Reviews Archives - Page 4 of 615

CLEARING THE SLATE ISSUE ONE

Jul 162026

(DGR is playing the game of review catch-up. Is today’s four-album installment the first inning of nine, or the first half of two? We shall see.)

I say this every time I’ve done it in its twice-yearly fashion, but smaller review collections like this are not ones that I feel good about doing. It doesn’t feel fair to the bands not paying the imagined debt I have with them, that I’ve done something so criminal as enjoy their music and yet not find the time within myself to dedicate toward the usual essay-long dissection and exploration of their newest release.

Yet, it is festival season now in Europe which means that metal’s biological clock is seeing fit to give birth to a ton of new releases. You may have noticed during the last month or so there has been a steady drip of reviews coming from my corner of the world, but truth be told, all of those were done just prior to our unwitting heavy metal May that we’ve created. The assumption being that they would run once a day so the site would always have something to post while we were out and about witnessing music or drinking ourselves into apocalyptic stupor.

You’ll note, that’s not how it happened, and instead the collective of releases that I had fished up from the world’s murky musical depths ran well into June. That doesn’t mean the exploration and listening stopped, either. Just as many were caught up in the nets or came out while we were on that aforementioned vacation, and we now find ourselves at the doorstep of a collection of music spanning months that needs to be caught up on.

You, dedicated reader of the site that you are, know next what is coming. It has traveled by many names: review roundup, things you may have missed, clearing the slate, material befitting the ethereal, music by swedes for long-haired plebes, a million other names that all translate to one basic idea – we need to catch up on stuff so we can maintain some semblance of being current yet refuse to leave these albums sitting in the dust. Continue reading »

SHORT BUT SWEET: BEYOND DEVIATION / FERAL WOUND / SALT DIVINATION

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Jul 142026

(Andy Synn is a busy man right now, but still found time to recommend three killer EPs today)

Despite the fact that our work here at NCS may give the impression that we’re a professional, well-oiled machine (right?), the truth is that we don’t necessarily plan out everything we do here in advance.

That’s not to say there’s no plan at all – Islander in particular tries to stay on top of upcoming and new releases for his various round-up columns, and we’re all indebted to DGR for putting in the extra effort to produce a plethora of reviews in advance of our blog-break in May – but we do like to leave a little wiggle room in our schedule so we can be spontaneous and adapt to changing circumstances.

Case in point, today’s article includes three EPs (devastating down-tempo Deathcore from Canada, ugly, uncompromising Death-Grind from Indonesia, and vicious Blackened Hardcore from the good ol’ US of A) that I only recently discovered, and decided – pretty much at the last minute – that I wanted to write about.

FUMING MOUTH – THE RINGING BELL

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Jul 132026

(Andy Synn asks for whom the bell tolls… and it turns out it’s for him)

There are lots of different ways we could begin a review of the new Fuming Mouth (which comes out Friday).

We could, of course, talk about frontman Mark Whelan’s diagnosis with, and subsequent recovery from, Acute Myeloid Leukemia and how this has – unsurprisingly – influenced the band’s musical and lyrical approach.

We could also just as easily talk about how divisive the band’s second album, Last Day of Sun was, due to its more Punk/Hardcore influenced approach – though I still think that tracks like “Out of Time”, “The Silence Beyond Life”, and “I’ll Find You” are absolute bangers – and occasional (if not always successful) dash of moody melodic crooning.

But instead I’d like to start off by mentioning the one and only disappointing aspect of the record… which is the underwhelming cover art (which, to be fair, I’m sure must have some deeper significance to the group, but which really doesn’t live up to the high bar set by the eye-catching artwork of Lewandowski and Todorovic that adorned their first two albums, respectively).

Thankfully, however, this is one occasion where you definitely can’t judge the proverbial book by its literal cover.

SHADES OF BLACK: LABOR OF THE NEGATIVE, AURI, TEARS OF NEMAN & СХИЗМА, MIASMES, HAMMERFILOSOFI, DRAPE, ORANSSI PAZUZU

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Jul 122026

(written by Islander)

As you can see, I have a lot of new music to recommend today. I hope the volume won’t deter you from investigating each entry. I will say that I’ve arranged the selections in a way that my cause your head to whirl around as you move through them. At least I hope that will happen!

Because there’s so much to discuss, I’ll dispense with further introductory comments and get right to it. Continue reading »

SEEN AND HEARD ON A SATURDAY: NORILLAG, POACHER, LITOST

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Jul 112026

(written by Islander)

My spouse and I are going to an early lunch with a friend we’ve known for… ahem… decades. She’s always a ton of fun to be with, but the timing’s not great for this column. I had added dozens of new songs and complete releases arriving over the past week that I intended to check out. And I didn’t get a head-start yesterday because I spend a chunk of the afternoon and early evening watching a Mariners baseball game that was… ahem… dispiriting. Don’t ask me why I did that, because I knew our opponents were very good and the odds were very high that my team would… ahem… suck (again).

