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SUFFER: “GRAND CANVAS OF THE AESTHETE”

Apr 022024

cover art by Ettore Aldo del Vigo

(We present Todd Manning‘s very enthusiastic review of the new album from Suffer, which was released by Wise Blood Records on March 29th.)

Most death metal bands define themselves by emphasizing one aspect of their sound. Maybe it’s speed or lack thereof, technicality versus primitivism, seeing how guttural they can be, and so on. On their latest, Grand Canvas of the Aesthete, which just came out on Wise Blood Records, South Dakota’s Suffer take a different approach; they define themselves by the balance they strike of all the elements of death metal that they incorporate. Continue reading »

GONZO’S HEAVY ROUNDUP, MARCH 2024

Album Reviews 3 Responses »

Apr 012024

(March 2024 is in the history books, and in this column Gonzo reviews six albums that made it a good month to remember.)

So, I dunno if it’s just me, but 2024 has already been a banger of a year for heavy music after only three months. My best-of-’24 Spotify playlist has over 10 hours of music on it, and that’s just me throwing random shit in there on a fairly haphazard basis.

Later in April, I’m also taking a trip down the road to Red Rocks to see Amon Amarth headline a wild show that includes Obituary, Cannibal Corpse, and Frozen Soul. And by the time this piece goes live, I’ll have already seen Wayfarer perform “American Gothic” in its entirety at the Bluebird in Denver. Look for a review of that one coming up.

Good times await, my friends.

But first, let’s get to some new gems I’ve unearthed from metal’s grimy underbelly over the past 30 days. Continue reading »

SHADES OF BLACK: ROTTING CHRIST, CHARUN, SATANIC NORTH, DODENKROCHT, FRAGMENTUM, CANTIQUE LÉPREUX, BEDRÄNGNIS

Album Reviews, SHADES OF BLACK, SHORT BUT SWEET 3 Responses »

Mar 312024

It is a good thing to be tolerant of people who are different from you, including people who believe things you think are ridiculous. But tolerance is sorely tested by people who are hypocrites and con-men, whose professions of faith are a cover for corruption, hatefulness, and abuse of others.

Having those people in mind today, and all the people who have fought back against them (with a kind thought also for the sweet people who humbly try to follow the precepts of such passages as Matthew 7:12 and 25:35-40), I picked the following five songs from forthcoming records and two complete releases to recommend to you on this Easter Sunday.

ROTTING CHRIST (Greece)

Rotting Christ, but of course I’m starting with them today. Their new album ΠΡΟ ΧΡΙΣΤΟU (Pro Xristou) — “Before Christ” — “serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge”. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MONASTERY DEAD — “EGO SUM DOLOR”

Album Reviews, Premieres No Responses »

Mar 292024

Today we premiere a full stream of Ego Sum Dolor, the fourth album to emerge, after four years of work, from the Saint Petersburg death metal band Monastery Dead. It will be co-released on March 31st by Satanath Records (Georgia) and Australis Records (Chile).

If your Latin is rusty, the album’s title translate to “I am pain”, or perhaps “I am in pain”. Consistent with that title, the concept of the album is described as follows:

This is a story about a man doomed to experience all the suffering and torment destined for him in his life, here and now. He bears the burden of merciless retribution, which, like stigmata, he acquired by birthright, experiences pain and inflicts pain, is obsessed with destruction and destroys himself. His own wounds and those of his victims will never heal and will bleed forever.

Or to put it more succinctly: “The basis of the concept of the release is the idea that the real hell is our current existence on Earth.” Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MOUNTAIN SHADOW — “MOUNTAIN SHADOW”

Album Reviews, Premieres 2 Responses »

Mar 282024

As you can see, we’re premiering a full stream of the self-titled debut album by Mountain Shadow. In advance of the music stream we have delectable teasers to offer, beginning with this preview from Fiadh Productions, which will officially release the album tomorrow:

Mountain Shadow… is Pennsylvanian Folk Death Metal, existing between Archaic Death Metal, Atmospheric Black Metal, Funeral Doom & Bluegrass, exalting Appalachian Horror and the melancholic ruins of nostalgic America.

More teasers: The listing of instruments in the credits for the performances on the album, beginning with the two childhood friends who are the band’s members: Continue reading »

SEEN AND HEARD: VERBERIS, ALLEGAEON, PARTY CANNON, MORTAL WOUND, VRYKOLAKAS, VERITERAS, OLD IRON, FRAIL BODY, ATARAXIA

Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET 1 Response »

Mar 282024

Lately I’ve been organizing these roundups of recommended new songs and videos in alphabetical order by band name, because that means I don’t have to spend any time thinking like a DJ, trying to figure out what makes sense in the flow of the music. Sometimes that has coincidentally led to interesting juxtapositions.

