NO CLEAN SINGING

RANNOCH – CONFLAGRATIONS

Jul 122023

(Andy Synn continues his impromptu “Best of British” week with his thoughts on the upcoming new album from Rannoch)

The word “masterpiece” has been roundly, and soundly, (over) used and abused so much over the years that it’s almost lost all meaning.

But, originally, a “masterpiece” wasn’t just something of exceptional quality – it specifically referred to that piece of work which first demonstrated an artist’s mastery of their craft and, in doing so, signified their acceptance into (or, at least, their eligibility for) the highest echelons of the artistic community.

Strictly speaking, then, no band should ever have more than one “masterpiece” to their name.

So if Rannoch‘s previous album, the masterful Reflections Upon Darkness, represented the moment when they stepped into the big leagues – in terms of both talent and ambition, at least, if not fame – then what does this mean for Conflagrations?

AN NCS PREMIERE: CHAOS ALTAR — “FURNACE”

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Jul 112023

In the case of many of our premieres we have a great volume of information available for sharing — abundant details about a band’s origins, histories, and inspirations; conceptual and lyrical insights; commentary about the songs from the people who made it; and more. In other instances we have very little to share other than the music, perhaps because of the musicians’ adherence to the idea that only the music matters, or an embrace of the perceived purity of obscurity, or maybe just simple shyness.

Whatever the reason, today is one of those days when the music must mainly speak for itself. We know that Chaos Altar is a one-person black metal project from France, that person going by the name Executor, and that nine years ago the project released its debut EP, And Then You Die — and nothing since then (that we know of). We also have this one short but evocative statement about a new Chaos Altar record entitled Where the Ashes Now Reign, which will be released on July 28th by Void Wanderer Productions:

Let yourself be invaded by the atmosphere of death, destruction, and nothingness.
Welcome to our chaos!

Beyond that we don’t have much more info, but of course we do have the music… a song from the new record named “Furnace” that we’re presenting today. And it’s a hell of a good song. Continue reading »

AN NCS PREMIERE: CYSTIC — “PESTILENTIAL THRONE”

Premieres No Responses »

Jul 112023

It’s not as if Seattle-based Cystic are complete unknowns. Anyone who’s heard the progression from their 2018 demo The Last Days through their two 2020 EPs Sworn Enemy of Life and Incineration Rites will remember their name. But their forthcoming debut album Palace of Shadows is still a big step forward, and the fact that the respected Mexican label Chaos Records is releasing it is a big flashing sign of that, before you even hear a note.

It’s no wonder they attracted that alliance. Cystic have tapped into old black veins of particularly grisly and gruesome death metal, but the blood they’ve drawn feels bursting with (horrid) life. They’ve proven a precocious and monstrous mastery of the kind of death metal that’s hideous and horrific, dank and dismal, and altogether thrilling. In listening you can almost imagine the stench of gangrene and rot, and also envision the rapid scything of illness through swaths of helpless humans and the ravenous ripping and tearing of demon hordes — and who doesn’t want that?

We’re sure happy to have it, and also happy that you don’t have to take our word for why the record is so strong — because we now have a second single to bring you today, the fitting name of which is “Pestilential Throne“. But for those who might have missed it, let’s begin with the first single from the album, “Core of the Maelström“. Continue reading »

SCAR SYMMETRY: “THE SINGULARITY (PHASE II — XENOTAPH)”

Album Reviews No Responses »

Jul 112023

(In June Nuclear Blast released Scar Symmetry‘s first studio album in nine years. DGR was in no great hurry to review it. And you’d better be in no great hurry to read the review, because he has a lot of thoughts about it.)

Ever since its early June release, I’ve thought a lot about Scar Symmetry‘s newest album The Singulary (Phase II – Xenotaph) and what it means for the band, the limits of artist freedom, the effect of a long wait between albums, Scar Symmetry‘s place within the overall heavy metal world, and just how much the naming of an album really matters in relation to the music within.

Long story short, for an album that is recognizably one of the most Scar Symmetry albums that could’ve feasibly been conceived, it sure has set the old brain muscles aflame, and for better or for worse not all of that relates to the quality of music contained within Xenotaph‘s near hour of run time. Because what does it mean for a band like Scar Symmetry to essentially vanish, go dormant for nine-plus years and then reappear with an album that sounds like it too was placed within stasis itself and basically continues right where the band left off from their previous adventures – though it takes a few songs to get there? Continue reading »

AN NCS PREMIERE: ARBORESCENCE OF WRATH — “REPENTANCE”

Premieres 1 Response »

Jul 102023

On October 13th Transcending Obscurity Records will release the debut album from Arborescence of Wrath, a vicious death metal entity that comprises current or former members of Origin, Marduk, and Benighted. The album could hardly be better-named: Inferno.

Up ’til today interested listeners have had two tracks from the album to consume (or more accurately to be consumed by), and today we’re bringing you a third one. Its name is “Repentance“, but the signs of remorse in the music are bleak, and ultimately overpowered by the extremity of the music’s madness and violence. Continue reading »

AN NCS PREMIERE: BOLT GUN — “THE WARREN”

Premieres No Responses »

Jul 102023

Bolt Gun is a damn cool name for a metal band even if you don’t comprehend the specific reference. If you do know what an actual bolt gun is, that puts a meaner edge on the linguistic knife, and might even make the reference revolting to some, yet even the idea of being stunned prior to being slaughtered (at least musically) is a concept that for a metal listener can be very enticing.

