(written by Islander)
I’m afraid I have a self-imposed deadline to finish this weekly collection of music from the blacker arts so I can turn to other obligations, and so I’ll dispense with an introduction and dive right into all the quite varied music I’ve picked for your entertainment and edification.
To begin, here’s “False Grail“, a startling new song from a new album named The Teeth of Time by Portland’s Drouth. Continue reading »
(written by Islander)
I had an attack of spring fever this morning. It’s definitely not springtime weather here in the Puget Sound (it’s quite cool and wet, the wind is howling, and if that keeps up our power will inevitably go out). I just didn’t want to do anything that seemed remotely like work, and compiling these roundups is remotely like work.
But the old obsession not to let any days go by at NCS without spreading the word about music eventually won out over laziness, though it may not win out over wind, and so I will attempt to be not too windy in what I write.
I thought about leading with some of the bigger names who have recently released new music in an effort to draw people toward more obscure names in today’s collection (I was thinking about the likes of Cancer, Gaahls Wyrd), Benediction, and Rivers of Nihil) but so many of the more obscure names are so appealing to me that I decided to just get right to them. Continue reading »
(written by Islander)
We have written frequently over the last seven years about the music of the Italian band Thecodontion, whose primeval and prehistoric thematic interests have been as interesting and erudite as their guitar-less but ever-evolving formulations of death metal. And so we were highly intrigued to learn last year that Thecodontion vocalist G.E.F. had started a new band named Clactonian, joined by Thecodontion drummer V.P. (also in SVNTH), Finnish bassist K.H.P.K. (from Ashen Tomb), and Italian guitarist B.Z. (Spell of Decay).
Like Thecodontion, the thematic interests of Clactonian are rooted in prehistory, and particularly the Paleolithic Age. The name itself is a term given by archaeologists to an industry of European flint tools made by an extinct species of archaic humans who lived hundreds of thousands of years ago. (You can find more about here.)
Last summer we premiered Clactonian‘s debut demo, Dea Madre, whose cover art you won’t have forgotten if you saw it. The music followed a path of early bestial black/death metal that drew strong influence from Beherit but also should appeal to fans of Archgoat, early Bathory, and some bass-driven bands like Barathrum or early Necromantia for the slower sections.
And now we’re bringing you Clactonian‘s second demo, Everlasting Paleolithic, in advance of its official release on March 28th. Prepare for… PALEOLITHIC BLACK METAL OF DEATH! Continue reading »
I got a really good head-start on this column yesterday, so good that I thought I’d be able to post it much earlier today than usual. But of course the best laid schemes o’ mice an’ men gang aft a-gley.
This mouse forgot that Daylight Savings Time would go into effect overnight, springing the clock forward. And then this mouse slept for 9 1/2 hours. Put those two together, and the morning was well underway by the time I turned to finishing this. Oh well.
What you’ll find below is an alternating sequence of songs from forthcoming records and complete releases, most of them head-spinning in different ways, but with a more meditative and deeply haunting experience at the end. Continue reading »
(In advance of their recent North American tour with Vltimas and Ex Deo, the Greek band SepticFlesh released an EP named Amphibians, and our DGR gives it a review here.)
If you’ve been following the news around tours for the past five or so years you’ve likely noticed an increasing trend of groups surprise-releasing singles – sometimes collaborative ones, which are immense fun – or EPs just prior to the tour happening. Aborted did it for their most recent tour; Machine Head did a combo song with the vocalists of Unearth, In Flames, and Lacuna Coil making appearances; and Lamb of God combined forces with Mastodon for their full album playthrough tour not too long ago.
The genesis of these songs can often lay in the cutting room floor from previous album sessions since creativity doesn’t exist in a vacuum and are highly unpredictable, but whereas it felt like groups constantly needed to have something to get them out on the road, now it has morphed into something more akin to revitalizing the current album cycle for a few more rotations around the sun.
