Reviews Archives - Page 26 of 589

CRUST – WHERE LIGHT FEARS TO DESCEND

May 212025

(Andy Synn boldly goes… where light fears to descend)

Due to the fact that DGR and I have been spending the last week or so terrorising the mean streets of Seattle together, we’ve had a lot more time than usual to hang out, shoot the shit, and discuss important matters like art, music, and where to get our next beer.

And it was during these discussions where he raised the point that there’s a bunch of bands – quite a lot of them now, to be perfectly honest – that we’ve adopted as favourites here at NCS, to the point where we actively try to cover everything they do in the hope that other sites will also pick up on them and help give them more exposure.

As some of you may have already guessed, Black/Doom/Sludge coven Crust have been one of these bands for a fair number of years now, and with their new album set for release very soon – this Friday, in fact – now felt like a good time to once again try and give these devils their due.

OBSCURITIES – VOLUME XVI: SEASON OF PARKS AND FESTIVALS

Album Reviews 1 Response »

May 202025

(Here we have another monthly column of Daniel Barkasi‘s vivid reviews, this time focusing on six highly recommended albums released in April 2025.)

Sometimes, you need to savor the weird pastimes that make life grand. One of those things for me that I haven’t touched upon much in this space is theme parks. Ah, I love a good theme park. Disney does it best, and having been to every Disney park on the planet, we’re a tad invested – both emotionally and financially. No park is better than Tokyo DisneySea, and it’s not particularly close.

Recently, however, we attended a preview of the brand new Universal Epic Universe with KevinP (another theme park connoisseur) before it officially opens to the public on May 22. Everything wasn’t operational, as it’s in a testing phase, but what we experienced was pretty fantastic. We’ll be going again one more time before opening day, and hopefully we’ll get to do everything that we didn’t get to the first time. If you find yourself in the sweaty hellhole that is Orlando, I’d suggest giving it a whirl – especially fans of Universal Monsters and Frankenstein. That land – or “portal” as they’re calling it – is worth the price of admission itself.

More akin to the music subject, this time of year brings festival time. NCS’s beloved Northwest Terror Fest just wrapped up and looks like it was an amazing time. One of these years, I’ll make it out. We’ll be attending Maryland Deathfest, per tradition. Hopefully plenty of readers will be descending upon Baltimore, and if that’s you, don’t be shy and say hello! One of the best things about festivals is the awesome people, and we’re looking forward to seeing plenty of friends and making new ones. If you can make it out to a festival this year, definitely do so.

Whether or not a festival is in the cards, April was bountiful with new releases well worth your time. We could list well over ten that we really enjoyed, and we’d still feel like something is getting unjustly left out. We’ve got six slots, however, so kick back with me and slap on your best headphones. Continue reading »

SYMBIOTIC GROWTH: “BEYOND THE SLEEPLESS AETHER”

Album Reviews 1 Response »

May 202025

(Everyone here only writes about music they want to recommend, but as you’ll see from DGR‘s following review of Symbiotic Growth‘s new album, he is especially enthusiastic about what they’ve accomplished.)

As 2025 has wandered onward we’ve been afforded a few chances to dig backward through the pile of music that we missed. The compulsion to try and cover everything that you’ve been enjoying can sometimes be just as strong as the urge to constantly be at the forefront of the most recent music to hit. The battle of the two can sometimes turn ugly and the cuts made can be just as brutal as the music you’re listening to.

But sometimes you find stuff that’s so special you just can’t let it go, and the world be damned, you will make time to discuss it in one form or another. Thus, when we do get these chances to bring up releases that we’d been meaning to talk about for a while, we’re going to take it. And that brings us to Symbiotic Growth, a progressive black and death metal band hailing from Ontario, Canada. They share members with a few other projects we’ve written about, including the oppressively dense death metal act Fractal Generator, whom drummer Dan Favot has belonged to. Continue reading »

GONZO GOES TO ROADBURN 2025

Concert Reviews No Responses »

May 192025

(Our Denver-based writer Gonzo went to Roadburn 2025 in April. Here’s his extensive report on the experience.)

For almost as long as I can recall, I’ve wanted to make the pilgrimage to Roadburn. The 4-day affair in Tilburg, Netherlands, has been one of the most consistently raved-about experiences in heavy music on the planet for the better part of two decades, and I’d been dead-set on getting my ass there for at least half that time.

As it turns out, 2025 would be the year I’d finally get to see if Roadburn lives up to the hype.

The short answer?

Yes. Fuck yes. And then some. Continue reading »

RIVERS OF NIHIL – RIVERS OF NIHIL

Album Reviews 6 Responses »

May 192025

(Andy Synn presents his thoughts on Rivers of Nihil‘s upcoming self-titled album, out 30 May.)

With Rivers of Nihil stating that their upcoming fifth album – which we’ll get to shortly – would involve a synthesis of ideas and elements from all four of their previous records (plus some new ones born from some significant line-up changes) I felt it might make sense to start this review off with a quick round-up of where I stand in relation to their discography so far.

Their underrated debut album, The Conscious Seed of Light, still holds a special place in my heart for the way it introduced me to the band and their nascent blend of rigid, biomechanical riffage and fluid, melodic embellishments, while the heavier, hookier, and more tightly-structured Monarchy remains, in my opinion at least, the most focussed and consistent release of their career (so far, anyway).

