AN NCS PREMIERE: DISPOSSESSED — “CONCRETE TOMB”

 Premieres  2 Responses »
Sep 262025
 

(written by Islander)

Portland, Oregon-based Dispossessed made their hulking and haunting presence known with a harrowing first full-length, Exanimate, in 2019, and followed that with the “Makhnovshchina” single in 2022. Now they return with a new five-song full-length named Dêmocide that will be released on October 3rd (a Bandcamp Friday) through Carbonized Records.

As before, Dispossessed use their fusion of sludge, doom, and death metal to express rage and despair, this time lyrically addressing issues such as systemic violence, environmental destruction, and carceral injustice, once more grounding their work in anti-authoritarian ideals.

Those passions thrive in the confrontational nature of their music — which is enormously heavy, wholly absorbing, but also viscerally devastating in both its aural and emotional qualities. We have a striking example of this in the song we’re premiering today — “Concrete Tomb.” Continue reading »

AN NCS PREMIERE: PEST — “LIGHT FADES”

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Sep 262025
 

(written by Islander)

We spin through space, the ground beneath us ever-turning, and as the rotations accumulate sometimes what was lost is found again.

Ensconced in Lower Saxony, the German black metal band Pest came to life in 1997 and released five albums and an EP between then and 2014. The fifth of those full-lengths, Buried, was so named because it was to be the band’s last one following the death of Pest‘s co-founder Mrok. And so Pest was lost. But now they’re found again.

With an album-length split released last year (sharing sides with the band Cultus), these plague doctors returned, and on October 17th Pest will at last release their sixth album through Heidens Hart Records, a haunting and harrowing record fittingly named Eternal Nightmares. Today we bring you its second single, “Light Fades“. Continue reading »

CARACH ANGREN: “THE CULT OF KARIBA”

 Album Reviews, SHORT BUT SWEET  No Responses »
Sep 262025
 

(NCS writer DGR has long-established his bona fides as a Carach Angren fan, and so it’s no surprise that he would focus on this Dutch group’s evil new EP The Cult of Kariba that will be released on October 17th by Season of Mist. He seems very happy with what he found there.)

Five years is a mighty long walk between an album and an EP for an active band but such is the case for the black metal storytellers of Carach Angren and their newest EP The Cult Of Kariba.

The distance between the group’s newest EP and their album Frankensteina Strataemontanus has been pretty sizeable. Granted, some of this was due to the pandemic years in which many bands saw the brakes effectively slammed on any sort of performance or touring plans, and for those who had literally just released an album and weren’t planning on being at home so soon, you can see in many different group timelines how it might’ve affected them.

For some, the need to create was immediate and you saw periods of intense activity while bands would hammer out singles and covers for lack of anything else to do. Others, probably a quiet sort of frustration. No two approaches could be deemed correct and creativity certainly doesn’t exist in a vacuum. It’s not a switch to be thrown on and off, and seeking inspiration so soon after you’ve just put out an opus to a ghoulish take on the Frankenstein story could freeze anyone’s mind for a while. That and an ever-fluid drummer situation not helping much either, having now reduced Carach Angren down to two core members, effectively transforming them into two studio-dwelling ghosts haunting the boards when they get the chance. Continue reading »

AN NCS INTERVIEW: GORLEBEN

 Interviews  2 Responses »
Sep 252025
 

(On October 15th the German band Gorleben will have their second album released by Darkness Shall Rise Productions. The music and other aspects of the album are fascinating (as we’ve already previewed), and so is the following interview conducted by Comrade Aleks with Gorleben member 235U.)

Gorleben was named after a municipality in Saxony, next to which an ill-famous radioactive waste storage facility is located. Hence the radioactive hazard sign in the logo, hence the nicknames of the participants taken from the names of radionuclides, hence the themes of the songs.

43 minutes of Menetekel are divided into four tracks. “Countdown” begins with a dreamy psychedelic theme accompanied by the sounds of nature, but gradually “the electricity turns on” and the melody becomes doomy, menacing, and heavier. It’s strange, but at some point it seems that two different tracks are playing: something like mid-tempo gothic metal and melodic death-doom in the vein of Katatonia. Gorleben know how to keep their identity yet also keep to the “Katatonia” scenario, further adding to their palette a duet of growls and harsh female screaming.

Suddenly, electronic samples penetrate the composition, and the riffs become chopped, industrial, and the male growl is replaced by a heart-rending black scream. In short, a lot happens in the first thirteen minutes of the album. Continue reading »

AN NCS VIDEO PREMIERE: KARATE STEVE — “TIME UNDER TENSION”

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Sep 252025
 

(written by Islander)

We’re latecomers to the talents of the Boston-based quartet KARATE STEVE, but thanks to the song and video premiere we’re now hosting, we’re enthusiastically on board. Latecomers, because the song is the title track to the band’s forthcoming third album, Time Under Tension, and we overlooked the first two. On board, because it’s a hell of a good song, one that gets the blood pumping and nerves jangling.

