NO CLEAN SINGING

AN NCS INTERVIEW: GRILO DO DEMO

Oct 222025

(The eyes and ears of Moonsorrow fans should perk up today because of the following interview Comrade Aleks has brought us, the principal subject of which is a new book about the band based on extensive interviews of Moonsorrow’s members. Aleks will introduce the author.)

I hadn’t heard of Grilo do Demo, but Moonsorrow fans are likely familiar with his unofficial and, at the time, fairly detailed biography of the band, which he consistently posted online about fifteen years ago. An enthusiastic journalist, he wrote for a couple of webzines until he met Leo Aragon, who had the idea of making a documentary about Moonsorrow, using that very biography as a basis.

The band was ready to meet him halfway, and the friends and a couple of like-minded individuals traveled to Finland, where they conducted extensive video interviews with the musicians and those involved on the spot. The film’s production stalled at some moment, and you’ll know why from this interview… However, such valuable material, of course, was unlikely to lose its relevance, and the movie’s crew didn’t want to waste the momentum, so over time, they agreed that the footage could supplement Grilo‘s biography. The rest, as they say, is history…

What do we have now? As Cult Never Dies, the publisher, states: Home of the Waves: Conversations with Moonsorrow is a substantial 388-page hardback, featuring a 24-page colour photo gallery and a total of 150 images, most of which have never been seen before. You can pre-order it, and if you’re really into this, here’s the interview with Grilo himself. Continue reading »

TOMBS – FERAL DARKNESS

Album Reviews 2 Responses »

Oct 222025

(Andy Synn isn’t shy about declaring himself a fan of the new album from Tombs, out now)

It’s funny, isn’t it, the ways in which we define ourselves? The ways in which “who we are” is so often bound up in the things we like (or don’t like).

It isn’t always healthy of course – toxic fan culture is a continuous blight, as we all know, and choosing to base your entire personality around your obsessive fandom of anything (or anyone) is a recipe for dysfunction and depression – but our likes and dislikes definitely form a distinct part of our self-image.

And yet it’s so easy for this image to become distorted or outdated.

Case in point, I’ve been a fan of Brooklyn-based Black Metal quartet Tombs for a very long time now – if you’d asked me I definitely wouldn’t have hesitated to describe myself as such – but it was only while working on my review of their new album that I realised that you’d have to go pretty far back (possibly even as far as 2017’s The Grand Annihilation) to find the last thing they did that I truly loved.

But, thankfully, with the release of Feral Darkness just last week, you no longer have to go very far at all to experience the band at their very best.

AN NCS EP PREMIERE (AND A REVIEW): MIASMIC SERUM — “BETTER LEFT DEAD”

Album Reviews, Premieres No Responses »

Oct 212025

(written by Islander)

Last year we had the ghoulish pleasure of reviewing and premiering a full stream of Infected Seed, the debut album from the Italian band Miasmic Serum, which we called “one of the most thrilling and accomplished death metal assaults of the year so far.”

We are fortunate that Miasmic Serum are already back with a new EP named Better Left Dead that will be released on October 24th by Iron Fortress Records, and equally fortunate to be the bearer of another full streaming premiere.

Whereas that debut album was thematically focused on poisons, venoms, and hallucinogens, for this new EP the band have drawn inspiration from H.P. Lovecraft, and in particular his short story “Herbert West – Reanimator” and the cult 1985 film adaptation Re-Animator. The EP also features the band’s new vocalist Riccardo Marconato (Afraid Of Destiny). Continue reading »

OBSCURITIES – VOLUME XXI: HALLOWEEN & CHILLING RIFFS

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Oct 212025

(Daniel Barkasi is back with another monthly collection of carefully chosen obscurities, providing vivid and enthusiastic reviews of six fine albums released in September of this year.)

As I begin to write this in an airport, heading to Pittsburgh on a shockingly delayed flight – helping out the folks with a few things, seeing a great friend who has struggled with some awful health issues (love you, Darren), and the Under Appalachian Skies festival (which has concluded by the time you read this, and it was an incredible time) — it’s dawned on me how wild of a year it’s been, yet it’s gone by so damn fast. Hope everyone is hanging in there best you can!

I wanted to also give my deepest appreciation to those who gave their condolences for our dog Kaiya last month. Those kind words went a long way, and it meant a lot.

Halloween is rapidly approaching, and it’s the season of Reese’s peanut butter pumpkins and good horror flicks. If anyone has any good suggestions, I’m all ears! There’s a ton of Korean films and series that I want to check out, as some of the best productions are coming from there, and have for some time. We also went to Halloween Horror Nights at Universal Orlando recently and had a blast! If anyone ever finds themselves in the swamp at this time of year, it’s definitely worth your time. Continue reading »

AN NCS PREMIERE: VICTIM OF REALITY — “DESPERATION”

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Oct 202025

(written by Islander)

In this feature we share with you a powerful new discovery, the Belarusian band Victim of Reality, and an excerpt from their forthcoming debut album The Dump of Human Hopes.

You can anticipate from the name of the band, the name of the album, and the record’s cover art that they don’t make happy music. Instead, they devote themselves to old school atmospheric doom/death, drawing influence from the likes of My Dying Bride, Swallow the Sun, Saturnus, Evoken, and Funeral.