Today, however, I’ve chosen a different organizational scheme, because some of the songs naturally paired up with each other. So this collection includes a block of goofy stuff, a “hulking and hideous death metal” block, a Seattle block, and some curveballs at the end, although the very end is more like a sequence of eephus pitches that sail in high and slow (look it up).

But to begin, you’ll find something that doesn’t fit anywhere else but left me wide-eyed and slack-jawed. Continue reading »

BRODEQUIN – HARBINGER OF WOE

Album Reviews No Responses »

Mar 282024

(Andy Synn embraces his inner masochist with the torturous new album from Brodequin)

Let’s be clear about something… if they hadn’t disappeared for almost twenty years it’s highly likely that the name Brodequin would be talked about just as often, and held in as just as high regard, as the “Big Ds” (Dying Fetus, Deeds of Flesh, Defeated Sanity, Disgorge… the list goes on) of Brutal Death Metal.

Hell, some people already put them up on that same level, and with damn good reason, especially since their third (and, for a while at least, final) album, Methods of Execution, was one of the most definitively brutal, and brutally definitive, statements of the early 2000s.

But now they’re back, and the big question on everyone‘s lips is – has time dulled their blades, or are the terrible trio still just as sharp, and as sick, as ever?

AN NCS ALBUM/VIDEO PREMIERE (AND A REVIEW): HIEROPHANT — “GATEWAY TO THE ABYSS”

Album Reviews, Premieres No Responses »

Mar 272024

In August 2022 Season of Mist Underground Activists released Death Siege, the very impressive fifth album by the Italian extreme metal band Hierophant. In his review at our site, Andy Synn noted that the album revealed the band “making an unexpected heel-turn away from the crusty, sludgy, Blackened Hardcore sound of their previous records to instead become a full-blown Black Metal band (albeit, one with a distinctly deathly tinge) in the vein of Death Fortress, Rites of Thy Degringolade, Panzerfaust“. Andy further wrote:

“[T]here’s no denying that this new, more blackened version of the band are still very, very good at what they do…. As a result I’d say this is the perfect jumping on point for potential new fans since – if the oppressive atmospherics and visceral sonic violence of closer “Nemesis of Thy Mortals” are anything to go by – Death Siege looks, and sounds, to me, like the beginning of a whole new era for the band”.

Following the release of Death Siege, Hierophant performed on some very big stages, honing their live rendition of the songs on Death Siege and burnishing their reputation. This led to the decision to record their performance at Hellfest 2023 in France, and to release it as Hierophant‘s first live album — Gateway to the Abyss — which will be released on Match 29th by the Dusktone label.

As icing on the cake, that show was also caught on film, and today we premiere the new album in tandem with an exceptional video. Continue reading »

VERWOED – THE MOTHER

Album Reviews 2 Responses »

Mar 272024

(Andy Synn reminds you all that it’s mother’s day this Friday)

As has been pretty well documented, I’m somewhat of a sceptic/cynic when it comes to “one man bands”.

The reason for this is that – in my estimation, at least – the lack of that collaborative creative push-and-pull which you get in a full band situation all too often results in a rather myopic view of things from the singular solo-artist, who may well have something they want to say (I’m not denying that) but doesn’t realise that it’s already been said, in much the same way, many times before.

There are, however, obvious exceptions to this “rule”… certain artists who don’t just possess the necessary vision, and the voice with which to express it, but are also self-aware enough to know that a big part of getting your message across is not only what you say, but how you say it.

And one of those artists is Erik Bleijenberg, aka Verwoed.

AN NCS ALBUM PREMIERE (AND A REVIEW): ABOVE AURORA — “MYRIAD WOES”

Album Reviews, Premieres No Responses »

Mar 262024

Four years ago we premiered and reviewed at length The Shrine of Deterioration, the second album by the Polish “black/doom” band Above Aurora. It followed the dark and desolate path whose first steps were marked by the band’s 2016 debut album Onward Desolation and their 2018 EP Path To Ruin.

That second album created an almost relentlessly shattering and yet also wholly enthralling experience. No surprise, we leaped at the chance to premiere the band’s forthcoming third album, Myriad Woes, which we do today in advance of its March 29 release by War Anthem Records.

It’s obvious from the album’s title alone that Above Aurora‘s worldview has not brightened over the last four years, and the music is as dark and devastating as you might expect from their previous works, but they have managed to increase the scale and colossal power of the traumas they transmit, as well as providing dramatic contrasts in tone, volume, and speed, variations in style, and melodic nuances that are piercing in the midst of cataclysms. Continue reading »

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