Jul 162026
 

(DGR is playing the game of review catch-up. Is today’s four-album installment the first inning of nine, or the first half of two? We shall see.)

I say this every time I’ve done it in its twice-yearly fashion, but smaller review collections like this are not ones that I feel good about doing. It doesn’t feel fair to the bands not paying the imagined debt I have with them, that I’ve done something so criminal as enjoy their music and yet not find the time within myself to dedicate toward the usual essay-long dissection and exploration of their newest release.

Yet, it is festival season now in Europe which means that metal’s biological clock is seeing fit to give birth to a ton of new releases. You may have noticed during the last month or so there has been a steady drip of reviews coming from my corner of the world, but truth be told, all of those were done just prior to our unwitting heavy metal May that we’ve created. The assumption being that they would run once a day so the site would always have something to post while we were out and about witnessing music or drinking ourselves into apocalyptic stupor.

You’ll note, that’s not how it happened, and instead the collective of releases that I had fished up from the world’s murky musical depths ran well into June. That doesn’t mean the exploration and listening stopped, either. Just as many were caught up in the nets or came out while we were on that aforementioned vacation, and we now find ourselves at the doorstep of a collection of music spanning months that needs to be caught up on.

You, dedicated reader of the site that you are, know next what is coming. It has traveled by many names: review roundup, things you may have missed, clearing the slate, material befitting the ethereal, music by swedes for long-haired plebes, a million other names that all translate to one basic idea – we need to catch up on stuff so we can maintain some semblance of being current yet refuse to leave these albums sitting in the dust. Continue reading »

Jun 022022
 

(Here’s DGR‘s review of the new album by the Spanish metal band Bloodhunter, which was released on May 27th by Maldito Records.)

It would’ve been fully understandable if Bloodhunter had chosen to rest on their laurels for their third album Knowledge Was The Price. After a nearly five-year gap and some lineup shifting since their previous release, 2017’s The End Of Faith, the band would’ve been fully justified in playing it safe. They already have a rock-solid – and recognizable – formula in place that works pretty well for them, and yet on the group’s newest release  Bloodhunter don’t quite play into that.

They wrote a ton of music – Knowledge Was The Price is a weighty beast musically – over the timespan between their two albums, but it’s so surprisingly varied that they never fully settle into the bog-standard galloping guitar riff with mighty shriek on the vocal-front style of song. It wouldn’t be such a common trope if it didn’t work so well, which is why Knowledge Was The Price is an unexpectedly interesting album, because for as much as the band do play close enough to that fire and bend it to their will, they also try to differentiate themselves a lot from it. It’s an acrobatic listening experience for sure and one that will be intriguing to gauge people’s excitement for, since each release for them feels like their biggest yet. and it’s highly likely Knowledge Was The Price will once again be placing them in front of a bunch of new people. Continue reading »

Mar 242022
 

 

High intensity is the hallmark of all the new songs and videos I’ve collected in this round-up, even in the one song I’ve included that’s not like any of the others.

KANONENFIEBER (Germany)

The real-world footage compiled in the video for Kanonenfieber‘s new song “Stop the War” is so powerful that it could be accompanied by a child singing a nursery rhyme and it would still be moving. But the song is every bit as powerful as the imagery. Continue reading »

Aug 232017
 

 

Bloodhunter are a melodic death metal band born in the Galician region of Spain in 2008. After a well-received demo in 2013 (The First Insurrection) and a profile-raising first album in 2014 (Bloodhunter), the band signed with the Spanish label Xtreem Music for the release of their second album, The End of Faith, which will arrive in October of this year.

In addition to founding guitarist Fenris, vocalist Diva Satánica, and bassist Éadrom, the new album features the talents of session drummer Marcelo Aires (Colosso, The Ominous Circle).  Today it’s our pleasure to bring you the premiere of a track from the new album named “Eyes Wide Open” — and it is indeed a big eye-opener. Continue reading »

Oct 162015
 

Panopticon-Autumn Eternal
As I explained in a previous round-up today, I managed to find some time to catch up on new things yesterday. The previous round-up focused on album announcements with artwork (and one very good new song), and in this one I’ve collected some new music streams plus one older one that has really gotten under my skin. Lots of music in here, but I hope you’ll give all of it at least a test drive.

PANOPTICON

I was one of the fortunate few who got an advance listen to Panopticon’s new album Autumn Eternal, and therefore I had my say about it in July (here). I won’t repeat or attempt to summarize that review, except to say that this is one of my favorite albums of the year. And today, everyone else gets to hear it, too — because it’s now available for streaming (and purchase) on Bandcamp. Continue reading »