CHESTCRUSH: “ΨΥΧΟΒΓΑΛΤΗΣ”

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Jul 022025
 

(DGR has conceived lots of ways of expressing just how crushing and destructive the new album from the multi-national group CHESTCRUSH really is, and they’re all laid out before you below.)

It is not uncommon for a metal band to ruminate on the concept of hate when the spectre of subject matter for an album arises. Hate is metal’s territory; it is logical for the musical drive of the extreme to tilt in such an extreme emotion’s direction. The force of hate as a concept is that it grabs hold of a human being like nothing else, refusing to let go. Whole personalities can be mutated by it, and if you’ve ever worried that our species hadn’t basically signed its own death warrant from the beginning, bear in mind just how well hate can grab hold of people.

The joyous moments of life are ephemeral and drift through memory; they are life as it should be, but the darker moments hover above us for eternities. Grudges can be held for lifetimes and generations. Hate can fester and turn into a cancerous ball that kills its host, snuffing out any potential for good being done in the world in favor of endless bleakness.

While many bands use hate and misanthropy as inspiration, few among the thousands that grace us with their presence each day have truly captured the oppressive weight that such an emotion can place upon a person. The utter disdain for anything in existence can often lead a group astray into carnival sideshow territory just as easily as it can serve as the spark for an auditory conflagration. Continue reading »

AN NCS EP AND VIDEO PREMIERE (AND A REVIEW): STORTREGN — “ONE ETERNAL”

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Jun 052025
 

(Today we help announce, and premiere a video playthrough, of a new EP by the Swiss metal band Stortregn, preceded by DGR‘s review of this very interesting and hair-raising new work on the eve of its release.)

Given the length of Stortregn‘s career it is impressive that they’ve been able to keep to such a consistent clip. Even while slowly metamorphosizing into a different genre from where they started, Stortregn have been a on a strong two-to-three-year cycle of quality releases. They even managed to land one well enough with 2023’s Finitude that it wound up ranking pretty highly at this here website’s year-end celebrations. If nothing else, we were certainly ready to throw down in defense of the one-two punch of “Xeno Chaos” and “Cold Void” in the early part of the album.

Stortregn specialize in a form of compositional chaos that is tightly controlled but still just off the map enough that they pleasantly surprise. Each song is a musical showpiece on its own without devolving into instrumental demo work, and that they do this at such a high speed for the majority of their last few releases has been stunning. Without ever letting their extremity become milquetoast, Stortregn have put in a valiant effort in the tech-death world. Continue reading »

T-800: “ANTIHUMAN”

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Jun 042025
 

(April of this year brought the debut EP from the Colombian death metal band T-800, and today we bring you DGR‘s review of it.)

There is an art to taking things at face value when it comes to music sometimes. All one needed to do was glance at Colombia’s newly formed death metal act T-800 and its constituent pieces to know that this would not be some big, world-changing event in music. Instead, and purely based off of how the group are constructed out of their local scenes in various other brutal death, slam, and even one tech-death and deathcore band, to know that T-800 are likely going to be about as rock stupid as it comes in death metal.

That is, of course, if you hadn’t already caught the Terminator homage in the name or song titles, or the fact that the artwork for their newest EP Antihuman goes with the classic pile of skulls, zombies, and mutilation for its overall motif. There’s not going to be anything progessive in the mission statement of Antihuman. This is death metal in a form about as thick-headed as it could come… and sometimes that is what you need. Continue reading »

LUCIFER’S CHILD: “THE ILLUMINANT”

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May 302025
 

(Here is DGR‘s evocative review of a new album released through Agonia Records in late March by the Greek black metal band Lucifer’s Child.)

The myths of black metal cast their subjects in many forms – conjurers, infernal priests, sorcerers, wizards, a whole barrel full of nihilistic entities. The evolution of the black metal show into ritualistic form has been an interesting – if obvious – evolution for a genre in which theatricality can be an important aspect. Over the years we’ve even archived many regional splits in the overall style, which has also made for fascinating subject matter to delve into on its own.

