ago we published an extensive interview by our Comrade Aleks of Québec musician Yves Allaire, aka evillair. The focus was on his band Nordicwinter, although the interview ranged beyond that as well. As the interview exposed, Allaire has been making metal music in a variety of different traditions since the early ’90s (Metal-Archives lists 10 current or former bands on his resume), but the atmospheric/depressive black metal of Nordicwinter clearly became his focus. Indeed, Nordicwinter has released five more albums since the time of that interview, including 2025’s Solitude.

Which makes the debut EP we’re now about to premiere from a new evillair entity quite a nasty surprise.

The name chosen for this new project — Mortopsy — points the way toward the EP’s music, as does the EP’s name: Putrefactive States of the Human Form. It is, in short, a formulation of pathological deathgrind and death metal inspired by the grisly early musical psychoses of Carcass and General Surgery, and it’s great. Continue reading »

Mar 032026
 

(Our editor recently gave a quick take on a new EP by the Swedish lunatics Swærmmm, which is the second part of a planned trilogy, and today DGR gives it a longer take, while wishing he could see what the EP will do to you.)

Swærmmm

While the brain is tempted to take a shortcut and hallucinate its own phrase in the same way many of our current AI overlords are hallucinating medical advice and legal procedures, if memory serves correctly there is an old shopping bag of a saying which states that everyone has about one good book in them.

We’re of course discussing humanity’s wider ability to create in that aspect, as I highly doubt many of us could pen a full book and have it be a combination of cohesive or interesting. But if taken on a holistic level, everyone has at least one good “something” they can unleash out into the world whether it be music, artwork, writing, or any other combination of craft.

On that same aspect it seems that every musician has one project in them that boils down into abject chaos. It is as if the idea of regular musical creativity is not enough anymore, and at a certain point a sort of subconscious gremlin speaks up and utters the musical creative equivalent of “what if we just burn it all to the ground?”. Continue reading »

Mar 012026
 

(written by Islander)

I hope I haven’t bitten off more than you can chew. Only four selections today, compared to eight yesterday, but two of them are albums and one of them is an EP.

I also hope I haven’t bitten off more than I can chew. As I begin writing this, I realize it will be tough for me to fully express how all this music has impacted me or how it might impact you, given the time constraints I’m under. But I’ll give it a shot.

If there’s a through-line in these recommendations, it’s that all the music is searing, in sound or mood or both, although the stylistic paths traveled by them often diverge. Continue reading »