Oct 302024
 

(written by Islander)

This Halloween will mark five years of Holy Death, the doom-drenched death metal crushers who call Long Beach, California home. To commemorate the anniversary, and to tide fans over while the band work on their next album, they’re releasing a new EP of cover songs.

The EP leads with Holy Death‘s rendition of Metallica‘s “Sad But True“, and that’s the name of the EP as well. It’s the group’s way of paying respects to a band and a song that have been a “massive influence” on them, and we’re premiering that cover today.

The EP also includes re-mixed and re-mastered versions of two other cover songs they’ve previously released — Metallica‘s “Creeping Death” and Entombed‘s “Wolverine Blues“. Altogether, the EP makes for an excellent way to make your Halloween more electric — and more horrifying. Continue reading »

Oct 272024
 

(written by Islander)

I guess it’s obvious from the size of this weekend’s two-part Saturday roundup that I had more than the usual amount of NCS time yesterday and this morning, and therefore kind of lost my mind.

I have only a small amount of mind and time left at this point, so today’s SHADES OF BLACK is so brief it could be labeled a token effort. But I didn’t want to skip it altogether, especially because, although the recommendations are few in number, they still loom large in the remnants of my head. Continue reading »

Oct 272024
 

(written by Islander)

Moving on from yesterday’s Part I of the usual weekend roundup, I’m starting with the next letter of the band-name alphabet and continuing through W (no X, Y, or Z bands in this collection).

I mentioned yesterday that I had a few complete releases in this collection, in addition to all the singles, but I realized that one I thought had come out on Friday isn’t actually out yet, so I’ll push that one to a subsequent weekend.

But the first band today does have a complete release to their name, and it’s an interesting one. Continue reading »

Oct 242024
 

(Andy Synn presents three short but savage releases to terrify your eardums)

Look, a while back I promised I’d be better at covering more EPs this year.

And, let’s face it, I have failed in that task pretty abjectly.

But I’m trying… which is why today I want to draw your attention to three recently-released (or upcoming) bite-sized portions of brutality courtesy of DisentombEmasculator and Persecutory.

Continue reading »

Oct 092024
 

(written by Islander)

I found enough time enough to pull together another mid-week roundup of new songs and videos. I picked all of these on Monday and started scribbling about them then, hoping to post this collection sooner than today. In the meantime, a lot of other new things have caught my attention, but those will have to wait ’til Saturday.

The first two of the songs and videos below are heart-pounders and neck-wreckers of different kinds, and then the music begins to twist and turn in increasingly bizarre directions. By sheer coincidence, none of the bands is from the U.S. By design, I again threw a curveball at you with the final selection. Continue reading »

Oct 062024
 

Tenterhooks” is an exceptional word, even though I’m confident I’ve never used it in any conversation and even though it hasn’t appeared in a single one of our 15,889 life-to-date posts before this one (a suspicion confirmed by a computerized search of our entire site).

In its original meaning, which dates back to at least the 1600s, a “tenterhook” was a hooked nail used to affix washed woven fabrics to a wooden frame called a “tenter”, on which the woolen cloth could dry outdoors — stretched, straightened, and under tension. But, as The Font of All Human Knowledge tells us, “By the mid-18th century, the phrase on tenterhooks came to mean being in a state of tension, uneasiness, anxiety, or suspense, i.e., figuratively stretched like the cloth on the tenter.”

Why did this word pop into my head today? Well, because some of the music below put me on tenterhooks, and expressing those feelings in any other way would seem slightly drab by comparison, when the music itself is definitely not drab. (By coincidence, “drab” is another old English word dating back to the 1600s which also had something to do with woven cloth; it was the name for undyed, homespun wool with colors that were dull brown, yellowish, or gray.) Continue reading »

Oct 052024
 


Black Curse – photo by Brendan Macleod

A few times a year my spouse leaves town without me, jetting away to have fun with one of her sisters or a friend. I could join if I wanted to, but have figured out that giving her some breaks from me is a good idea. I give her some other breaks when I go off to metal fests without her (she’d rather be punched in the kidneys than go to a metal show).

These times when I’m home alone are clouds with silver linings. It doesn’t take long before I start really missing her. The sudden and prolonged silence around the house starts weighing on me. One of the silver linings is that I fill up the silence with music whenever I want to (my kind of music), and fill it up some more by spilling out thoughts about what I’m hearing.

You could guess that my spouse has been gone on one of those trips since early last week, given that I’ve now managed to pull together three roundups of new music and videos in the space of the last four days. She’ll be back home this afternoon, so I’ll most likely be back to doing these once a week on Saturdays until she plans another jaunt. Continue reading »

Oct 042024
 

(Following up on yesterday’s Part 1, today our Vietnam-based contributor Vizzah Harri brings us Part 2 of an article focused on Asian bands, narrating the effect of four EPs released this year.)

Having succeeded in subverting the norms with not-so-subtle subterfuge in an article containing very little metal in recent weeks – a tactic learned from Waylander of David Gemmell’s fantasy was that of hiding in plain sight — here we have four offerings that are connected to Part 1 geographically, but also aesthetically, albeit genre-wise we’re dealing with offerings of a more mongrelized persuasion. Anything suffixed with ‘core’ is a curse word in some circles, I prefer to spread the mycelium- and spongiform-afflicted ear holes of mine in myriad directions. Continue reading »

Oct 022024
 

(written by Islander)

“Nasty, miserable, no-nonsense sludge played at maximum volume with a focus on what is shit in life.” That’s the elevator pitch that Cursed Monk Records throws for Writhing Between Birth And Death, the debut EP from the UK band Bile Caster, and it hits the mark.

This Leicester-based trio, who might draw comparisons to the likes of Primitive Man and Meth Drinker, specialize in ugly, angry, primitive music that slugs hard enough to rupture spleens and is bleak enough that it might leave damaged souls looking for a permanent way out.

The new EP also has the capacity to leave anyone who survives it feeling dazed. It’s too ruthless to be truly entrancing, but the shock-and-awe effect may be enough to leave people feeling incapacitated, wondering what the hell they’re going to do while waiting for their reptile brains to yield back control of the higher faculties. Continue reading »

Sep 262024
 


Wurm Flesh

(As we’ve nearly broken into the final quarter of the year, DGR decided it was a good time to do some more catching up on reviews that have been percolating in his head, and so here are five of them that might collectively scramble your own head.)

While sifting through the pile of music that I’ve been gathering up over the years for these shorter, less officious and stuffy – my preferred writing style – review collectives I’ve found that I often have a small blockage of grind releases building up against the wall. There hasn’t necessarily been a particular overarching guide as to what gets written about and when with these, as it’s more of a panicked attempt to spread the word about a few of them before year-end season hits, and I lock myself in a closet with the laptop and a caffeine-fueled fit of pique and do so much writing that I end up having zero thoughts for a month afterward.

However, this bout is my attempt to help get a few of those out there, as well as to aim for something a little shorter and then round off with two releases from way opposite ends of the spectrum that I’ve been enjoying in between checking out the shiny latest and greatest that have come tumbling down the pipeline over the last few months.

Combining this with an absolutely fucked-up concert slate for my corner of Northern California and you can see exactly where the compulsion for coverage is starting to take over, with the sense that these things need to happen now. Continue reading »