Exploring the anthopological and cultural aspects of the music is sometimes more interesting than the abyssal ablutions being dispensed for those who are seeking it. The genre has become almost synonymous with the cold and dense forests of a Scandinavian north, its ritualistic aspects becoming syncretic with Luciferian worship, magickal exploration, and melodramatic movement, to an effect that obviously speaks to so many people around the world – sometimes in reaction to an overbearing religious aspect of their daily cultural lives.

Where the regional splits have arisen is the equally interesting subject matter to speak of, because one of the more well-known yet still underrated ones is the black metal scene born out of Greece and its hellenic purveyors. Continue reading »

CARNAL FORGE: “THE FRACTURED PROCESS”

 Album Reviews, SHORT BUT SWEET  1 Response »
May 272025
 

(This is DGR‘s review of a new EP by the Swedish band Carnal Forge, released in March by ViciSolum Productions.)

Much as it is tempting to turn every review into a tome that could challenge Webster’s Dictionary in terms of pages, sometimes something shorter and sweeter is the order of the day. Carnal Forge have been kicking about since the late ’90s, with one real lengthy gap between releases in that time. Their 2019 album Gun To Mouth Salvation was their first full-length in close to twelve years so it’s not too hard to believe that in an age of ever-shifting lineups a near-six-year gap would then follow before we heard from the guys again.

March 2025 offered us a peak behind the curtain of what the band still have in the tank with a three-song EP entitled The Fractured Process, and judging by the near-eleven or so minutes of material that this EP is offering up, they’re not looking to rock the boat too hard. Carnal Forge are continuing the walk the pathway of some very sinister melodeath and thrash music, effectively kicking the machine back into motion right where it left off from Gun To Mouth Salvation. Continue reading »

MASSACRED: “MORTAL ANNIHILATION”

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May 262025
 

(What follows is DGR‘s review of the latest slab of brutality released by the Argentinian band Massacred.)

As if there were ever any chance we weren’t going to cover this one. We don’t have a military-grade spy satellite overlooking the entirety of the world when it comes to heavy metal, but even to those of us who may have bifocals thicker than a California Business Code Of Conduct book, this one wasn’t going to sneak by that easily.

We’ve reviewed some absolutely incredible albums over the course of the year so far and we’re always looking for more. That’s why this one went skating across the desk at the old NCS offices, as we continue our endless sisyphean task of attempting to track down new music for our readers to devour. As if they had a hunger, neverending, and a singular focus on simply obtaining more.

It’s rare that we get to touch base with the solo brutal death and slam scenes these days. The whole genre has seen explosive growth over the past decade as recording implements have democratized and been able to reach wider audiences. It’s resulted in a breed of musician whose desires are different than pure artistic expression, laying somewhere familiar to the grindcore crowd wherein music can be both emotional expulsion and an internet shitpost – the two need not be mutually exclusive.

Argentina’s Massacred is to be appreciated, then, as their aspirations are waved on a banner, worn proudly, and stated so up-front that you could never accuse them of trying to be more than what they are — which is pure and unadulterated Mortician-inspired death metal, one that just happens to have a taste for both horror movies and, surprisingly enough, the Resident Evil series of video games. Continue reading »

TERROR CORPSE: “SYSTEMS OF APOCALYPSE”

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May 232025
 

(DGR continues to dig back into the earlier months of this year in search of gems previously overlooked at NCS, and found another in the debut EP of Texas-based Terror Corpse. Below is his vivid review of this sonic maelstrom.)

The union of death and grind has been fruitful for decades now. The deathgrind genre is one where the artist has had more capability to define what the music is than the listener does; over the years it has become a field wherein any death metal group with a taste for hardcore punk riffs or the classic circle pit grind guitar parts could find themselves standing side by side with groups for whom “slop” is the definitive way to describe their music, their peers within the sphere doing just the same, creating chaotic hybrids of unrelenting death metal that just happens to be very abbreviated.