And while I understand the love a lot of people have for Where Owls Know My Name – which, with its proggier and more accessible vibes, was where a lot of fans fell in love with the band – to me it remains something of a mixed bag (half “killer”, half “filler”) with the more ambitious and even more progressive (not to mention divisive) approach of The Work representing a much bolder and more successful creative step in my opinion (even if a couple of tracks still didn’t quite… ahem… work).

So, with that in mind, here’s what I think of their eponymous fifth album, which comes out next week.

SHADES OF BLACK: WAIDELOTTE, HÆRESIS, HELL, CAVE, FUNERAL BAPTISM, TEARDRINKER

Album Reviews, SHORT BUT SWEET No Responses »

May 182025

(written by Islander)

For reasons explained yesterday I’ve had less than the usual amount of time this week to explore new music from the blacker realms of extreme music. I’ll fall behind again next week due to MDFing and will likely leave a void in this column’s place next Sunday.

Bereft of the time needed to make a more complete survey this week, I randomly threw a couple handfuls of mental darts at all the tabs I’d opened for new songs and albums. There were misses, but enough solid hits to furnish the following collection, which I hope will both darken and immolate your day. Continue reading »

AN NCS PREMIERE: HSPDN — “HEYDAY’S RUIN”

Album Reviews, Exceptions to the Rule, Premieres, SHORT BUT SWEET No Responses »

May 162025

(written by Islander)

In this feature we are taking a few large steps off the various beaten, broken, and thorn-shrouded paths we usually follow in our musical meanderings around here. The connections to those paths, such as they are, derive in part from the person who made the music you’re about to hear.

That person goes by the name “twi” in this new project, but we can disclose that the person is the Slovakian musician and vocalist also known as Twisted in the experimental industrial doom/death metal band 0n0, whose music we’ve written about repeatedly over the last nine years (here’s the proof of that).

The name of the new project is hspdn. hspdn‘s first release is Heyday’s Ruin, a four-song, 18-minute work set for release open May 23rd and self-described as “an EP about climate and personal crises”. What we have for you today is the premiere of its title song. Continue reading »

AEONIAN SORROW: “FROM THE SHADOWS”

Album Reviews No Responses »

May 162025

(Sacramento-based DGR has at last caught up with the latest release by the pan-national doom band Aeonian Sorrow and shares his thoughts about it below.)

We’ll pry the mask off of our anonymity somewhat here but a few releases have hit this year that I’m genuinely surprised have flown under the NCS radar. Perhaps it’s just due to the weird flood/non-flood of pacing that releases have seen so far, but some that’ve floated past us feel like releases that have had neon signs hovering over them and calling out to us.

Maybe it’s just due to the fact that release season has been weird. I’m obsessed with finding a groove in things and that includes the flow of the year. Generally speaking, January has been my fall back for checking out Doom releases. It is about as cold as the home town will get (a frigid 29 fahrenheit at worst guys, make sure to hunker down) and also allows for a meditative slowing down of things.

Not this year though, as a certain moron decided to get high on his own supply and proceeded to add an addendum to the year’s most infectious list which took a surprising amount out of them. On top of that, Doom didn’t really hit in the massive wave that it usually does in January. Finland as a whole did, dominating the early part of the year somewhat, but the Doom releases were a little more scattered.

This is a roundabout way of saying that I am legit surprised we missed Aeonian Sorrow‘s new EP From The Shadows when it saw release in late March. We’ve had a pretty good track record of keeping up with the Finnish/Greek superhero team-up, but for some reason From The Shadows flew right past our dazed skulls. Well not anymore, let’s rectify that now. Continue reading »

How the fuck is it already mid-2025 when 2020 was just a few months ago? Yeah I slept on some shit last year, I was going through some stuff, what`s your fucking excuse for listening to the same 5 albums over and over again? YES, it`s all the title including this sentence. Haven`t you picked up on my way naming these articles yet?

Album Reviews, LISTMANIA 2024 No Responses »

May 152025

(“Eclectic.” There’s that word again, the one we almost always use in sharing year-end lists from Tumbleweed Dealer‘s Seb Painchaud. We already did present Seb’s 2024 YE list during our LISTMANIA series for last year, but it turns out he overlooked a few — 16 of them, to be precise.)

How the fuck is it already mid-2025 when 2020 was just a few months ago? Yeah I slept on some shit last year, I was going through some stuff, what`s your fucking excuse for listening to the same 5 albums over and over again? YES, it’s all the title including this sentence. Haven’t you picked up on my way naming these articles yet?

So, are we really doing this again? I swore I was done with these lists as no one seems to read ‘em but god damn it, I kept discovering amazing 2024 albums I wish I had included and I made a playlist of ‘em on spotify and it’s just there, mocking me with its smugness, shoving my face into the failure that is not reporting these albums to you, the people not reading these lists.

On we go… Continue reading »

GENUNE – INFINITE PRESENCE

Album Reviews No Responses »

May 152025

(Andy Synn returns to the site with praise for the new album from Romania’s Genune)

As you may be aware (or maybe not, it depends on how much attention you’ve been paying to the site recently) I’m currently over in the USA enjoying the post-festival relaxation period after this year’s edition of Northwest Terror Fest before then heading over to Baltimore to attend Maryland Deathfest.

As a result I haven’t been doing much in the way of writing/reviewing… heck, I haven’t been online all that much at all… and have just been focussing on hanging out with some friends and listening to music purely for the enjoyment of doing so.

That being said, I do have a few things in mind for the next couple of weeks (including one highly-anticipated new release that’s guaranteed to be one of the best albums of the year), with the following review for the upcoming third album from Genune (out this Friday on Consouling Sounds) marking the end to my short (but necessary) hiatus.

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