Nov 302015
 

Awe artwork

 

(Here’s KevinP’s list of favorite releases during the month of November.)

Last month this column was posted on October 28th, three days before the end of the month. I had a reader and then a friend of mine on Facebook ask me how I could create my list when the month didn’t even ended yet (since there were a plethora of releases due on October 30th).  So I realized maybe what I thought was common knowledge (advance promos) wasn’t as common as I thought?  For instance, as I type this now, I already have four albums on my iPhone that are due in February.

One of the perks for this labor of love we do here is getting to hear albums from a few weeks to many months prior to release. Record labels and PR companies know websites/magazines need lead time to prepare stuff. As flattering as it may be for some to think so, I would not be able to hear an album on the release date (say October 30th), make an accurate assessment of it, write a column, send it off to Islander, and get it posted the same day.

And now for a few housekeeping items before we get to this month’s releases.  This is the first year I’ve done a monthly column. I will still be doing a Best of 2015 list, but will have that ready in early January as to give it some separation from December’s releases.  You’re the Best Around, Nothing’s Gonna Keep You Down will be ready next week (where I go over all the OTHER best stuff of the year). Continue reading »

Oct 162015
 

Panopticon-Autumn Eternal
As I explained in a previous round-up today, I managed to find some time to catch up on new things yesterday. The previous round-up focused on album announcements with artwork (and one very good new song), and in this one I’ve collected some new music streams plus one older one that has really gotten under my skin. Lots of music in here, but I hope you’ll give all of it at least a test drive.

PANOPTICON

I was one of the fortunate few who got an advance listen to Panopticon’s new album Autumn Eternal, and therefore I had my say about it in July (here). I won’t repeat or attempt to summarize that review, except to say that this is one of my favorite albums of the year. And today, everyone else gets to hear it, too — because it’s now available for streaming (and purchase) on Bandcamp. Continue reading »

Sep 082015
 

Dragged Into Sunlight-Gnaw Their Tongues-NV

 

I’ve been quite eager for the new collaboration by Dragged Into Sunlight (UK) and Gnaw Their Tongues (The Netherlands) ever since catching word long ago that it would be happening. Just moments ago, some additional info popped up in our in-box, along with a link to a trailer for the new album. For now, I’m just going to excerpt some of what appeared in the press release and embed the trailer after that. Hell yes.

First, the name of the album is N.V. and it will be released by Prosthetic Records on November 13.

Second, as you can see, the artwork by Seldon Hunt (Khanate, etc.) has now been revealed.

Third, from the press release we have the following insights into the approach to the album, which will be a re-imagined rendering of Streetcleaner by Godflesh:, produced by Justin Broadrick himself along with Tom Dring: Continue reading »

Jul 282015
 

Black Breath-Slaves Beyond Death

 

I’m kind of rushed, so I’ll skip the usual preamble and save the words for these things I saw and heard over the last 24 hours that maybe you’ll get as excited about as I have.

BLACK BREATH

I’m beginning to think the day will come when Paolo Girardi will have created at least one painted album cover for every metal band in the world — though that assumes all metal bands have good taste, and of course they don’t. But Seattle’s Black Breath and Southern Lord do, because as I discovered today, they engaged Mr. Girardi to create the cover for Black Breath’s new third album Slaves Beyond Death.

Interestingly, although I did receive a press release with details about the album and a related Black Breath tour, it didn’t include the artwork. I saw that instead for the first time at the Metal-Archives listing for the album, which a friend linked on Facebook today. Very exciting, because in addition to being an obvious fan of Girardi’s artwork, I’m a big fan of this band, too, and am anxious to hear this new album. Continue reading »

May 272015
 

 

Did you see what I did there? I actually do have a small round-up of new songs coming a bit later today, but this collection of new discoveries mainly consists of interesting announcements — though there is one new live Soilwork video embedded below.

NILE

Nile are finishing up the mixing work on a new album entitled What Should Not Be Unearthed, which Nuclear Blast plans to release in the late summer of this year. Along with that announcement the label revealed the cover art, which I think is quite good and which was created by Michal “Xaay” Loranc. It includes hieroglyphs taken from The Book of the Dead as well as the protective sign of the winged scarab in the center. The concept seems to posit the existence of an ancient elder civilization that pre-dated and gave rise to the old Egyptian civilization.

Along with the announcement and the artwork came this quote from Karl Sanders, which I found particularly enticing (I bold-faced the words of interest): Continue reading »

Dec 212014
 

 

I suppose this post could be considered Part 2 of a collection I began yesterday (here). It’s a big selection of music I discovered over the last couple of days that in widely varying degrees incorporate elements of black and death metal into the sound. And I do mean “widely varying” — no two of these bands sound alike, but I hope you’ll agree they all sound good.

LVTHN

LVTHN is a Belgian black metal band with three short releases to its credit, all of them appearing in 2014. The first one, Adversarialism, I reviewed here. The next two of those releases came this month — a four-song EP entitled The Grand Uncreation (which includes a cover of a Katharsis song) and a split with Lluvia entitled Illuminantes Tenebrae. Both are worthy of separate reviews, but I’m so pressed for time that I’m afraid I’ll never write them. I decided this short comment is better than nothing.

In a nutshell, these five new LVTHN songs are potent examples of bestial black art — torrential hailstorms of knife-edged riffs undergirded by the distant rumble of percussion and pierced by flesh-rending vocals, with waves of dark, dramatic melody moving through the music like the migration of leviathans. It’s gripping, galvanizing, ravaging music, with just enough well-placed breaks in the onslaught to prevent total sensory overload.  And the Katharsis cover is obliterating. Continue reading »