OUR LIST OF 2022’S MOST INFECTIOUS EXTREME METAL SONGS (PART 22): ASHENSPIRE, TURBOCHARGED, CULT BURIAL, FALLS OF RAUROS

 MOST INFECTIOUS SONGS-2022  2 Responses »
Jan 312023
 


Ashenspire

I began rolling out this list day-by-day on January 2nd, promising that I’d force myself to stop at the end of the month. The end of the month has now arrived, and sadly for me, today is the final installment. I mean, it would seem odd to continue a year-end list into the second month of the next year, but I easily could have kept the list going for another month.

That’s because many worthy songs still remain on my list of candidates, and in fact many are just as worthy as the 66 I’ve included through today. I readily admit that, and I only regret that I couldn’t name more before running out of time. So please hold your fire because a bunch of your own favorite tracks didn’t make it.

Tomorrow I’ll have a “wrap up” post that lists all the songs in one place, with links to each of the 22 installments. Here are the final four: Continue reading »

AN NCS VIDEO PREMIERE: THE ATOMIC BOMB AUDITION — “DREAM FLOOD”

 Exceptions to the Rule, Premieres  No Responses »
Jan 312023
 


photo by Rex Mananquil

And now for something completely different… a mysterious and spellbinding video… a song of many facets and multiple meanings… and a big musical departure from our site’s usual extremist fare….

The subject is a new video for “Dream Flood“, a song from an album named Future Mirror that’s the first new release in nearly a decade by a band whose name tends to stick in the head — Oakland’s The Atomic Bomb Audition. There’s a significant back story about this group and their eclectic compositions, which have drawn inspiration not only from the geography of Northern California but also a collage of musical influences ranging from cinematic music to prog rock, heavy metal, and new wave.

And we’ll get to some of that back story, but we ought to focus first on what you’re about to see and hear in today’s video premiere. Continue reading »

THE SYNN REPORT (PART 154): FALAISE

 THE SYNN REPORT  2 Responses »
Jan 312023
 

Recommended for fans of: Alcest, Lantlôs, An Autumn For Crippled Children

Call it what you will – call it “Atmospheric Black Metal”, “Post Black Metal”, “Blackgaze” – the music of Italian duo Falaise remains as searing, as soulful, and as spellbinding now as it was when they first stepped out onto the proverbial stage a little under ten years ago.

And to prove the validity of this statement, I’ve selected them as the focus of this month’s Synn Report, which covers all four of their albums, up to and including their latest record, After All This Time, which was released just last week.

Continue reading »

AN NCS PREMIERE: FESTERDECAY — “SCUM’S KARMA”

 Premieres  No Responses »
Jan 312023
 

Short sharp shocks in life come in a multitude of forms, most of them unpleasant. A pink slip delivered by e-mail. An eviction notice nailed to the door. A semi-truck T-boning your helpless car. A sudden severe headache that turns out to be a tumor.

With “Scum’s Karma” the Japanese gore-grind revivalists FesterDecay deliver their own short sharp shock, and it’s as ruinous as those examples above, but it’s also the kind of macabre mangling music that will bring fiendish smiles to savage faces. You’ll soon see for yourselves…. Continue reading »

AN NCS INTERVIEW: SIRRUSH

 Interviews  No Responses »
Jan 312023
 

(Last November, roughly 15 years after their inception, the Sicilian band Sirrush released their debut album Molon Labe through Non Serviam Records, and it led Comrade Aleks to reach out for the following interview with the band’s founder Otagron to discuss the band’s past, present, and future.)

Sirrush isa Mesopotamian hybrid, a kind of dragon you could see on Ishtar Gates, one of Babylon’s most remarkable monuments. And this Sicilian band indeed dedicated their blackened death metal to Sumerian myths back then in 2007 when it was founded.

