(In this post Andy Synn reviews three albums being released today or in the near future — by Deftones, Enslaved, and The Ocean.)
As anyone who’s been following this site for, ooh, more than five minutes, will know, we tend to aim our collective focus at the more underground and/or underappreciated albums and artists out there.
Not because we have to. Not because we think it makes us “cool” (trust me, we’re not cool). Not even because we’re trying to make some sort of point or big statement. It’s just because we want to, and because it’s generally more fun to write about these sorts of bands than it is to regurgitate the same generic platitudes you can see/read everywhere else about bands who already have more than enough exposure.
That being said, sometimes we like to turn our attention to some bigger game, and bigger names, because… well… because we feel like it, basically. Which is why you’re about to read my short, but sharp, take on three artists/albums who’ve already received a fair bit of praise elsewhere but whom I think deserve a slightly more critical (dare I even say, objective?) assessment.
Think of it as my attempt to restore some balance to the force, as it were.