Whether these Australians who chose the name for themselves pull off that feat in their music is a question they’ve had the chance to answer through several long-form releases. We will have another fulsome opportunity to make that decision when Avantgarde Music releases their third album The Tower in September of this year.

But we have an excellent opportunity today through our premiere of an EP named The Warren, which features the legend Iggor Cavalera on drums, that the same label will release this coming Friday, July 14th, as a precursor to the new album. Continue reading »

BEST OF BRITISH: BURNER / CALLIGRAM / COFFIN MULCH

Album Reviews No Responses »

Jul 102023

(Andy Synn is back with three recent examples of “the best of British” for you to enjoy)

Despite my ongoing efforts to expose and highlight some of the “best” and/or up-and-coming examples of British Metal over the years, there’s still a fair few people who seem to think I don’t do enough to “support the scene”.

Of course, digging into this a little deeper, it inevitably transpires that this accusation stems either from the fact that I don’t cover everything that the UK scene has to offer – both because I simply don’t have the time to cover it all and because, to be honest, it’s not all worth covering – or is a consequence of my attempts to offer a more measured and balanced critique, which sometimes involves providing some constructive criticism, rather than just flying the hype flag simply because something is “home grown”.

The consequence of this is – or should be – that you know that when I write about something I do so because I think it stands out from the crowd a little (or a lot). And while I’ve definitely been guilty of underrating/overrating a few things here and there before now, I don’t think I’ve ever written about anything that isn’t at least interesting. And the three albums you’re about to read about are definitely that (and much more besides).

SHADES OF BLACK: SZNUR, DISCORPORATE, A//PLAGUE, ANONYMOUS SKULL, NIGHTGOAT INVOKATE THE STARS, AUTGER

Album Reviews, SHADES OF BLACK, SHORT BUT SWEET 2 Responses »

Jul 092023

Over the last few days, in between other things, I wandered down an underground musical path that took some very unexpected turns. Rather than focus on names that might be well-known, I focused instead on obscurity. I did recognize two names whose new music I explored (they begin and end today’s collection), but most I had never before.

In each instance, something about the music grabbed me, even when in some instances it initially seemed to pose a rude challenge to my ear drums. I hope you’ll find it an interesting musical odyssey, as I did, straight through to the fascinating surprise that’s waiting at the end. I don’t expect everything will appeal to everyone, but what does?

SZNUR (Poland)

As noted, I’m beginning with a name that already resonated well with me thanks to my discovery of the band’s third album, Dom Człowieka, soon after its release by Godz Ov War Productions about two years ago (which I enthusiastically reviewed here). Now Sznur‘s fourth album Ludzina is on the way from the same Godz Ov War. I haven’t yet heard all of it, but the two tracks currently streaming are high-octane fuel for the reptile brain. Continue reading »

SEEN AND HEARD ON A SATURDAY: CRYPTOPSY, GRIDLINK, RINGWORM, PHANTOM LUNG, CLOUDS

Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC 5 Responses »

Jul 082023

I don’t work regular hours for my “day job” (in quotes because it can require night hours too, because it’s irregular). The upside is that it usually gives me time for NCS in the early part of the day when I do most of what I do around here. The downside is that it sometimes inserts itself unexpectedly, like on a Saturday morning of all fucking times, which is what happened to me today, never mind that it’s also my birthday (please hold your applause).

So, getting a late start on this roundup means it’s not as fulsome as it should be. I was able to manage more than two songs (which was the sum total of what yesterday’s roundup provided), but not many more. But they’re good ones!

CRYPTOPSY (Canada)

Cryptopsy are one of those bands that I think all of the steady contributors to our site have enjoyed for a long time (at least I can speak for myself, DGR, and Mr. Synn). So the news of a new Cryptopsy album and song popped up in our secret discussions very quickly. So that’s where we’ll start… with the video for that new song, “In Abeyance” (especially because it gives us a chance to show off some more of Paolo Girardi‘s artwork at the top of the page). Continue reading »

SEEN AND HEARD: PANOPTICON, BEYOND GRACE

Metal News, RANDOM FUCKING MUSIC 2 Responses »

Jul 072023

My stack of links to new songs and videos is so high it would fall over and crash if they were dominoes. Here are just two, by good friends, that I’ve enjoyed which came out during the week that’s about to end. Barring unforeseen disasters, I’ll pick many more to share tomorrow and the next day.

PANOPTICON (U.S.)

Austin Lunn encouraged Panopticon fans to send messages to the county commissioners with permitting authority over Wyoming’s Fire in the Mountains festival by promising to release a new song if 100 or more such messages were sent. That goal was more than met, and so true to his word, Austin released “Cedar Skeletons“, which will appear on Panopticon‘s new album The Rime of Memory. As Austin has explained, the song includes some very talented guest performers:

“It features guest vocals by my friend Victor Sanchez and a choir comprised of many of my collaborators (Andrea from Exulansis, William from Dalla Nebia, and Andy, whom yall know as the bass player from our live band.) Patrick Urban (Dämmerfarben) wrote and performed Cello, Charlie Anderson returned to collaborate on this album on fiddle, and we had a great time recording and arranging together.”

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