Apr 292013

Sometimes it happens like this. It’s a goddamn Monday morning and I wake up at an hour fit for nocturnal predators but not for human beings. I brew the coffee and start chugging it like a Bolt Thrower riff. I check the NCS e-mail to see what came in overnight and the first three things I see kick my ass so hard that the coffee becomes superfluous. And I start writing . . .


Death Engine are from Lorient, France. They’ve recorded a debut EP named Amen, which will be released in a limited run of CDs in May and on 10″ vinyl in mid-June by Throatruiner Records, North Cult Records, and Basement Apes Industries. More info about that can be found via the links below; perhaps one day it will become available digitally as well.

A song from the EP has begun streaming. Its name is “Gun”. It has made me re-think my support for gun control. It punches holes through concrete. It spews acid. It swarms. It rumbles. It rolls. It pulsates. It bends genres, harnessing elements of hardcore, black metal, crust, and noize. It includes a fucking killer drumbeat. I like it.

After the jump I’ve installed the EP’s cover (by Hugues Pzzl), some links, and “Gun”. Continue reading »

Jan 042013

Herein: an assortment of new music and one new video I discovered over the last 24 hours from a couple of bands previously featured at NCS and a couple of newcomers.  Varied and interesting stuff all the way around.


This band from Phoenix is one of the newcomers. According to Metal Archives, they released a five-song EP (Marianas) via Pale Horse Recordings in 2010, which I haven’t heard yet, and then last month they released a new two-song demo entitled Tyranny. Last night I saw a recommendation of Tyranny from one of my Facebook friends and decided to give it a spin. Sure glad I did.

On Tyranny, Lago deliver something that sounds like a cross between old-school Morbid Angel and late-stage Behemoth, plus interesting elements that you won’t find in the music of either of those bands, such as the noodling bass notes and incredible guitar solo in “The Tyranny of Men”.  Both songs are rhythmically dynamic (and rhythmically compulsive) and expertly played. And the vocals are also deep as ocean trenches and monstrous, in the vein of something like Disma’s Craig Pillard (though some banshee shrieking also makes a brief appearance in the second song).

This is really fuckin’ impressive stuff! Continue reading »