Anyway, I had a lot of hard choices to make this morning and a rapidly vanishing amount of time in which to make them and then peck out some thoughts. I hope I’ll be able to catch up with more new music for the usual Sunday collection. Continue reading »

INFERNO: “THE ANTHROPIC SOPHISMS (ON THE HEIGHTS OF DESPAIR)”

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Jul 092026

(We present Daniel Barkasi’s evocative review of a new album by the Czech band Inferno, which will be released on July 17th by Debemur Morti Productions.)

If you search for a band named Inferno on Encyclopedia Metallum, you’ll unsurprisingly get a lot of results. All of these are not created equal, of course. When we think of a band of that name, there’s only one that comes straight to mind – the gnostic black metal Inferno hailing from Czechia.

Having been in existence for over three decades, their works speak for themselves, though they’ve experienced quite a musical metamorphosis over those years. Earlier releases were much more straightforward second-wave black metal with a certain rawness and regional authenticity that added to their proverbial charm. A hint of a more expansive direction could be sniffed out on Black Devotion in certain aspects, but that change truly came to fruition on the nightmarish Omniabsence Filled by His Greatness in 2013, a record filled with dreary, unpredictable atmospheres resembling a thick fog that gives no chance of seeing anything but nothingness.

From that release, Inferno have been wildly experimental, carving out a truly singular sound and presence, not unlike contemporaries Blut Aus Nord, Cult of Fire, and a select few others. They also don’t tinker for the sake of it – the upper crust quality of each release exemplifies creative zeal to a level that few achieve. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): DEHUMANIZING ITATRAIN WORSHIP — “2D COMPLEX”

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Jul 082026

(written by Islander)

The best anime death metal from China! That sounds like a narrow niche, doesn’t it? It’s also a description that leaves some big unanswered questions about what the music sounds like – questions we will help answer today.

But first, there’s a question about the meaning of this band’s name – Dehumanizing Itatrain Worship. They have answered that question: “The band name ‘Itatrain’ actually comes from a viral 2012 incident in Shanghai: a fan was caught kneeling and worshipping a train decorated with ‘LoveLive!’ characters. We thought that kind of fanaticism was both stupid and hilarious at the time, so we decided to name the band after it.”

The LoveLive! multimedia anime universe has also played a role in the music of Dehumanizing Itatrain Worship. Their vocalist Kiryu Zhang admits that “on our previous efforts, people probably saw us as just that ‘weird anime slam band’ sampling LoveLive! for shock value.” But what began as a “meme” bedroom project has survived for a decade, and the music has considerably evolved as well.

Perhaps one sign of that is the fact that it’s our site that was invited to premiere the band’s new album, 2D Complex (二次元コンプレックス), in advance of its July 10 release by Stillbirth Records and Gore House Productions. Continue reading »

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

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Jul 082026

(Andy Synn has four more albums from last month that he needs you to check out)

I’m in a bit of a rush today, so don’t have time for much of a preamble here… suffice it to say that June was a very busy month, for everyone here at NCS, which has left us with a lot of stuff to catch up on.

Which is why you’re getting a second edition of “Things You May Have Missed” today, following on from last week’s equally killer quartet of recent releases.

AN NCE PREMIERE: SUFFERING QUOTA — “OVERPOWERING WEIGHT”

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Jul 072026

(written by Islander)

Three years ago we introduced the premiere of a Suffering Quota song with these words:

“Adjectives like ‘terrorizing’ and ‘explosive’ have tended to surround the music of the Dutch grindcore band Suffering Quota like swarms of angry hornets. Of course, sensations of fury and violence are endemic to a lot of grindcore, but adjectives like those don’t always come to mind as frequently as they do with this band.

“Yet those aspects of their music, while integral and vital to what they do, really aren’t all that sets them apart from a lot of their peers. What really sets them apart is the feeling that they’d get bored just blowing off the doors in listeners’ heads and wrecking the hell out of whatever’s inside. It’s got to be more interesting than that.”

We’ve repeated those words because they still hold true for the band’s new album Sisyphean Life, which will be released on September 25th by Tartarus Records in collaboration with 7 Degrees Records. We’re again in the fortunate position of proving the point with a premiere, this time a song from the new record named “Overpowering Weight” (and we have some thoughts about the album as a whole too). Continue reading »

NO CURE – IT IS GOING TO GET DARK

Album Reviews 7 Responses »

Jul 062026

(Andy Synn shares his thoughts on one of his most anticipated albums of the year)

What’s the difference between Metal and Hardcore?

Some people, of course, see the two as entirely separate things… and refuse to have anything to do with the other one… but the truth is that Metal, Hardcore, Punk, Grind, etc, have always existed as part of a greater continuum – not a linear spectrum, by any means, but a complex, interwoven web of inputs and influences, constructions and perceptions – that doesn’t necessarily divide the genres into neatly defined little niches.

Take Alabama’s No Cure, for example, who are most definitely a Hardcore band – they even describe themselves as “the world’s most evil straight-edge band” – but who aren’t afraid of acknowledging that, in their own way, bands like Sepultura, Machine Head, and Dying Fetus have had almost as much impact and influence on their sound as the likes of Earth Crisis, Hatebreed, and The Acacia Strain.

So it’s more than fitting that their new album, set for release this Friday, has a little bit of all those bands in it, while still being defiantly its own thing.

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