Nov 092019
 

 

Lo and behold, I managed to finish the second part of the round-up of new music I began here yesterday. Not a great shock that I couldn’t finish it yesterday; more shocking that I finished it at all. Hope you enjoy what you’ll find here. Musically, it’s pretty diverse.

EXULANSIS

I’m not embarrassed to admit that when I first listened to the title song of the debut album by Exulansis, which opens the album, I got a lump in my throat and moistness in the eyes. It’s no secret that I tend to have stronger emotional responses to music (and tend to express them more unabashedly) than many people who are (or pretend to be) music critics, mainly because I think of myself more as an enthusiastic fan than a critic. But this song damn near broke my heart. And it turns out that the song continues to have that effect every time I hear it, which means I have to ration how often I turn back to it (simply forgetting about it isn’t an option). Continue reading »

Jul 262019
 

 

Some weeks I have no time for even one round-up. This week I’ve gone overboard with them. Make hay while the sun shines and all that shit.

The hay I’ve made today before we hit the weekend flows like this (yeah, I know, hay doesn’t flow): We begin with an utterly decimating piece of sonic warfare, and then get pretty damned thrashy through the next three  tracks (the kind of songs that will get your motor running fast and hot). After that I’ve gone in a couple of other directions, one of which will bury you beneath mountains of stupendous heaviness and the other of which will then fill your subterranean crypt with horrors, because we don’t want you to spend eternity alone.

VITRIOL

Some metal memories are more vivid than others. I distinctly remember, for example, being left slack-jawed and dumb-struck when I first heard this Portland death metal band’s debut EP Pain Will Define Their Death. Equally vivid was the impression that Vitriol left when I caught their live performance at Northwest Terror Fest in Seattle earlier this year. It was so goddamned ferocious that it sucked the air from my lungs. And then also vivid again was my chance encounter backstage, right after the performance, with vocalist/guitarist Kyle Rasmussen, who could not have been more happy, humble, and engaging.

Put all those vivid impressions together, and they leave me super-eager for Vitriol’s debut album, To Bathe from the Throat of Cowardice, which will be released by no less a label than Century Media Records on September 6th. Continue reading »