By way of background for others who might also be newcomers, the band was formed about a decade ago and consists of guitarist/vocalist Ben Davis, lead guitarist/vocalist Robb White, bassist Earl Brown, and drummer Zach LeWinter. They’ve drawn from a wide array of influences, from ‘90s death metal and hardcore to thrash, sludge, and more, and the album title-song you’re about to hear is a good example of how well KARATE STEVE mix and match those influences. Continue reading »

ASHBREATHER – LA GRANDE BOUFFE

 Album Reviews  1 Response »
Sep 252025
 

(Andy Synn has spent the last week or so gorging himself on fine food and drink… which makes the new album from Ashbreather an interesting, if not entirely inappropriate, choice for his return to action)

Well… here we are again, almost (but not quite) back to normal operation (that’ll probably end up being next week after we’ve recovered from all the travelling and/or revelling we’ve been doing recently).

So, as we gear up to get ourselves back to speed (although thanks to DGR you might not have noticed too much difference, considering the number of reviews he was able to put together to cover our recent down-time) I’ve decided to turn my attention to a band we’ve only covered once here before (back in the tail-end of 2022) and whom I/we sadly kind of lost touch with in the intervening years.

And, let me tell you this… whatever happened to Ashbreather in those years (which included both an EP and a collaboration which I missed) has only made them stronger/stranger.

Continue reading »

SYNESTIA: “PREMONITIONS”

 Album Reviews, SHORT BUT SWEET  No Responses »
Sep 242025
 

(This is DGR‘s lavish review of a new EP released earlier this month by Minneapolis-based Synestia.)

Symphonic deathcore group Synestia have had an interesting arc to their career. Existing by pure force of technology with members initially spread far and wide around the world, the group have been generally consistent with their release timeframes.

However, despite being something of an undercurrent on their own in the particular branch of the immensely spastic, adhd-inflected branch of the deathcore tree, the band themselves are just as known for multiple collaborations with musician/producer Blake Mullens who performs under the name Disembodied Tyrant.

This in itself means the band are part of a much larger orbit of surgical and synthetic-feeling and symphonics-reliant deathcore groups that all seem to both appear, contribute, and feature on one another’s works. It has to be difficult to break out on your own in such a way, when your logos all seem to be blurring together into one old script and sharpened stylized mass of words, and so a new EP from the group with a now more localized lineup and mostly them on their own is an interesting proposition. Continue reading »

DISSOCIA: “TO LIFT THE VEIL”

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Sep 242025
 

(We present DGR‘s review of the debut album by the Spanish band Dissocia, released last spring by Willowtip Records.)

Dissocia’s To Lift The Veil is a release that has been hanging around the NCS collective office for a while. To Lift The Veil was released in March of this year and we’re only just now getting around to a full-album deep dive.

Yes, this is one of those that we refuse to let go of for a few reasons. The compulsion to have something to say even though it’s been out for a while often wins over our feeble minds in that case, and as you can see here, we are once again battered and bruised by our own brain chemicals.

Not that we haven’t had anything to say in regard to this project before though; we were lucky enough to run a premiere of the song “Samsara” back in February when 2025’s overall musical arc was still a nebulous ball of chaos that had yet to take shape. But in order to understand all of this we need to run backward even further than just this introductory bit because it is likely that some of you may not be aware of what Dissocia and their debut album are just yet. Continue reading »

EVOKEN: “MENDACIUM”

 Album Reviews  1 Response »
Sep 242025
 

(We present Wil Cifer‘s evocative review (couldn’t help that) of Evoken‘s new album Mendacium, which will see release on October 17th via Profound Lore.)

It’s been 7 years since Evoken released the masterfulHypnagogia. It was an album that found the band changing what they felt the funeral doom genre could be, with some riffs that were in equal parts epic and melodic. They are taking another creative shift, though this time it lies in the spacious mix and stark composition choices they are making that give an even darker and more dismal sound here.

It’s not big, the way the cavernous echoes are captured by bands on the more deathly end of the doom spectrum embrace. Instead, the guitar haunts liminal spaces. There are none of the lush layers of sound you expect, but a creepy, sparse emptiness that sonically conveys a loneliness not heard in their previous work. The album is still characterized by great guitar work, it is just handled differently. Continue reading »

AN NCS INTERVIEW: EMISSARY

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Sep 232025
 

(In this new interview our Comrade Aleks talked with Michel Regueiro from the Spanish thrashing death metal band Emissary, whose debut album was released last March by Fetzner Death.)

Michel Regueiro (guitars, vocals) and Hlib Overchuk (drums) from Barcelona got together in 2023 in the name of old-school thrash/death metal, and believe me, they wasted no time recruiting Philip Graves (guitars) and Cosmil Martin (bass) and soon had eight tracks for their debut album Eldritch, which came out earlier this year.

The telling cover-art and track titles “The Shadows Lengthen in Carcosa”, “Hobb’s End,” and “At the Throne of Chaos” promised Lovecraftian horror in slightly atypical form. Indeed, I’ve gotten used to hearing Lovecraftian mythology in black, death, or at least, doom bands, but Emissary play their variations on themes in a completely traditional thrash vein with a bit of death overload. Continue reading »

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