Mar 132024
 

(Andy Synn highlights three more home-grown heroes)

Some of you may have noticed (or maybe you haven’t, I don’t know how much attention you all pay to what we do around here) that my “Best of British” articles rarely feature any of the “bigger” names (relatively speaking) from the UK scene.

Partially that’s because, obviously, the site’s general ethos is to dedicate more of our time and energy to the less-exposed, less “mainstream-friendly” bands out there, but it’s also because, to be honest, a lot of the bigger names and famous faces just… don’t really do it for me.

Don’t get me wrong, there’s lots of bands whose “mainstream-friendly” sound still appeals to me – bands who play and perform with just as much conviction and creativity as any of their more self-consciously “underground” cousins – but there’s a certain formula for success, carefully curated and algorithmically adjusted for maximum appeal, that some groups follow which simply sounds hollow to my ears.

But I think it’s safe to say that none of these three bands – one we’ve covered here before, one we’ve clearly overlooked for far too long, and one making their highly anticipated (and already highly praised) full-length debut this year – are what you would call “formulaic”.

Continue reading »

Mar 132024
 


Photos by Robyn Benson / Black Earth Photography

(Last year the British doom band Iron Void celebrated their 25th anniversary and released a stellar fourth album, and in belated honoring of those events Comrade Aleks conducted the following very engaging interview with all three of the band’s members — Jonathan ‘Sealey’ Seale, Steve Wilson, and Scott Naylor.)

Iron Void from West Yorkshire is one of the most focused and active doom metal bands among those that present a “traditional” scene. Being formed in 1998 and disbanded in 2000, Iron Void didn’t hurry to record a full-length album even after their reunion in 2008, but here they are with four albums in the discography now, and the most up-to-date release IV saw the light of day in January 2023.

Yes, it happened one year ago, and we’re a bit late with this interview, but it’s never too late to support the band that deserves wider exposure. After all, heroic, quite old-school, and damn heavy IV was one of the best doom albums of 2023. Also, besides other things, you’ll learn from this interview what “Street Doom” stands for! Continue reading »

Mar 132024
 


Last year Culthe Fest made its triumphant return to stages in Münster, Germany, after
a covid-induced hiatus. It featured a very impressive lineup of bands over two days last April, and we helped spread the word about it then. For the good of fans and bands, Culthe Fest is back this year, and we’re again helping to spread the word as one of the fest’s international partners.

This year, on March 30 and 31 in Münster, Culthe Fest will present performances by 16 bands from 9 countries on three stages, headlined and co-headlined by Downfall of Gaia, Sylvaine, Wiegedood, Solbrud, Ophis, and Predatory Void.

The lineup is exceedingly strong from top to bottom and spans a range of metal and metal-adjacent sub-genres, and below we’ll provide notes about all the participating bands scheduled to play on each of the two days, and how to get tickets (there aren’t many left!).

We’ll also provide notes about the Dark Arts & Crafts Exhibition, which will again be part of this festival presentation. Continue reading »

Mar 122024
 

(Andy Synn has a lot of love for the new album from a little band called Judas Priest)

It’s been well-documented by now, I’m sure, but it’s worth reiterating that – despite our slowly growing profile (and, as an aside, let me say thank you to all of you for continuing to read, and recommend, our various well-intentioned witterings) – our focus here at NCS is more on covering and critiquing (positively, for the most part) less well-known and more underground/under-exposed acts, rather than the big names and famous faces.

So when a little bird told me about a new album from a bunch of up-and-coming young whippersnappers by the name of Judas Priest – great name by the way guys, I’m surprised it wasn’t already taken – I decided to take a chance and give Invincible Shield a listen, since it’s always cool to be able to say you were into a band right before they blew up, right?

Continue reading »

Mar 122024
 

We are very pleased today to premiere a complete stream of the newest album by the Spanish death/doom metal project Ornamentos del Miedo. Entitled Escapando a Través de la Tierra, it will be released by Tragedy Productions and Meuse Music Records on March 15th.

