Mar 272020
 


Automb

 

(Andy Synn prepared this collection of reviews, all addressing fine albums that are being released today.)

It’s a very busy Friday for releases this week, both big and small. Some of them we’ve covered here already (Aodon, Perdition Temple, The Malice), some of them we’ll probably get to over the next couple of weeks… maybe… and some of them have already received significant coverage elsewhere.

The purpose of today’s column however is to highlight a handful of bands/albums which might not necessarily receive the same amount of attention and/or adoration as some of the bigger or more high-profile releases, beginning with… drum roll please… Continue reading »

Mar 012020
 

 

For this column I originally picked six tracks from forthcoming albums or EPs. I thoroughly enjoyed all these songs, and they have the added benefit of being very different from each other, with highly variable (and sometimes only tenuous) connections to the traditions of black metal (the column is called SHARES OF BLACK for a reason).

At the last minute, however, I also added one new album. I discovered it upon waking up this morning, thanks to a message from Rennie (starkweather). It was an explosive way to wake up, but man, it did wake me the fuck up. So I’m starting this column with it. I also hope I’ll have time to write a few words about some additional full-length releases I want to recommend from the blackened realms. But I have a lot on my plate at the moment, so I’m not daring enough to call this Part 1. Fingers crossed that I’ll get a companion to this column finished at some point during the coming week.

ABYSSFIRE

Yesterday, on Leap Day, the Russian death/black band Abyssfire vomited forth their blasphemous debut album, adorned with hellish artwork by Nether Temple Design. I have listened to it once, so far, and the music is completely in keeping with the album’s title: The Raging Hearts of Hell. Continue reading »

Dec 102018
 

 

Earlier this fall Satanath Records (Russia) and Final Gate Records (Germany) released Esoterica, the debut album of the Pittsburgh-based black metal band Automb. We had the pleasure of premiering a track from the album in advance of its release, and now we’re pleased again to present an official video for one of the album’s many riveting tracks, a song called “Mourned“.

For those who may be encountering Automb for the first time, it began as a side-project of Necrophagia guitarist Serge Streltsov and vocalist/bassist/keyboardist Danielle Evans. After the untimely passing of Streltsov‘s Necrophagia bandmate Frank “Killjoy” Pucci (to whom this new album is dedicated), he turned his full attention to Automb, and he and Danielle Evans enlisted the aid of Morbid Angel drummer Scott Fuller to create Esoterica. Continue reading »

Sep 172018
 

 

Out of one death comes a new birth. The untimely passing of Frank “Killjoy” Pucci this past spring brought a halt to work on a new album by his long-running death metal band Necrophagia. Necrophagia guitarist Serge Streltsov then chose to turn his full energies to what had begun as a black metal side-project, a band called Automb that he had formed with vocalist/bassist/keyboardist Danielle Evans. They enlisted the aid of Morbid Angel drummer Scott Fuller, and have completed work on a debut Automb album named Esoterica, which will be released on October 22nd through Satanath Records (Russia) and Final Gate Records (Germany).

Whether there will ever be another Necrophagia album is an unknown, but what is abundantly clear is that Automb have created a new album (dedicated to Killjoy) that’s fueled by passion and delivered with immense dark power. One attention-grabbing track from the album has already premiered (“Into Nothingness”), and today we present another: “Call of Hekate“. Continue reading »