Dec 082025
 

(Andy Synn kicks off his annual week-long take-over of the site with a round-up of albums that he couldn’t, in good conscience, include in either his “Good” or “Great” lists)

Webster’s Dictionary defines “disappointing” as “failing to meet expectations“… and that’s what we’re here to talk about today, not the albums we don’t like, not the artists we  hate (there’s more than enough room for that sort of negativity elsewhere on the internet, I’m sure), but those releases from 2025 which just didn’t quite make the cut this year.

And let me be clear about something, every one of these artists/albums featured here today is one that I was either already a fan of, or was hoping to become a fan of, prior to each of these releases, so what I’m not looking for is for people to use this as an excuse simply to bash bands, or their fans, just because they’ve got some weird grudge against them.

Rather, this is a place for us to express our sense of disappointment, to air our feelings about those artists/albums who failed to live up to our standards (or, indeed, their own), so that we can move on to better, brighter things over the next few days as I round-up all the “Good” and “Great” albums I’d like you all to check out (if you haven’t done so already).

Before then, however, prepare yourselves… the only way out is through!

Continue reading »

Dec 072025
 

(written by Islander)

Greetings on another Sunday morning. As you can see, I have only four selections to recommend for today, but that’s mainly because two of them are complete albums just released on Friday, and thus it took me some time to get immersed in those and try to wrestle my thoughts about them into some kind of order. I’ve positioned those two as bookends around singles from two forthcoming albums.

I can’t say these choices were the kind that put me in a fugue state. Each one is very different from the others, and the shifts are pretty dramatic, maybe especially the changes wrought by the last one, the debut release of a band I knew nothing about before listening (unlike the first three). But I think you’ll also discover a kind of through-line that ties all four selections together, and I’ll touch on that as we go.

As always, I hope at least one of the four, if not all four, will resonate with you in some powerful way. Continue reading »

Dec 062025
 

(written by Islander)

For you music lovers out there who just crawled out from under a rock, yesterday was a Bandcamp Friday, the last one of 2025. During those 24 hours we received more than 300 e-mails in the NCS in-box, at least half of them Bandcamp alerts, and that’s not counting the flood of digital traffic that rolled in the day before. Many of the messages were about music that had just been released.

I figure I have about a 50/50 success rate in getting new-music roundups posted on Bandcamp Fridays, which for obvious reasons would be an ideal time for them. Yesterday goes in the failure column. Just couldn’t get it done yesterday, what with other distractions getting in the way and the desirability of allowing Andy Synn’s list-week pre-launch to be our last post of the work-week.

I do feel guilty, but would have felt guilty anyway: Even rounding up a handful of new songs yesterday wouldn’t have made a very big dent in the wall of new tracks that slammed down this past week. Today’s roundup is just a modest dent too, but hopefully sufficient to start your weekend off with a dented skull. As usual, I’ll attempt to do additional cranial denting (of a more consistently blackened variety) tomorrow. Continue reading »

Dec 052025
 

(Andy Synn kicks off “List Week” a little early with a round-up of all the EPs he’s checked out this year)

All going to plan today is Friday 05 December, which means that tomorrow I’m heading to Switzerland for a mini-honeymoon (the proper one will be sometime next year).

Don’t fret though, as while I won’t be “physically” around the site as much I’ll still be taking over NCS entirely next week to publish my annual lists of everything I’ve listened to (enough to have formed a solid opinion, at least) this year, beginning with the “Disappointing” albums on Monday, then the “Good”, “Great”, “Critical Top Ten”, and “Personal Top Ten” (in that order).

Before then, however, I wanted to round-up all the various EPs (and related short-form releases) I managed to get in my ears this year (more than last year, I think, which is always nice), which also includes – at the end of the article – my personal favourites of the year.

As always you’ll find links to stream every single release here – which, I suppose I need to stress, is not in any way a definitive list! – so hopefully at least some of you will have the good sense to bookmark this page and spend some time over the next couple of weeks checking out some very deserving bands!

Continue reading »

Dec 052025
 

(Our friend Ben Manzella caught the November 29 stop (at The Observatory venue in California) of Death to All’s Symbolic Healing Tour 2025, with support from Gorguts and Phobophilic, and he gave us the following report, along with his own great photos of the event.)

Sometimes, a mixed lineup is good and needed. I’d say more often than not, I enjoy seeing a three- or four-band lineup so that I don’t know what to expect at the beginning of each set. This past Saturday was not a night without surprises, per se, but there was a definite focus. The focus this Saturday in Santa Ana was Death Metal, and Death to All’s now-finished Symbolic Healing Tour had arrived to provide a few hours of deadly music to a variety of ages in the crowd.