Years passed, but not much happened in Sirrush’s lair, as the EPThe Era of Išhtar (2011) remained their only official release. Things changed along the band’s concept as Sirrush came back to life with the stories of 300 Spartans in 2022. The singles A Son Set His Father Free and Molon Labe proclaimed the release of the full-length with the same title of Molon Labe through Non Serviam Records, so the band’s founder Otagron (vocals, guitars) is here to shed some light on Sirrush’s story.

Continue reading »

OUR LIST OF 2022’S MOST INFECTIOUS EXTREME METAL SONGS (PART 21): WOLFHEART, BLACK ROYAL, KRINGA

 MOST INFECTIOUS SONGS-2022  2 Responses »
Jan 302023
 


Wolfheart

We’re getting down to the wire for this list. I’ve used that expression many times in many contexts without knowing precisely what it means or where it came from, but having checked the dictionary today I find that it’s an apt expression here. It means an outcome that’s unclear and unsettled until the last minute, the very end, and thus also means “full of suspense”.

Another source reports: “This term comes from horseracing, where it was long the practice to stretch a wire across and above the track at the finish line. It was extended to figurative use about 1900.”

With only tomorrow left to bring this list to an end, I feel suspenseful myself, because I have no fucking idea how to end it. Well, tomorrow is another day. Today I picked these three songs: Continue reading »

WEEKEND BLOG BREAK (SORT OF)

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Jan 282023
 


Astriferous

I’m taking a break from NCS this weekend, so there won’t be a big roundup of recommended new songs and videos today or a SHADES OF BLACK column tomorrow. I’m involved in a big party that’s going to happen tonight, and there are things I need to do to help make it happen. I also know from past experience that I won’t get back to the NCS island HQ until sometime early Sunday morning, and I won’t get back stone-cold sober either.

On top of that I hope to spend a little time trying to figure out which songs to include in the final two days of our Most Infectious Song list next week. (If you don’t know what that is, you can find everything I’ve chosen so far via this link). I’m hoping to figure out some way of doing that without losing my fucking mind, because I’ve still got dozens of songs I’d like to include.

Of course I recoil at the idea of posting anything at NCS without including music, and so although the main point of this post is to keep people from wondering whether a big blank space for this weekend isn’t the result of some personal catastrophe, here’s some music: Continue reading »

UNSUNG HEROES OF 2022: DARRVA – ŌVIŠ

 Album Reviews  No Responses »
Jan 272023
 

(Andy Synn takes another look back at another album from last year that went unheralded and unsung)

There’s lots of reasons why a band might not get the attention and exposure they deserve (trust me, I know), and I could write reams upon reams about all the different factors which come into play when promoting a new album (successfully or unsuccessfully).

But, ultimately, sometimes it just comes down to “wrong place” and/or “wrong time”.

That certainly seems to be the case when it comes to Darrva and their second album, Ōviš, as not only does the band hail from a location (Latvia) that’s often overlooked, but their decision to release the record right in the middle of the festive season last year meant it was quickly lost in the shuffle, and it was only by mere chance that I stumbled across it a few weeks ago myself.

I’m very glad I did though, as the band’s sound – an intriguing mix of Black, Death, and Progressive elements that doesn’t fit neatly into any one particular box – is well worth shouting about and, hopefully, at least some of you will agree with me.

Continue reading »

OUR LIST OF 2022’S MOST INFECTIOUS EXTREME METAL SONGS (PART 20): MOTHER OF GRAVES, OBSCENE, EXOCRINE

 MOST INFECTIOUS SONGS-2022  No Responses »
Jan 272023
 


Mother of Graves

For the 20th Part of this still-escalating list ,variety is the name of the game, because I’ve chosen three songs that don’t have much in common. I guess you could say they’re all in sub-genres of death metal, but there the connection mostly ends.

Well, not quite. I’ll mention a few more connections: The first two bands both make their homes in Indianapolis; Todd Manning reviewed both of them for us; and all three albums arrived with eye-catching cover art. Continue reading »

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