Jul 232025
 

(Andy Synn presents three mind-warping metallic morsels to bruise and bludgeon your brains)

Some of you may have noticed (or maybe you didn’t?) that I didn’t post anything here last week, mostly because I was snowed under with work/life/band stuff and just couldn’t find the time (or the mental energy) to put my thoughts (as scrambled as they were) down in any coherent order.

To rectify that, however, I spent some time over the weekend putting together a bunch of reviews… although, wouldn’t you know it, pretty much all the bands I’ve ended up writing about have been so dizzyingly, discombobulatingly technical and intense that they’ve ended up scrambling my brain all over again.

So if you enjoyed Monday’s dissection of the upcoming new album from Sallow Moth and are looking for a few more meaty morsels to satisfy your cravings for chaotic complexity, then you’ll want to give all three of these EPs a listen too.

Continue reading »

Jul 232025
 

(written by Islander)

We ran out of fingers. It took all 10 of them and one toe to count the number of articles we’ve published here about the London band Cult Burial, all of them in just the last five years. The attention began with the release of their 2020 debut EP Sorrow and has continued through their release of numerous singles, another EP, and two albums. Now this duo of Simon Langford and César Moreira will release a third album in September named Collapse of Pattern, Reverence of Dust.

The new album is described in these haunting and harrowing words:

Collapse of Pattern, Reverence of Dust is a record about erosion — of structures, of certainty, of meaning. Across eight tracks, Cult Burial tears through the frameworks we cling to, carving out something that sits between aggression and despair, weight and absence. The music is dense and layered, yet unafraid of space; at times claustrophobic, at others stripped to bare wire and exposed edge.

Each song peels back the layers between memory and oblivion, order and chaos. Built on jagged riffs and drenched in haunting textures, this album traces the gradual decay of mind, identity, and ritual. From the first shudder of collapse to that final, ash-choked breath, it offers no solace. Continue reading »

Jul 232025
 

(We present DGR‘s review of the debut album from the Belgian death-dealers Coffin Feeder.)

We’ve joked about it over the years but there does exist something in the vocalist world that we’ve referred to as the “Sven effect”, wherein any band that has a feature from vocalist Sven de Caluwé is going to inevitably sound like one of his projects. Him being one of the more consistent and prolific guest vocalists out there certainly doesn’t help matters either; the guy is just so recognizable that he could almost never commit a crime because someone would be able to pick him out of a lineup while in another country.

The recipe is simple too: if you take Sven and put him over some sort of grinding death metal or deathcore riff, inevitably it is going to sound like it has emerged from his wide-reaching works within the infrastructure of his biggest project, Aborted.

You have to work very, very hard in order to avoid this, though a handful of bands have managed to do so over the years. Most recently and impressively, the progressive death metal group Eternal Storm featured him on their song “A Dim Illusion” and it actually played out more like the band bent him to their will rather than the other way around.

But does this same effect exist when it comes to Sven‘s own projects and the works he has brought into his orbit over the years? Is one person’s taste for rapid-fire blast and grinding guitar enough that all of them become one amorphous mass or is there enough on offer that part of the interest will come from hearing how a particular sculpture might’ve been crafted in spite of one guy’s spotlight being so suffocatingly bright that even when it’s not his choice, any similarities to his career are going to fall into his lap?

It has to be vexing at times, but by that same token perhaps it is worth it to just throw caution to the wind. Continue reading »

Jul 222025
 


photo by Ross Halfin

(written by Islander)

This isn’t an entertainment news site, unless the news concerns the release of a record whose music we’re writing about. But the death of Ozzy Osbourne is an event we can’t overlook.

Many of us grew up listening to Black Sabbath and/or Ozzy‘s solo records. That music became part of the language of our minds, not just what we heard and felt but how we reacted to the world around us, as much a part of our internal “culture” as an external part.

And then, add to that the tens of thousands of other bands whose music Ozzy and his bandmates influenced down to this very day, musicians who took those influences, either directly or indirectly from other bands who had already built upon them, and spun out music into hundreds of new directions they might not have found if Ozzy hadn’t been born. Continue reading »

Jul 222025
 

(written by Islander)

Today we’re helping announce a new album by the death metal band Ancient Thrones from Halifax, Nova Scotia. Its name is Melancholia and it’s set for release on September 19th. To help spread the word, we’re also premiering a lyric video for the album’s first single and opening song, “A Moon Fused Key“.