This stunning new opus is again the solo work of Angel Chicote from Burgos, who was responsible not only for all the vocals and instrumentation but also the mixing, mastering, and artwork.

Lyrically, the songs address “interest disguised as friendship, mental illness, forgotten memories”. “Here there are no more demons, monsters or fantastic beings than those that life gives us”. But while the lyrics may express recognizable vagaries of human life, the intensely atmospheric and emotionally moving music transports the listener to realms far, far away from the mundane. Continue reading »

Mar 122024
 

(Our editor wasn’t able to compile a list of Most Infectious Extreme Metal Songs from 2023, but our supporter Vizzah Harri, a resident of Hanoi, Vietnam, has stepped in to fill the void. We’ve already published Parts 1-4 of his list (find those here), and now we’re proceeding with Part 5.)

This series can be seen as a coagulation of forms on psychological de-fractured symbiosis. As in, this isn’t some SCP level troll, I tried to bring the avant-garde into writing about music that appeals to me but on songs from genres and locations that are varied enough that it would appeal to most readers of this site (yes it’s still heavily biased with 14 from the USA, six from Germany, 3 each from Norway and England, two each from Vietnam, Sweden and France, while Denmark, Canada, China, Australia, Hungary, Italy, Belarus, Poland, Wales, India, Russia and Finland each were represented by one band – math ain’t my strong point, there’s a miscount in there somewhere). Continue reading »

Mar 112024
 

(Belatedly, we are still catching up with interviews conducted by Comrade Aleks at a time when our editor was too incapacitated by work to publish them in a timely manner, and today we catch up to his discussion with Ion Santos from the Basque Country brutal death metal band Putrid Torso.)

About a year ago we did the interview with Hopelessness, a melodic death metal band from Basque Country. And somewhere around November 2023 I got the message from their guitar player Ion Santos. He said that he’s also involved in the brutal death act Putrid Torso and that Trails of Hypnotized Human Veins had just been released by Pathologically Explicit Recordings.

And, honestly, brutal death isn’t my cup of tea (even Lovecraftian brutal death), but we’re just mere puppets in the hands of Ruinous Powers. So here’s the interview with Ion for those who are into extreme and misanthropic metal. Continue reading »

Mar 112024
 

(Andy Synn steps up to take communion with the new album from Ecclesia, out now)

While our site’s name may be a little tongue-in-cheek (even if some people seem to take it way too seriously) it’s true that we don’t write about the clean-sung variants of Metal – Trad, Power, “classic” Doom, etc – very often.

But there are certainly exceptions to this “rule”, and today’s exception goes by the name Ecclesia Militans.

Continue reading »

Mar 112024
 

It’s a public relations cliché, and too often a misrepresentation, to say that a band’s new album is their best work yet. It’s as common to see regression as it is to witness true progress. But in the case of Vorga‘s new album Beyond the Palest Star, the cliché really does hold true — it represents a thrilling advance beyond what this German black metal band have done before (and what they’ve done before has been very good).

As proof of that claim we have for you the premiere of a song from the album appropriately named “The Cataclysm“. Continue reading »

Mar 102024
 

What the hell happened? This collection of new black metal is appearing an hour later than it should have. I finished it at 10:00 and then I looked at an electronic clock and suddenly it was 11:00, without anything happening during that hour.

My first thought was that the music I picked had skewed space-time. The music, as you will see (or rather, hear), is certainly epic enough to cause such an upheaval. But then I discovered the reason was much more stupidly mundane. I gather that on a Sunday next November this column will appear an hour earlier than when I finish it. I look forward to being surprised again. Incipient dementia has its rewards.

AUSTERE (Australia)

Yes, “epic” is an overused and often poorly used word, but even worn-out words still mean something and sometimes are still better than the less-abused alternatives. And yes, “Cold Cerecloth” is epic. It’s also epically infectious. Continue reading »