KAMRA: “UNENDING CONFLUENCE”

 Album Reviews  No Responses »
Sep 162025
 

(Our Slovenian writer Didrik Mešiček prepared the following review of a new album by the Slovenian atmospheric/experimental black metal band Kamra.)

Slovenia is rarely, if ever, on the map of interesting metal countries so today I’m happy to get to talk about some local lads who are definitely doing a lot of things right. Black metal continues to be one of the more interesting and innovative subgenres in metal today, and Kamra’s first album, Cerebral Alchemy, was already a good representation of that, but the band will now be releasing their second full-length album called Unending Confluence through Avantgarde Music on the 19th of September. Continue reading »

THE GREAT WHITE NOTHING – PASSAGE I: MELANCHOLIA

 Album Reviews  No Responses »
Sep 152025
 

(Andy Synn travels deep into The Great White Nothing… and likes what he finds there)

Sometimes it seems like we spend most of our time here at NCS playing catch-up.

And the reason for this is… well, we kind of do.

After all, there’s just so much released each week/month/year that it’s impossible to stay on top, or ahead, of it all, and often by the time we find something that really grabs our attention (and/or find the time to actually get some writing done in between all our other commitments) the release date for whatever it is has already passed.

Case in point, the debut album from Belgian Post-Metal/Post-Hardcore/Post-Black quintet The Great White Nothing was actually released on the 31st of August, but I didn’t stumble across it until over a week later, and then didn’t find time to sit down and properly pen a few thoughts about it until now.

But, as the unofficial mantra of this site goes, better late than never… right?

Continue reading »

OBSCURITIES – VOLUME XX: CHANGES, TEMPERATURES, AND RIFFS

 Album Reviews  4 Responses »
Sep 152025
 

(Daniel Barkasi returns with his monthly collection of album reviews, this time recommending six albums released in August 2025.)

As summer nears its conclusion, the heat has finally (sort of) calmed down a little in the Floridian swamp. It’s about damn time. The dogs can finally be taken outside and we’re not a dripping puddle of sweat in 1.2 seconds. More like 10 minutes, which is an improvement that’s most welcome!

On a sad personal note, my wife and I lost our precious dog Kaiya last week. It wasn’t completely unexpected – she had just turned 17 and had some worsening health issues – and her body just couldn’t keep going. We had a hell of a 17th birthday bash only a few days prior, but she sadly plummeted quickly not long after.

My wife had her for literally half of my wife’s life, and I had the distinct pleasure of having her in my life for over a decade. She was the best girl – sweet as can be, loving, gentle, and quirky in the best ways. It’s still hard for me to write this, as I miss her terribly and it’ll be fresh for a while. One of our other dogs, Hiroki, has taken it especially hard, as they were incredibly close. He seems to be on the mend, thankfully, as he sits next to me. Continue reading »

GONZO’S HEAVY ROUNDUP, END-OF-SUMMER EDITION, 2025

 Album Reviews  2 Responses »
Sep 122025
 

(Denver-based NCS scribe Gonzo wrote the following album-review roundup, covering four albums released in July or August and one released a week ago.)

As per usual with every summer, I’ve spent about 75% of it in places that don’t include being in front of my computer. And when I am seated here in this vaunted throne, I’m staring at work. The kind that pays the bills. Sigh.

But really, who am I to complain? After a three-year wait, this summer’s resurgence of Fire in the Mountainswas everything it ever could’ve been and more, highlighting a July that was filled with all kinds of uplifting moments. And while I was out galivanting in the woods for undetermined lengths, tons of new releases came gurgling out of the ether that I have yet to write about.

Let’s fix that. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): BERGSVRIDEN — “I HAGGANS AFTON”

 Album Reviews, Premieres  No Responses »
Sep 112025
 

(written by Islander)
”Folk Metal” is such a sloppy label. It has been applied to such an extraordinarily broad range of bands who sound very little alike that it’s a near-useless appellation — near useless because it doesn’t tell you what kind of “folk” or what kind of “metal” or how those intertwined influences (whatever they are) might play out together.

And so, we’re steering way clear of that genre term as we introduce you to I Haggans Afton, the latest album from the wicked Swedish band Bergsvriden, which will see release tomorrow via the Dusktone label.

Even if you’re unfamiliar with Bergsvriden, you could guess that their music has a folk influence, else why would we begin by even mentioning the “folk metal” pigeonhole? But it’s the details that matter, and especially for listeners who might reflexively shy away from anything associated with that label. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): REVELATOR — “LIGHT OF THE DEVIL’S FIRE”

 Album Reviews, Premieres  No Responses »
Sep 102025
 

(written by Islander)

The Alberta-based black/death metal band Revelator named their debut album Light The Devil’s Fire, and that is exactly what they attempt to do in their music — to wake up Lucifer, to ignite his flames to bonfire intensity, and to ascend with them to heights of evil glory.

