Nov 242015
 

Costin Chioreanu-The Quest For A Morning Star

 

Around the world, this fall has been a season of tragedy, an ugly reminder that death takes the innocent every day. And it has included some especially terrible reminders of that fact for music fans. The slaughter at the Bataclan music venue in Paris on November 13 has of course dominated the news in recent weeks, overshadowing another tragedy that happened on October 30 at a club in Bucharest, Romania.

On that night, at an album release show at Club Collectiv for a local band named Goodbye to Gravity, an explosive fire broke out that has claimed the lives of 60 victims so far, including two members of the band, with more than 100 people still hospitalized, some still in critical condition. The catastrophe led to three days of national mourning, massive protests in the streets, and the resignation of Romania’s prime minister.

To raise funds for the victims of the tragedy (for both medical bills and funeral expenses), the noted Romanian graphic artist and musician Costin Chioreanu, whose name will be familiar to readers of this site, has released a collection of music entitled The Quest For A Morning Star via Bandcamp, and I think it’s worth your time and your money. Continue reading »

Nov 192015
 

At the Gates-photo by Ester Segarra
photo by Ester Segarra

Today we have a two-part round-up of (mostly) new music for you. I put together this selection of new things I spotted over the last 24 hours. A bit later today we’ll bring you another compilation, assembled by Grant Skelton. Here we go:

AT THE GATES

“The Night Eternal” is one of my favorite tracks on At the Gates’ latest album At War With Reality. Honestly, it’s probably my favorite track on the album. So I was excited that the band released an official video for the song a couple of days ago, and even more excited when I realized that the video consisted of an animation by Romanian graphic artist and musician Costin Chioreanu. And it truly is a wonderful creation. Costin wrote this about the video: Continue reading »

May 172015
 

 

Happy Sunday. I thought I would recommend a few new songs. No, not that new Lamb of God song — I like it, but I figure almost every metalhead in creation already knows about it, and I’d rather focus on some things you might not have heard about.  But by all means, feel free to share your thoughts about that song in the Comments, along with any reactions to the following four items.

BLOODWAY

Costin Chioreanu is probably best known in metal circles as an incredibly talented graphic artist whose work appears on the covers of a wide array of excellent albums (including releases by At the Gates, Sigh, Arcturus, Mayhem, and Darkthrone). But he’s also the vocalist/guitarist of a Romanian band named Bloodway, whose fine debut album Sunstone Voyager and the Clandestine Horizon was released on February 27th 2014, by I, Voidhanger Records. Continue reading »

Aug 212014
 

 

We have three music premieres coming your way today, but before we begin rolling them out, here are a couple of quick notes that caught my eye this morning.

AT THE GATES

Unless you’ve been living under a rock, you know by now that Sweden’s At the Gates have recorded a comeback album entitled At War With Reality that’s due for release by Century Media on October 27th in Europe and October 28th in North America. Today the band revealed the cover art for the album (above), which was created by one of our favorite metal artists, Costin Chioreanu (twilight13media.com). As for the relationship between the art and the album, and how Chioreanu came to be involved in the project, we received a press release that included these statements.

From AtG vocalist/lyricist Tomas Lindberg:

“The concept of At War with Reality is based on the literary genre called ‘Magic Realism’. The main style within this genre is the notion that ‘reality’ is ever-changing, and needs to be constantly re-discovered and re-conquered. We felt that Costin’s artwork style would be the perfect visual contribution to this album, so he became the natural choice…” Continue reading »

Mar 292014
 

Yesterday was a bonanza for me, like Santa got lost on Christmas Eve and wound up in a roadhouse in Amarillo and pulled out of his blackout drunk only yesterday, just long enough to drop these three presents down my non-existant chimney while he puked his guts out all over the reindeer. Or something like that.

VALLENFYRE

I get all tingly in my nether bits thinking about Vallenfyre’s new album, Splinters. A Fragile King (2011) was such an auspicious debut, and it’s such welcome news that this all-star band decided to follow it up with another album, which is now scheduled for release by Century Media on May 12 in Europe and May 13 in North America. Yesterday brought the premiere of the album’s opening track, “Scabs”.

The combination of screeching feedback, massive guitar and bass tone, and crisp, rapid-fire percussion grabs you within the first half-minute — and the song just gets even better from then on. The writhing guitar melody, the truly titanic chugging, the cavernous vocals, the obliterating drumwork — it all combines to exert a powerful, primal appeal, and an atmosphere drenched in bleakness. Fantastic song. Continue reading »

Sep 182013
 

Collected here are a large handful of items of interest that I came across today and yesterday while crawling through the underground. The last four items consist of pairings that work. You’ll see what I mean.

ENDSTILLE

German black metal band Endstille, they take no prisoners. They have a new album named Kapitulation 2013 that Season of Mist plans to release in NorthAm on November 12 (November 8 worldwide). I remembered their name somewhat fearfully from the last album, which is now on Bandcamp, so I was interested to hear the new song that debuted today — “The Refined Nation”.

I find it very difficult to be very refined in writing about music like this. In my case, the capacity for careful dissection and articulate analysis go up in a mushroom cloud of obliteration, and Endstille don’t strike me as a band who care terribly much about refined criticism anyway. The song is a black metal detonation that fills the air with shrapnel and the screams of the dismembered (or that may be Endstille’s vocalist, it’s hard to be sure). Continue reading »

Jul 202010
 

Grave stalks the burial ground in its recently released ninth album like an undead thing that knows the territory like the back of its decaying hand.

The nine songs collectively represent a stark contrast to the modern death-metal sound of the band (Noctiferia ) whose album we reviewed yesterday. Over the near quarter-century of its existence, Grave has remained true to the early-stage school of Swedish death metal that it helped found — a school that will flunk your ass out if your mind wanders from the approved curriculum.

But if you’re in the mood to study the evil classics, with some subtle updating, Burial Ground will pay dividends. To mix our metaphors, Grave has got the bone saw gassed-up and running — rough and loud. It won’t be a clean amputation, but as the jocks say, no pain, no gain.

Throughout the album, the bass and guitar hum and buzz and crackle like massive, overloaded transformers, producing the classic, downtuned, distorted sound that reviewers have unsuccessfuly struggled for two decades to describe (for the sake of variety) without using the word “chainsaw.”

It’s not all the sound of a burred grind. Tremolo-picked leads surface in “Semblance In Black”, “Ridden With Belief”, and “Bloodtrail”. Mournful, dissonant melodies peer out of the maelstrom on songs like “Liberation” and “Conqueror”, and squalling solos erupt in rapid bursts in almost every song.

But if the sound of those Swedish death-saws isn’t music to your ears, then you ain’t gonna like Burial Ground, because there’s no escaping them.  (more after the jump, including a track to stream and some eye-catching artwork . . .) Continue reading »