But while those are the main purposes of this article, we can’t resist talking first about the album’s extremely intriguing narrative concept… and that stunning cover art you see up there above these words. Continue reading »

Jul 222025
 

(written by Islander)

Though Italian in location, the black metal band Blutsauger chose a name for themselves that means “bloodsuckers”, drawing inspiration from Transylvanian and Austro-Hungarian folklore and evoking the undead monstrosity of Nosferatu. They named their 2021 demo Path of the Bleeding Dead, and their forthcoming debut album is emblazoned with the title Nocturnal Blood Tyrants.

All of that, and their signing with the label De Tenebrarum Principio (a division of ATMF), signals music of “nocturnal terror and eternal darkness”, of “sanguine delirium” and “feverish ultraviolence”, and of a “trance-like state” that might be induced by their blood-lusting and blood-letting assaults against victimized listeners.

Those are among the preview words offered on behalf of the label. We have some of our own, impelled by the Blutsauger album track we’re premiering today: “Blood Shroud Ritual“. Continue reading »

Jul 222025
 

(Today we present DGR‘s review of Grand Cadaver‘s new EP The Rot Beneath, which will be out on August 15th via Majestic Mountain Records.)

When you’re spread among many projects in the way Dark Tranquillity‘s Mikael Stanne has been over the past few years, there is a chance of one of them going consistently underrated in the face of all the other material being put out. The throwback riffwork of swede-death project Grand Cadaver has flown under the radar among many in metal fandom, and it has reached a point where you can’t help but wonder if people are unintentionally robbing themselves of an awesome time by just breezing past the group and chalking them up as another band pining for older days.

Grand Cadaver have proven to be a rock-solid foundation of music since their founding in 2020; the five years since have seen the group chalking up an array of singles, EPs, and two full albums to their name, all of which, yes, look backward in order to progress forward, and have either been stealthily melodic or pushed at the boundaries of floor-stomping death metal enough to keep the events interesting. Continue reading »

Jul 212025
 

(written by Islander)

Imagine you’re staring at the face of a clock instead of this page, a clock with a sweep hand that steadily ticks away the seconds. Then imagine the clock goes haywire, the second hand and the other hands spinning instead of ticking or crawling, and then all of them suddenly spinning in the opposite direction.

That’s one way to prepare you for the Sulphuria song “La Danza Del Satiro” we’re about to present. It spins in very different directions from the kind of music we usually feature here, strange directions that become strangely seductive, a twist on black metal that exotically warps it, an alchemy that justifies a “for fans of” reference which includes Goblin and Mercyful Fate as well as Beherit and Gorgoroth (among others). Continue reading »

Jul 212025
 

(Andy Synn has the scoop on the continued re-emergence of Sallow Moth)

One of the most fascinating things in the animal kingdom, in my opinion at least, is the way in which caterpillars transform into butterflies (or moths).

After all, this is an organism which effectively spends half its life-cycle as one thing and the other half as something completely different… to the point where, if you didn’t know any better, you’d be hard-pressed to think of the two forms as belonging to the same species.

Not only that, but in between these two stages the caterpillar itself dissolves into a rich nutrient soup, becoming for a time neither one thing or the other as they undergo this startling metamorphosis.

Perhaps even more interesting is the fact that while a few fundamental structures do survive and carry over from one state of being to the next, studies have shown that certain memories, certain behaviours, can also survive the process, meaning that (to the extent that they are able) it might be said that butterflies (and moths) remember what it was like before they had wings.

And I can’t help thinking, while listening to the band’s new album (out 01 August) that Sallow Moth‘s own life-cycle has closely mimicked that of their name-sake.

Continue reading »

Jul 192025
 

(written by Islander)

Yesterday I doubted I’d have time for a roundup today due to picnic preparation participation (the post-pandemic PPP). But as you can see, I did, due to waking up way earlier than I thought I would.

I’m going to miss those extra hours of lost sleep by the time this day and night end, but getting to delve into these four tremendous new songs, three of which arrived with excellent videos, is the silver lining to that wearying cloud.

The keywords for what follows are “immensity” and “intensity”. Continue reading »