Bold words those, but we can back them up today with a full streaming premiere of Revelator‘s revels in advance of the album’s September 12 release by Nameless Grave Records. Continue reading »

DER WEG EINER FREIHEIT – INNERN

 Album Reviews  No Responses »
Sep 102025
 

(Andy Synn takes a look deep inside the new album from Der Weg Einer Freiheit, out Friday)

I recently saw someone joking online – although, truthfully, it was more of a wry observation – that “true Black Metal is fuelled by ennui“.

And although this statement was slightly tongue-in-cheek (made in response to one of those oh-so-serious “Black Metal is only for those filled with true evil and hate” types) well… there might just be something to it.

After all, we’re talking about a genre which – for all the subsequent mythologising around its early days – was started by a bunch of angry, angsty teenagers chafing against the rigid strictures of religious morality and staid suburban life that left them with no real outlet for their emotions, or any real direction for the future… and if that’s not a perfect recipe for “listlessness and dissatisfaction arising from a lack of occupation or excitement” then I don’t know what is.

And while some may have questioned how “true” Der Weg Einer Freiheit‘s particular brand of intensely introspective, blast-driven Black Metal actually is… there’s no question that when it comes to exploring and expressing this internal strife and struggle (heck, their new album literally translates as “Inside”) they’ve never been afraid to take a stark, unflinching look at their own inner workings.

Continue reading »

IN MOURNING: “THE IMMORTAL”

 Album Reviews  1 Response »
Sep 092025
 

(Below you’ll find DGR‘s extensive review of the eagerly awaited new album from the Swedish band In Mourning, released at the end of August by Supreme Chaos Records and Dalapop.)

Over the course of a two-decade-plus career and seven full-length albums, Sweden’s In Mourning have had eras to their overall sound. Considering how varied their overall discography has been, you can still – albeit with stretching that would make your average fitness class jealous – somewhat neatly gather together their releases into historical periods of the band.

The core of their overall progressive death metal sound over the years has been augmented time and time again, resulting in a forlorn and poetic melodeath era of the group that saw full expansion in The Shrouded Divine and Monolith as well as a conceptual, more doom- and post-metal oriented mid-era of their career comprised of albums like The Weight Of Oceans, Afterglow, and Garden Of Storms.

A band having specific historical epochs like this is often reflective of landmark albums and seismic changes to a band’s overall sound – which often follows with releases that run in a similar vein as a band discovers a new path to travel down, either to diminishing returns over time or with a sound that becomes so ingrained with their identity that they’re near inseparable. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): WINTERNIUS — “UNDERWATER DARKNESS”

 Album Reviews, Exceptions to the Rule, Premieres  No Responses »
Sep 092025
 

(written by Islander)

We have for you today what we think will be a big eye-popping surprise, a carnival of musical wonders, something like a black metal rock opera, namely a full stream of the forthcoming second album by the evil Italian wizards in Winternius.

Titled Underwater Darkness, it’s set for release on September 12th by the Dusktone label, and it follows the band’s 2020 debut album Open the Portal and their 2023 EP Kultra Nightmares.

Still at the helm is founder Roby Grinder, also known as Winternius during his time with Sacradis, a band active in the Italian black metal underground from 1996-2011. The lineup through the years has included members and former members of Sacradis, Spite Extreme Wing, Abysmal Grief, and Necrodeath.

Winternius call their music “Black Rising Metal”, and you may understand why when you hear this album. It’s certainly not conventional black metal by any stretch. Up in the first paragraph we’ve already hinted why, but would like to explain in greater (but hopefully not too tedious) detail. Continue reading »

TODAY IS THE DAY: “NEVER GIVE IN”

 Album Reviews  2 Responses »
Sep 082025
 

(We present Wil Cifer‘s review of the new album by Today Is The Day, which will be released on October 3rd by SuperNova Records.)

When it comes to Steven Austin’s demented little band, Today is the Day, expect the unexpected. The only thing aside from Austin’s familiar high-pitched snarl that their 14th album has in common with previous releases is that it’s different than what he has done before. It’s confrontational but in a much different way. Austin has been churning out his jagged blend of grindcore and noise rock for 32 years, so you can’t blame him for wanting to change things up. This might be his least metallic album yet, but that does not stop the music from stabbing your ears as the songs lead you through a labyrinth of personal narrative cloaked in bizarre experimentation. Continue reading »

 Older Entries  Newer Entries