(This is Andy Synn‘s review of the new 11th album by Sweden’s Soilwork, which will be released on January 11 by Nuclear Blast.)
One thing which you may have noticed, if you’ve been visiting NCS consistently for any length of time, is that we sometimes purposefully refrain from covering what you might think of as “the big names” in Metal.
Largely this is because we feel that our time would be better spent focussing on smaller, and less well-exposed artists, but also due to the fact that these “bigger” bands invariably receive so much attention and fawning flattery (in fact I’ve just recently stumbled across a few suspiciously sycophantic reviews which seemed like they’d been half-written before even hearing the album), that any attempt on our part to offer a more nuanced or critical appraisal would likely just get ignored and lost in the flood.
Still, every so often one of us will stumble upon a particular take or angle that they feel compelled to follow up on, which is why you’re about to read my review of the soon-to-be-released eleventh album from those stalwart Swedes known as Soilwork.
Be warned though, if you’re expecting nothing but blind praise based on the band’s name-value alone, then you might want to look elsewhere. If you’re after a more measured appraisal of the album’s pros and cons, however, then please, read on.