(Austin Weber reviews the debut album by Fall of the Albatross, which had its full streaming premiere yesterday.)
Fall Of The Albatross are pretty much the second coming of the style of music played by defunct experimental mathcore fusionists Lye By Mistake, although Fall Of The Albatross amazingly draw from an even wider palette of sounds than the aforementioned eclectic group, and they do so quite expertly. While the band previously had a vocalist, they decided to soldier on sans vocals after losing him, leading to their current instrumental incarnation and the self-recording of their full-length debut now before us — Enormous Cloud.
Enormous Cloud is a lot of things at a lot of different times. But to try and break it down into its elements, you could say that they smash together lots of wild tapping, heavy-as-hell moments of pure Dillinger rage, split-second grind bursts, just the right amount of post-rock builds, some grooves, and polyrhythmic chugging that’s always paired with different combinations of riff/leads/sweeps/tapping and is never overdone. Meanwhile some of their rhythms and melodies certainly remind of math-rock at times, while their forays into jazz, Latin, funk, blues, and fusion slide in and out of this ever-changing mass.
Jarring though some of the transitions are, the songs all manage to have a unique identity, flow, and structure. This is very progressive and dense instrumental metal indeed. Continue reading »