Just as equally though, you do get lucky and a band will find time to sneak into the studio for a few and crank out ideas that’ve been haunting them like shadows ever-present in the corner of their vision. Bearing in mind that SepticFlesh‘s newest release crashes ashore a bit over two and a half years after their album, it would be hard to guess what led to which. Continue reading »
(After a bit of a lull DGR returns to NCS with a review of a great discovery, the second EP by the Swedish one-person band Soul Tomb.)
After years of doing whatver you might refer to this as, you sort of develop a sense that the year in heavy metal has a flow to it. There are plenty of peaks and valleys and often Summer can feel like a massive deluge of releases as hardcore festival and touring season gets underway, but there is one thing that has proven to be as equally reliable as the end of the year clusterfuck season or the time set aside for the brave souls who defy the odds and attempt a December release: January is a weird month.
January comes to us at the end of a whole year’s closing, partially feeling like the recovery from a hangover rather than the opportunity to appraise things anew and appreciate the potential of upcoming opportunities. The month is not bereft of releases; in fact the reason why January tends to consistently feel strange is the opposite.
There are a ton of releases in January, but truth be told you never know what you’re going to get. Sometimes it’s by big, recognizable names but more often January gets to be a month of gambles and discoveries – which is how the year started on this end. Continue reading »
(written by Islander)
My computer tells me that my introduction to yesterday’s roundup of new music and videos was 1,502 words long. I obviously had too much time on my hands, though I don’t know why I spent it doing all that sharing instead of covering more music. But don’t worry, I won’t do that again today. Today’s introduction is 47 words long:
I’ve alternated today’s selections between complete albums or EPs and individual songs from forthcoming records. Apart from that, there’s no rhyme nor reason in how I organized the choices. I made these choices because, to quote the English poet William Cowper, “Variety’s the very spice of life.” Continue reading »
(Andy Synn suggests three more short but sweet musical morsels for you to sink your teeth into)
What is it that they say about the best laid plans?
Some of you may have noticed a bit of a disruption to our regular publication schedule here at NCS this week, and that’s due to the fact that Islander is currently without power or internet where he lives and I’m dealing with a really nasty case of the flu that’s making it very difficult for me to function.
Rest assured, normal operations will be resumed at some point… but, until then, hopefully this little round-up of some recent EPs will keep you occupied and entertained.
(written by Islander)
I’m hurrying to post today’s collection before I have to turn to much more mundane tasks, so I’ll spare you a wordy introduction and just say that I’m extremely proud of these choices, not only because I think all of them are excellent but also because they’re going to give you so many twists and turns, right up through the final choice. Continue reading »
(written by Islander)
(Isaac Newton, in a letter to Robert Hooke, 5 Feb 1675)
We begin with that famous quotation because it is likely the source of the name that the unconventional international band Seventh Station gave their forthcoming new EP, On Shoulders Of Giants. They chose that name because the five songs on the record honor five great musical artists of the 20th century, many of them classical composers. Standing on those shoulders, Seventh Station have given the compositions their own distinctive twists, transforming the original works into expressions of contemporary metal that are as unorthodox, indeed mind-bending, as Newton’s theories must have seemed when he envisioned them from the shoulders of the giants in his own fields.
At the very end of this admittedly very long feature we’ve included a track-by-track commentary (a fun-loving one) by Seventh Station vocalist Davidavi (“Vidi”) Dolev that sheds light on what inspired each song on the EP and what the band sought to accomplish with each one. Although it’s at the end, you should really read it first if you want want a deeper understanding of what you’re about to hear. Just reading it, without listening, is also kind of a dazzling experience, and undoubtedly will leave adventurous listeners intensely curious about what’s coming. (That was certainly the effect it had on us before we started listening).
But Vidi Dolev‘s comments only hint at what the songs are going to sound like, leaving the door open for someone rash like me to offer up some descriptive verbiage, while humbly acknowledging that there’s really no substitute for listening first-hand. Continue reading »