I think I saw one person arrive with around three or four of his kids for the show, and you could tell he was a diehard fan of the genre. It is fun to see a night that used to be an escape when I was a kid become a family night out for some, and I would have never guessed it would be possible. Continue reading »

Dec 052025
 

(Daniel Barkasi has delivered another monthly collection of reviews, and in this installment he recommends six records released in November 2025.)

An occurrence that comes along with this time of year – other than a lot of holidays – is an uptick in touring and shows. For the last month, we could have gone to at least 3-4 shows per week if able – a fine way to bow out of the Sunshine state. One of the last of which was Cattle Decapitation’s headline run (you can read the review and see my photographer wife’s photos here at NCS). She’s damn good, and it’s a blast to cover shows with her. We make a great tandem, both in this scenario and every other. With the US Thanksgiving holiday in the rearview, this serves as a reminder that I’ve got a ton to be thankful for. Don’t take anything for granted, folks! Continue reading »

Dec 042025
 

(Our contributor Daniel Barkasi was lucky enough to catch the Tampa stop of Cattle Decapitation’s still-ongoing No Fear For Tomorrow North American Tour, with support from Aborted, Frozen Soul, and Tribal Gaze, and he sent us the following enthusiastic report, accompanied by terrific photos made by Brittany Barkasi @Turn off the Thunder.)

To say that we’re supporters of Cattle Decapitation could be the understatement of the day. Having followed this band ever since hearing Homovore 25 years ago – how is it that long – it’s been a constant evolution for the death/grinders with the ironic name. For these ears, The Harvest Floor displayed a bit that was really on to something special, which was fully realized with Monolith of Inhumanity, at this point not being solely a grindcore act, but a homogenization of the best elements of that style smashed together with roaring, energetic death metal.

From there, the band has been on a steady trajectory of phenomenal records, whose subject matter has also gotten bleaker in their vision of the human condition. Each album since the aforementioned Monolith has given added flavor to their already signature sound, with 2019’s Death Atlas being a personal standout – a well-assembled record that digests best as a whole, whilst being more poignant than the band could have imagined, considering what was about to happen with the dreaded COVID times.

With this tour, the band are playing Death Atlas in full, so if we couldn’t have already been more excited for another romp through the slaughterhouse, anticipation was at a fever pitch. Bringing along a notably weighty trio of Aborted, Frozen Soul, and Tribal Gaze along for the ride, an unabashedly crushing of an evening was set. Continue reading »

Dec 042025
 

(written by Islander)

In August of this year the Ottawa-based death metal band Harvested released their debut album Dysthymia. We were very happy to help spread the word in advance of the release by premiering a playthrough video for one of the album’s most electrifying groove-monsters, a song called “Synaptic Confusion” — very happy, because the album is such a killer release.

We weren’t the only people who thought so. Lots of other metal writers and fans have heaped praise on it both before and after its release. But of course, because Harvested is an independent and unsigned band there’s undoubtedly a lot of people who still don’t know what they’ve missed. We’ll make a further effort to help clue them in today with another video premiere, this time for a song off Dysthymia called “Gathered and Deluded“. Continue reading »

Dec 042025
 

(written by Islander)

Loss and remembrance… these are the overarching themes of a new album by the Belgian atmospheric black/doom band Splendidula. Fittingly, the album’s title is Absentia, an apt name because the music’s emotional core lies in the tragic absence of loved ones.

No one can avoid the death of friends and family members. It’s only a matter of time. It’s rarely foreseeable, and often it seems unjust because it’s so random. Splendidula went through such a period beset by loss, and in the making of this new album they dedicated themselves to remembering, and to mourning.

As a new sign of what they achieved in their music, today we’re premiering a video for a song called “Echoes of Quiet Remain“. It includes a guest vocal appearance by Aaron Stainthorpe, known of course for his iconic role in My Dying Bride (and High Parasite). We’ll begin with Splendidula’s own statement about the song: Continue reading »

Dec 042025
 


photo by Shane Mayer

(We are thrilled to present Comrade Aleks’ interview of metal journalist David Gehlke —  because it’s such a great discussion with such an experienced, articulate, and humble documenter of metal history. The ultimate focus is his new fully authorized biography of Chuck Schuldiner published by Decibel Books, but the conversation delves into many of Gehlke’s other important works as well.)

David E. Gehlke has been researching the metal underground and its suburban vicinities since 2002, and if you’re old enough, then you may have read his publications in Throat Culture, Snaggletooth and Metal Maniacs. Nowadays he’s better known for his collaboration with Dead Rhetoric and Blabbermouth as well as being the author of a few books. The titles of Damn the Machine – The Story of Noise Records and The Scott Burns Sessions – A Life in Death Metal speak for themselves, and the biographies of Paradise Lost and Obituary were something that needed to be written.

David keeps a good creative pace, and this year he released the authorized biography of Death’s founder – Born Human: The Life and Music of Chuck Schuldiner. We have prepared an extensive interview with David, so without wasting any time, I invite you to join our conversation. Continue reading »