The genre’s one unifying aspect as it has gone through its many mutations and transitions since the initial fusions began has been that the music is immensely abrasive. Terror Corpse is a union of Houston, Texas based musicians whose resumes delve deep into the death and grind underground (a block of Terror Corpse‘s lineup hails from the Necrofier crew). Their newest EP Systems Of Apocalypse will easily rank up there as one of the most chaotic, heaviest, and noisiest releases out this year, perfectly assembled for the deathgrind-loving ghouls of the heavy metal world. Continue reading »

SERENITY IN MURDER: “TIMELESS REVERIE”

 Album Reviews  1 Response »
May 222025
 

(Serenity in Murder‘s Timeless Reverie has been out since the end of February on Apostasy Records, but it won’t let go of DGR, and so even now he feels compelled to sing its praises.)

One of the joys of being an internet dork such as we are is that we get to witness regional scenes and tastes sprouting up across the world and then attempt to archive it. While the language barrier is always a little daunting, depending on the country, the need for loud aggression is more universal. It’s not surprising that the semi-permanent poverty and extreme artform of heavy metal has held appeal across the world in that regard.

Sometimes you need to just yell and share your band’s name with a Slayer song, and whatever gets filtered through that particular point in time is transformed based on the person’s ambition. It’s why you can have some of the most musically inclined and smartest people in the world playing essentially the dumbest fucking thing possible – either in an attempt to elevate the artform or the more commonly cited reason of “it’s just fun”. Continue reading »

VADER: “HUMANIHILITY”

 Album Reviews, SHORT BUT SWEET  2 Responses »
May 212025
 

(The Polish titans Vader have bestowed upon us a new EP named Humanihility that will be sprung free by Nuclear Blast on May 30th. Below is our writer DGR‘s take on what it offers.)

It’s the most wonderful time of the year! It’s that time of year in which Vader drops a new EP on us that will no doubt offer a solid preview of things forthcoming from the now three-guitarist-armed band. Vader have done this like clockwork for years now, in between full-length albums offering up a two- or three-song EP that shows where their headspace is at, usually as a tight enough package on its own that it can hold people over for the extended wait that some album cycles tend to require.

They’re also a pretty good preview of what sort of Vader you’ll likely be getting on whatever upcoming full-length the titans have in store. Will it be death metal heavy Vader? Will it be thrashier Vader? Will Vader buck all trends and finally go full avante-garde and unleash some sort of blackened folk swing with extra emphasis on tuba? Will we get another fun cover song in the mix? Will we finally figure out how to work the word “lugubrious” into a review without calling attention to it beforehand?

Schrödinger’s Vader exists in multiple forms in the lead-up to the first spin of a new Vader EP and the sheer potential of it all is enough to keep things exciting. Continue reading »

SYMBIOTIC GROWTH: “BEYOND THE SLEEPLESS AETHER”

 Album Reviews  1 Response »
May 202025
 

(Everyone here only writes about music they want to recommend, but as you’ll see from DGR‘s following review of Symbiotic Growth‘s new album, he is especially enthusiastic about what they’ve accomplished.)

As 2025 has wandered onward we’ve been afforded a few chances to dig backward through the pile of music that we missed. The compulsion to try and cover everything that you’ve been enjoying can sometimes be just as strong as the urge to constantly be at the forefront of the most recent music to hit. The battle of the two can sometimes turn ugly and the cuts made can be just as brutal as the music you’re listening to.

But sometimes you find stuff that’s so special you just can’t let it go, and the world be damned, you will make time to discuss it in one form or another. Thus, when we do get these chances to bring up releases that we’d been meaning to talk about for a while, we’re going to take it. And that brings us to Symbiotic Growth, a progressive black and death metal band hailing from Ontario, Canada. They share members with a few other projects we’ve written about, including the oppressively dense death metal act Fractal Generator, whom drummer Dan Favot has belonged to. Continue reading »

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