Dec 312014
 

 

(Andy Synn brings us the 53rd edition of The Synn Report, reviewing the discography of KYPCK.)

Recommended for fans of: Crowbar, Ghost Brigade, Pallbearer

Well, it looks like we have just enough time left in this year to sneak in one last Synn Report. But what band should I cover?

Thrashy prog/power metal? Technically twisted Death Metal? Creepy industrialised Black Metal? Razor-sharp Melodeath? Groovy Nu-Metal? (all of these are potential future entries, don’t you worry…)

No, I’m thinking we need to celebrate the death of the year, and the dawning of a new one, with some Russian-themed Doom Metal from Finland. How does that sound?

Formed back in 2007 and naming themselves after the Russian city of the same name, KYPCK (pronounced “kursk”), these Finnish fatalists have distilled some truly deep and deathly Doom and gloom from the historical antagonism between Finland and Russia, grooving and grinding their way through three albums worth of songs dealing with themes of pain and loss and the futility of war. Continue reading »

Dec 302014
 

 

(Andy Synn reviews the debut album by New Jersey’s Death Fortress, released in November 2014 by Fallen Empire Records and featuring amazing cover art by Ola Larson.)

Despite our best efforts – and through no fault of our own – we still missed out on covering a lot of albums this year. There’s simply so much music, and so little time, that stuff always slips through the cracks. And, often, that means some real gems get missed.

Case in point, here we have Among the Ranks of the Unconquerable, a visceral slab of pitch-black perfection, with its foundations firmly rooted in the old school, but with a vision fixed firmly on new horizons.

Raw and ravenous, dark and droning… atmospheric, oppressive, and morbidly melodic… it’s six songs of writhing riffs and hypnotic, swirling murk that rattle your bones and scrape your nerves raw with shameless, sadistic pleasure. Continue reading »

Dec 222014
 

 

(This is more than a show review… this is Andy Synn’s analysis of why Meshuggah rise far above their legions of imitators.)

Two nights ago I was lucky enough to witness the sheer awe-inspiring power of Meshuggah lay waste to a packed Roundhouse in London, as part of their 25th (!) Anniversary tour.

As I’m reviewing the show for another publication (because I am, at heart, a whore for attention and approbation) it didn’t seem right to also review it here for NCS. However, the whole experience did stimulate more than a few different thoughts in my head, and so I wanted to at least take the opportunity to write a few of them down, and maybe go a little deeper into exactly why I think Meshuggah are such an important, vital band in today’s metal scene. Continue reading »

Dec 192014
 

 

(Andy Synn’s five-part retrospective on the year in metal concludes with his list of the “Personal Top 10″. Previous installments on the “Great”, the “Good”, the “Disappointing”, and the “Critical Top 10” albums can be found here, here, here, and here.)

So this is it… it’s the Final Countdown (cue the music!)

Seriously though, I hope you’ve all enjoyed and appreciated all my lists so far, and discovered (or rediscovered) some new or overlooked gems in the process. It’s definitely as much fun for me to write the things as I hope it is for others to read them, as it allows me to collect my thoughts and really take stock of just how good each year is, and look back on all the various trends and twists that have come and gone.

My “Personal Top 10” list is exactly that, a simple representation of what I have personally (and almost uncritically) loved the most this year. Whereas I try and make the “Critical Top 10” list as impartial and honestly representative of the year as I can do, my Personal list is just a reflection of my own tastes and biases – unashamed and unfiltered.

I can tell you right now, in fact, that even if I were to expand the list to 20, only a few entries from the Critical list would probably get a look in. Some would, no doubt about it, but by and large my personal favourites differ quite a bit from what I’d objectively class as the year’s “Best” albums. Though I’d argue that many/most of these albums definitely are amongst the best I’ve heard this year.

So, without further ado, my final list of completely super-pretentious garbage for all of those unlucky enough to have been born after the 1970s! Continue reading »

Dec 182014
 

 

(Andy Synn’s five-part retrospective on the year in metal continues with his list of the “Critical Top 10”. Previous installments on the “Great”, the “Good”, and the “Disappointing” albums can be found here, here, and here.)

So there’s just two more lists left this week, and then I’m (almost, maybe, possibly, ok not really…) done rounding up this past year in metal.

To differentiate between the two, I’ve dubbed them (as in previous years), the “Personal Top 10” and the “Critical Top 10”, as I’ve taken a slightly different approach to compiling each one. The “Personal” list is, as you might have guessed, simply a list of my ten favourite albums of the year, which simply gives an insight into my own personal tastes and preferences, whereas the “Critical” list is where I’ve tried to be as impartial as possible, and really select albums which I think I could (semi)objectively justify as being the year’s best.

However, this year I’ve made the decision not to explicitly rank the “Critical Top 10” albums – partially because I was having enough trouble just slimming my initial list of candidates down to just 10 in the first place, and partly because I’ve decided to try and do things slightly differently this year – and instead I’ve tried to focus more on providing what I think is a cultural (and critical) snapshot of the year, selecting ten albums, from across the length and breadth of the metal spectrum, that I think embody the spirit and variety of the genre, as well as being amongst the best that 2014 has had to offer.

Think of it like a time-capsule of the year in metal, with me trying to select ten representatives that future generations will be able to look back on with a mixture of awe and incredulity.

Anyway, enough of my rambling. After the jump, my selections for ten of the best, most critically praised albums of 2014! Continue reading »

Dec 172014
 

 

(As part of our year-end LISTMANIA series we present Andy Synn’s annual column about albums that failed to live up to his expectations. His preceding lists of the year’s “Great” and “Good” albums can be found here and here.)

