
(Andy Synn returns with another collection of reviews for recommended releases by UK bands)
Hola everyone!
As you may have noticed (or maybe you didn’t, maybe my absence went entirely unremaked) I didn’t post anything here at all last week, as I needed a bit of a break and a rest after all the time and effort involved in putting together my mammoth, week-long round-up of the year (which, if you haven’t done so already, I encourage you to do so via the following links):
- 2025 – A YEAR IN REVIEW(S): SHORT BUT SWEET
- 2025 – A YEAR IN REVIEW(S): THE GOOD
- 2025 – A YEAR IN REVIEW(S): THE GREAT
- 2025 – A YEAR IN REVIEW(S): THE CRITICAL TOP TEN
- 2025 – A YEAR IN REVIEW(S): THE PERSONAL TOP TEN
Now, of course, it’s worth re-stating that, collectively, those lists are still in no way comprehensive… nor was I able to write about every single album featured to the extent I wanted to.
But now that I’m back in action – albeit, still at a somewhat reduced schedule – I’m going to take the opportunity to catch you up on a few albums that didn’t get a proper review, which in this edition of “The Best of British” features two records which made my “Great” list, and one one which (for reasons I’m about to illuminate) just didn’t quite make the cut for the top tier list but which still thoroughly deserves your time and attention.