Here is how the labels that will release the album portray the impact of the band’s music: Continue reading »

AN NCS PREMIERE: GLORIOUS DEPRAVITY — “NECROBOTIC ENSLAVEMENT”

Premieres No Responses »

Oct 202025

(written by Islander)

Before anyone in the public at large heard a note, it was predictable that the new album by Glorious Depravity would get lots of attention. First and foremast, there’s the band’s lineup, which includes members of Pyrrhon, Gravesend, Woe, Scarcity, and more. And then… well hell… look at that extraordinary cover painting by Dan Seagrave. If you’re a fan of extreme metal, it’s damned tough to see that and not want to hear what’s inside.

The new album, Death Never Sleeps, isn’t this band’s first strike. They launched that with their Ageless Violence debut album on Translation Loss almost five years ago, and the solid strength of that one provided yet another reason to expect the new one would seize attention. This time around, the attention is even more well-deserved because the band have stepped up their game in multiple ways.

There’s commanding proof of Glorious Depravity‘s advancement in the two songs from the new album that have debuted so far, and we have further proof in our premiere today of a third one — “Necrobotic Enslavement“. Continue reading »

THE ACACIA STRAIN – YOU ARE SAFE FROM GOD HERE

Album Reviews 3 Responses »

Oct 202025

(Andy Synn embraces both the horror, and the hope, of the new album from The Acacia Strain, out Friday)

From “high art” to “low art” (and I’m sure there’s at least a few people out there who would absolutely consider The Acacia Strain to be the latter, at best) the one thing which truly makes art… well… art, is the emotion and intention which goes into its creation.

And while this seems to confuse some people – especially those “death of the author” types, for whom the only important thing is their interpretation – to me it just makes sense that art is all about what you put into it… and not necessarily what others get out of it.

Which is why it was so interesting to me to read The Acacia Strain‘s long-time lyrical mouthpiece Vincent Bennett talk about how much more personal their new album was and how this is the first time that he’s truly worn his heart on his sleeve (or, more accurately, in his words).

Because at no point in their career have I felt that Bennett, or the band, have ever tried to hold themselves back or settle for simply going through the motions… their rage has always read as something raw and visceral and uncompromising in both intent and delivery.

But perhaps what he meant is that, despite describing You Are Safe From God Here as the band’s “dark fantasy era” (based on the perhaps-not-entirely-fantastical premise that the entity we call “god” is something to be feared and avoided at all costs), what he’s actually doing this time around is exploring the roots of this rage… the desperation, the desolation, and the despair which feeds it and fuels it, for better or worse.

SHADES OF BLACK: THE STONE, NIMBIFER, SYLLOGOMANIA, RAAT, ANAGNEIA

Album Reviews, SHADES OF BLACK, SHORT BUT SWEET 1 Response »

Oct 192025

(written by Islander)

Only five selections today, but there’s still a lot here — three EP-length records and a complete album, in addition to a lead-off song by a respected Balkan band from their next full-length. (Having more time to pursue my own perfidious activities is one silver lining to the personal cloud of enduring my wife’s absence while she’s off partying with one of her two sisters in Nevada this weekend.) Continue reading »

SEEN AND HEARD ON A SATURDAY: WILD BEYOND, FELL RUIN, OF WOLVES, TENEBRIS, BELL WITCH & AERIAL RUIN, SOULFRACTURE

Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET No Responses »

Oct 182025

(written by Islander)

Life outside the doors of NCS reminded me again that there is life outside the doors of NCS. Which is to say that unforeseen occurrences pushed back the time I wanted to spend listening to and writing about new metal for this roundup, so I’m late finishing it. No need to go into detail but, well, a baseball playoff game last night and needing to get my wife to an early ferry boat this morning had something to do with it.

There’s no baseball playoff games today and my spouse is now out of town, just me and the cats holding down the homestead, so there’s a decent chance I’ll have a more on-time roundup of black(ish) metal ready for tomorrow. As for today’s selections, I think they’ll keep you off-balance as you move through them. Continue reading »

AN NCS VIDEO PREMIERE: ZERO SWANN — “GRAVE WAX HORTICULTURE”

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Oct 172025

(written by Islander)

Those of you who follow our weekend roundups of new music are aware that I’ve made many discoveries (and then shared them) through perusing the recommendations of Rennie Resin‘s starkweather Substack. His most recent collection of recommendations included thoughts about a new album from a band named Zabus that’s principally the work of Jeremy Moore from Washington, D.C. He followed that offering with these words about a band whose song we’re premiering today:

Zero Swann is another splinter from Jeremy Moore and Benefactor comes two years after the Amon Zonaris release. This project has similarities to Zabus in its approach to sound, using copious amounts of reverb and delay and vocals forward in the mix. While Zabus is decidedly post punk given the psyche treatment, Zero Swann is its more sinister, noisier, atavistic twin. Almost free form and nightmarish in approach where songs are spasms and rattles rather than crafted and honed into shape.

That was my introduction to Zero Swann, framed as only Rennie can do, and one thing led to another… the other thing being today’s video premiere of “Grave Wax Horticulture” from Zero Swann‘s Benefactor album — which is being released today on the Saccharine Underground label. Continue reading »

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