Jan 102022
 

 

The theme of this fourth installment of the list is… groove! To be sure, there are other themes and ingredients in today’s trio of tracks, because they are significantly different from each other in just about every other way. But these songs will get you moving, and because they’re all so damned infectious they’ll likely get quickly stuck in your head if you’re encountering them for the first time.

If you’re stumbling into this series for the first time, you’ll find the preceding Parts (and an explanation of what this list is all about) through THIS LINK.

THUNDERING HOOVES (UK)

This is the first of two bands in today’s installment whose 2021 records I paid attention to as a result of my colleague Andy Synn‘s enthusiastic recommendations. In the case of Thundering Hooves‘ debut album Vestiges he praised not only the band’s name but also anointed this precocious duo as “the UK’s answer to Necrophobic“. And yes, that got my attention. He further wrote: Continue reading »

Nov 082021
 

(Andy Synn was fortunate enough to attend this year’s edition of Damnation Festival and now reports back with his experiences of all the bands he saw over the course of the day, along with video evidence)

Well, here it is, the very last Damnation Festival at Leeds University, as the event has become so popular now (as evinced by how quickly so many stages reach capacity these days) that the organisers are moving it (back) to Manchester where they’ve found a bigger and (hopefully) better venue for future editions of the fest.

And while this gives 2021 a real “end of an era” feel, it’s obvious that the Damnation team really wanted to see out their time in Leeds with a major bang, delivering – despite some well-documented, and sadly unavoidable, pandemic-based issues – one of the most stacked line-ups they’ve ever had.

Now, one thing I really tried to do this time around was to see (and document) as many sets by bands I hadn’t seen before, and while, in practice, this didn’t always work out – sometimes due to circumstances entirely beyond my control, sometimes just because I really wanted to see certain bands in particular – I don’t think you’ll be disappointed by who I actually did manage to catch over the course of the day.

So, without further ado…

Continue reading »

Jun 172021
 

(Andy Synn sticks his head above the parapet once more to let you all know about three of the best British albums of the last few months)

I honestly can’t remember the last time I did one of these “Best of British” articles. In fact, this might very well be the first one of 2021 (or, at least, the first one dedicated to full-length albums).

That’s not because these fair and fertile isles have suddenly gone barren – the new Osiah, for example, is a brutal, if not exactly boundary-pushing, slab of uber-aggressive Deathcore, while the debut record from Epiphanic Truth was/is a welcome shot of strangeness – but, for whatever reason, I’ve been finding myself more drawn towards artists and albums from beyond the borders of these green and “pleasant” lands.

Rest assured, however, I’ve still been keeping my ear to the ground, so to speak, and finally found the time (and the impetus) to write about three truly excellent examples of “The Best of British” in the form of the new albums from Atvm, Boss Keloid, and Code.

Continue reading »