Feb 012024
 

With 15 years of recordings and performances behind them, the French extreme metal band Necrowretch likely need no introduction to the horned denizens of this site, nor any added fuel of anticipation for their forthcoming fifth album Swords of Dajjal, which we’re presenting today on the eve of its release by Season of Mist.

But it’s worth knowing that the new album was one of those unexpected fruits of the covid pandemic, which ruined the band’s touring plans in support of their just-released fourth album but provided a pause they used for the creation of this new fifth full-length. And thus Necrowretch spent more time writing and fine-tuning Swords of Dajjal than they’d ever spent on previous releases.

Not only that, the band changed their gear, their sound, their tuning, and even initially wrote the songs on acoustic 12-string guitar. The result, as described by the band’s vocalist and rhythm guitarist Vlad, is the group’s “most black metal record, with splashes of death metal here and there”.

He adds: “Whereas on the previous album all tempos were pushed to the extreme, there’s far more variety here to be found. It also gave us free reins to reach a more mystical, Biblical if you will vibe”, fed by Vlad‘s experience living in Turkey in the late 2010’s. Continue reading »

Jan 312024
 

(Gonzo returns with another end-of-month roundup of recommended releases, this time shining a light on albums and EPs released by six bands in January.)

January is such a bullshit month.

It’s cold as all fuck, everyone’s burned out – financially, emotionally, professionally – and shows/tours are few and far between. To pile it on, it’s also customarily a terrible month for new music. I wasn’t expecting to unearth much during my monthly search of metal’s grimy underbelly to include in this feature.

Lo and behold, I was dead fucking wrong. 2024 has already seen so many good releases in just over three weeks that I actually had to figure out what not to include here. (Coincidentally, three of the releases are from France, so make of that what you will.)

Regardless of geography, the sharp rise in early-year quality in 2024 is making me rethink old paradigms. Is the January curse on its way out? Am I reading too much into this? Is reality a lie? Are the machines reading my thoughts? Fuck. Continue reading »

Jan 312024
 

Possibly drawing upon a reference in the Ambrose Bierce short story “Haïta the Shepherd”, and/or stories in Robert Chambers‘ collection The Yellow Sign, H.P. Lovecraft added Hastur the Unspeakable to his pantheon of the Great Old Ones in his tale “The Whisperer in Darkness”.

Spawn of Yog-Sothoth, the half-brother of Cthulhu, and possibly the Magnum Innominandum, Hastur was a vast monstrosity of hideous power drawn from nameless aeons and inconceivable dimensions. And that terrible thing seems to have been an inspiration for the Irish musical duo who chose for themselves the name Hasturian Vigil.

However, these two — multi-instrumentalist and vocalist Cxaathesz and drummer Shygthoth — were not content to set their music solely within Lovecraftian spheres. For their debut album Unveiling the Brac’thal they created a mythos of their own, Yith-Melle, inspired not only by Lovecraft but also by Machen, Lord Dunsany, and Yeats, all the better to “embrace their fascination for cosmic dread, deranged pantheons, and unspeakable curses”.

So says the materials accompanying the album which we have received from the publicist for Invictus Productions, which will release Unveiling the Brac’thal on February 2nd. We also have these prefatory words from Hasturian Vigil: Continue reading »

Jan 312024
 

Recommended for fans of: Darkher, Holy Fawn, Junius

Finnish fatalist Suvi Savikko (aka Shedfromthebody) is a relatively recent discovery – having only released her debut album in 2020 – but has been a prolific presence here at NCS all the same, as we’ve so far covered all her releases (which, including last month’s Amare, now totals three full-length albums and one EP) to one extent or another.

Sonically the project’s combines brooding guitars, desolate ambience, and mesmerising melody – as well as, increasingly, a blending of Shoegaze, Sludge, Grunge, and Alt-Rock influences – into a sound that could best be described as “Doomgaze” or “Post-Doom”, if one were so inclined.