For those of you unware of this, we don’t tend to go “negative” here at NCS. In fact I’m pretty sure this particular post is probably the most overtly “negative” thing we publish all year.

So, because I realize that this could ruffle some feathers, and runs somewhat counter to the site’s ethos which prevails for the other 364 days of the year, I thought it best to provide a few guidelines about how to read this post. And hopefully avoid any hurt feelings or shit-stirring as a result!

1. Just because I think these albums are “Disappointing” doesn’t mean you have to. I’m just providing an alternative viewpoint and, I hope, some reasonable justification for why I feel this way.

2. Just because I’ve rated these albums as “Disappointing” doesn’t equate to “Bad” – although some of them definitely are. Some of them are just disappointing when compared to the standards at which the band usually perform. Some of them see the band regressing, or spinning their wheels, and are thus deemed “Disappointing” in the overall context of their career.

3. It’s often difficult to communicate tone of voice over the internet, so please don’t read this as me gloating or glorifying in a band’s (perceived) mistakes. I’m not doing this to be controversial, or to make myself feel big or clever, nor am I trying to “troll” our readers, or any of the bands involved. Ultimately these are all bands I legitimately love/like myself, and the fact that these albums/EPs are a disappointment hits me as a fan just as much as it hits any of you.

4. If you’re the type to fly completely off the handle into an apoplectic rage just because someone else doesn’t think that album x, y, or z is the masterpiece you think it is… maybe don’t read this column? Again, I’m just providing an honest statement of opinion, in order to provoke debate and discussion – not a shit-flinging flame-war.

5. Please re-read point 4.

And there we have it. Hopefully that lays out a bit more clearly the why of this particular column. Now, onto the what. Continue reading »

Dec 162014
 

 

(Here’s Part Two of Andy Synn’s five-part series on his reflections about metal albums released in 2014. His list of the year’s “Great” albums appeared here yesterday.)

What separates the truly “Great” from the merely “Good”? A variety of things really. Sometimes it’s not much at all. Some of these albums actually come within a hair’s breadth of achieving true greatness, while others stumble a little more obviously along the way.

It could be that they’re too long, or too short… too ambitious, or not ambitious enough… or just in some way lacking that singular spark which defines true greatness.

That being said, each of these albums is, in their own way, a damn fine listen, visceral, intense, and a worthy addition to anyone’s collection – just because they’re not defined here as one of the truly “Great” albums of the year, doesn’t mean they’re not very, very, good.

And some of these albums are definitely very good. Continue reading »

Dec 152014
 

 

(Today Andy Synn begins his perennial retrospective on the metal of 2014.)

That’s right, every day this week I’ll be publishing a new list covering as much of the past year in Metal as possible. For those of you unfamiliar with the way I do things (and for those of you who’ve understandably blocked last year from your mind), here’s how it’s going to go…

Today I’ll be posting an extensive list of the The Great albums of 2014, those I think really went above and beyond and which embody the absolute best that the year has to offer. There’s a whole host of different genres represented, and a plethora of different bands, young and old, from around the world and across the metal spectrum.

Tomorrow I’ll be posting about The Good albums of the year, another rather extensive list that runs the gamut from solid examples of the genre, to those albums teetering on the edge of greatness, without quite reaching the highest of heights.

Then, on Wednesday, you’ll be seeing the (potentially) contentious list of The Disappointing albums from 2014 – not necessarily “bad” albums, per se (though one or two of them definitely are!), but more a collection of albums that fully failed to live up to what they could have been.

Then, finally, Thursday and Friday, will see the publication of my “Critical Top 10” and “Personal Top 10” lists… about which I’ll say more closer to the time.

So, with all that preamble out of the way, let’s get into the real meat of things, shall we? Continue reading »

Dec 122014
 

 

(Andy Synn reviews the new second album by Spires from Manchester, England, out now on the Eulogy Media label.)

Well, it’s looking increasingly likely that this is going to be one of my last reviews of 2014, as next week it’s time for the unveiling of my annual list-extravaganza, after which I’ll mainly be playing catch-up wherever I can with albums we’ve unfortunately missed out on so far, as well as preparing for the onslaught of new material that invariably comes at the beginning of each new year.

Still, there was no way I was going to miss out on the opportunity of reviewing this album.

Now, full disclosure – I’ve been a big fan of these guys for quite a while now, having reviewed their debut album Spiral of Ascension back in 2010, and their EP Lucid Abstractions in 2012, and Beyond Grace have played several shows with them in the past (and will hopefully play several more with them in the future).

However, I like to think that I’m capable of being fair and critical enough to review this album objectively, and so I hope you can trust me when I say, without reservation, that this album is an absolutely phenomenal piece of work. Continue reading »

Dec 022014
 

 

(In this post Andy Synn sings the praises of the latest album by Nero Di Marte from Bologna, Italy.)

It’s inevitable, given how many albums are released each year, that some of them end up slipping through the cracks. Heck, I’m currently putting together all my year-end lists and finding – to my horror and shame – that we’ve accidentally overlooked a number of this year’s best albums, and simply haven’t given them the attention they rightly deserved.

So you see, even your superfluously talented writers here at NCS aren’t completely infallible.

Much like DGR’s recent write-up of the latest Goatwhore album, my review for Derivae has been sitting on the backburner for a while (though, thankfully, nowhere near as long!), while I’ve been searching for the right words to describe it… as well as the time and opportunity to put my thoughts down on digital paper.

Thankfully it seems that time has finally come, because the Italian quartet’s second album is easily one of the best, and most under-appreciated, albums released this year. Continue reading »