It’s an acquired taste, certainly, but one which is both rich in real emotion and resonates with raw potential, and I am hopeful that many of our readers will come to love the music here as much as I have after reading this.

Continue reading »

Jan 302024
 

Insanity reigns supreme in the Replicant song you’re about to hear, like a mad god gone berserk. It has the impact of a live power line thrashing unsuspecting pedestrians in a deluge, while teleporting their brains into a whipping centrifuge. Minds will be boggled, bones will be broken, blood spray will paint the walls.

Now that we have your attention, let’s fill in a bit of the back-story. Continue reading »

Jan 302024
 

It may have been the English writer Jonathan Swift (he of Gulliver’s Travels) who was the earliest source of the proverb that, as time passes, everything old is new again. Or it might have been Ovid. But whoever first coined the phrase was surely right.

The members of the Greek metal band Sarcastic Obedience aren’t that old, but they are new again. They look very young indeed in photos of them taken when they released their debut EP Internal Disturbance in 2013.

But now they’re more than a decade older, and they have their first record since that EP now on the horizon, a self-titled album that will be released on February 14th by Chaos and Hell Productions. New again, but man, for them that horizon must have seemed like it was receding farther away with every step they took toward it. Continue reading »

Jan 302024
 

(Andy Synn presents another terrific triptych of recent releases from the UK)

We’re only a month into the new year and the UK contingent has already put out several strong releases (including a couple that I’m holding on to for the next edition of this particular series).

All signs, therefore, indicate that this is going to be another healthy year for my home-grown scene, so let’s start as we mean to go on, shall we, with three more examples of “The Best of British”!

Continue reading »

Jan 292024
 

By sheer coincidence, this marks the second premiere we’re hosting today from a band who are returning with a new recording seven years after their last one. This time the band is the Dutch quartet Morvigor, coming back from their hiatus with a new EP named De Spiegel that will be co-released on February 26th by Onism Productions and Vita Detestabilis.

We also hosted a premiere in the run-up to Morvigor‘s last album, 2017’s Tyrant. At that time, having overlooked the band’s full-length debut (2014’s A Tale of Suffering), we didn’t know what to expect. But when this same writer first heard that song we premiered, I wrote that “it felt like someone had stuck a live power line straight into my brain stem, by which I mean it is an absolutely electrifying surprise — one of the best new discoveries of this rapidly waning year”.

Having been stunned by Tyrant, this time it will be more difficult for me to come away surprised by Morvigor‘s multi-faceted, genre-bending sounds and their adventurous approach to song-writing. But that doesn’t make De Spiegel any less startling, as you’ll discover for yourselves when you listen to “Midden in de wereld“. Continue reading »

Jan 292024
 

A long seven years after their last album (Nex Nihil), the Mexican black metal band Hacavitz are returning, with a tremendously powerful new album named Muerte that’s now set for release on February 9th by Vomit Records.

Muerte is the sixth full-length overall from Hacavitz in a career that now spans 20 years. Their name is well-known to devotees of dark metal, and their absence has been felt, even with a couple of splits dropping during the album gap.

But this new album abundantly compensates for the band’s absence, and you’ll quickly learn why when you watch and listen to our premiere of a lyric video for the album’s first song, “Muerte Primera“. Continue reading »

Jan 272024
 

After three weeks away from home working my day job I’m finally back. It was a stressful and often bizarre experience, made worse by the absence of my spouse and cats, and worse still because I had no time to listen to music, much less write about it.

That may sound weird. There’s always time to listen to music, isn’t there? In my case, it just didn’t fit what I was doing, too much of a distraction instead of a companion. Especially when it comes to metal, my brain’s not wired to combine even less raucous variants of music with trying to concentrate hard on something else. So I was forced to take a very long hiatus, the longest one in the 14+ years I’ve spent in devotion to NCS.

Andy and DGR stepped up and kept the site from going dark, and a few other writers continued sending things in too. But we’ve still got a backlog of un-published material to bring to the surface, mainly a big slug of interviews from Comrade Aleks. Other backlogs will never be fixed. Continue reading »